1. Morphing The Tempest: Alexander Morfov's Bulgarian Wrecks
  2. Boika Sokolova
  3. pp. 279-290
  4. DOI: 10.1353/shb.2011.0058
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  1. Dreaming the Present: The Tempest, Bulgaria, ca. 2005
  2. Kirilka Stavreva
  3. pp. 291-302
  4. DOI: 10.1353/shb.2011.0033
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  1. The Preposterous Postness of Being: The Case of a Recent Bulgarian Adaptation of The Tempest
  2. Georgi Niagolov
  3. pp. 303-311
  4. DOI: 10.1353/shb.2011.0037
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  1. (Ship)wrecked Shakespeare in Romanian Tempests
  2. Nicoleta Cinpoeş
  3. pp. 313-326
  4. DOI: 10.1353/shb.2011.0044
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  1. No 'Happy Wrecks' - Pessimism and Suffering in Krzysztof Warlikowski's Adaptation of The Tempest by William Shakespeare
  2. Aleksandra Sakowska
  3. pp. 327-338
  4. DOI: 10.1353/shb.2011.0048
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  1. "Unhappy Wrack": Re-Reading The Tempest in New Millennium Poland
  2. Mateusz Targanski, Lawrence Guntner
  3. pp. 339-349
  4. DOI: 10.1353/shb.2011.0053
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  1. Bridges over Troubled Waters: Two Touring Tempests, 2010-2011
  2. Michael Dobson
  3. pp. 351-358
  4. DOI: 10.1353/shb.2011.0035
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  1. Magic Storms on Polish Television: The Case of The Tempest
  2. Jacek Fabiszak, Natalia Brzozowska
  3. pp. 359-369
  4. DOI: 10.1353/shb.2011.0040
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  1. Drop by Drop: Greenaway's Shakespearean Transformations
  2. Antonella Piazza, Maria Izzo
  3. pp. 371-381
  4. DOI: 10.1353/shb.2011.0055
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  1. Behind the Scenes: Penn & Teller, Taymor and the Tempest Divide Shakespeare's Globe, London
  2. Kevin A. Quarmby
  3. pp. 383-397
  4. DOI: 10.1353/shb.2011.0056
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  1. Postmodern Shakespeare?: The Two Noble Kinsmen in Prague and the Search for Context
  2. Lois Potter
  3. pp. 399-406
  4. DOI: 10.1353/shb.2011.0060
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  1. Richard II, and: The Comedy of Errors (review)
  2. Peter Kirwan
  3. pp. 407-414
  4. DOI: 10.1353/shb.2011.0051
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  1. The Malcontent (review)
  2. Andrew Fleck
  3. pp. 414-418
  4. DOI: 10.1353/shb.2011.0046
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  1. The Fair Maid of the West (review)
  2. Michael J. Hirrel
  3. pp. 418-422
  4. DOI: 10.1353/shb.2011.0057
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  1. The Witch of Edmonton (review)
  2. Dawn Saliba
  3. pp. 422-425
  4. DOI: 10.1353/shb.2011.0032
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  1. Double Falsehood (review)
  2. Jennifer-Scott Mobley
  3. pp. 425-430
  4. DOI: 10.1353/shb.2011.0036
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  1. Romeo and Juliet (review)
  2. John King
  3. pp. 431-434
  4. DOI: 10.1353/shb.2011.0041
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  1. Romeo and Juliet (review)
  2. Christen Madrazo
  3. pp. 434-437
  4. DOI: 10.1353/shb.2011.0052
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  1. Romeo and Juliet (review)
  2. Jami Rogers
  3. pp. 438-442
  4. DOI: 10.1353/shb.2011.0043
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  1. Macbeth (review)
  2. J. Caitlin Finlayson
  3. pp. 442-447
  4. DOI: 10.1353/shb.2011.0047
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  1. Macbeth (review)
  2. Katharine Goodland
  3. pp. 447-452
  4. DOI: 10.1353/shb.2011.0034
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  1. Blood Royal (review)
  2. William Gentrup
  3. pp. 452-457
  4. DOI: 10.1353/shb.2011.0038
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  1. As You Like It, and: King Lear (review)
  2. Elizabeth Klett
  3. pp. 457-463
  4. DOI: 10.1353/shb.2011.0059
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  1. Hamlet (review)
  2. Adrienne L. Eastwood
  3. pp. 463-466
  4. DOI: 10.1353/shb.2011.0049
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  1. Hamlet, and: Chamber Cymbeline, and: The Merry Wives of Windsor (review)
  2. Michael W. Shurgot
  3. pp. 466-479
  4. DOI: 10.1353/shb.2011.0054
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  1. Reimagining Shakespeare's Playhouse: Early Modern Staging Conventions in the Twentieth Century (review)
  2. Andrew Blasenak
  3. pp. 481-485
  4. DOI: 10.1353/shb.2011.0039
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  1. Cross-Gender Shakespeare and English National Identity: Wearing the Codpiece (review)
  2. Jason E. Cohen
  3. pp. 485-489
  4. DOI: 10.1353/shb.2011.0045
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  1. The Renegado, or The Gentleman of Venice (review)
  2. Joanne Rochester
  3. pp. 490-493
  4. DOI: 10.1353/shb.2011.0050
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  1. Introduction
  2. Nicoleta Cinpoȩs, Boika Sokolova
  3. pp. 273-277
  4. DOI: 10.1353/shb.2011.0042
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