In this Issue
Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews sections, the most comprehensive and thought-provoking in any musicological journal.
published by
Oxford University Pressviewing issue
Volume 92, Number 3, August 2011Table of Contents
pp. 343-376
pp. 377-409
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View Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition
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Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition
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pp. 410-436
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View ‘It Wants All the Creases Ironing Out’: Percy Grainger, the Folk Song Society, and the Ideology of the Archive
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‘It Wants All the Creases Ironing Out’: Percy Grainger, the Folk Song Society, and the Ideology of the Archive
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pp. 462-463
pp. 470-472
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View The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo (review)
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The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo (review)
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pp. 472-473
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View Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and The Booke of Common Praier Noted (1550) (review)
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Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and The Booke of Common Praier Noted (1550) (review)
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pp. 480-484
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View Georg Philipp Telemanns Hamburger Kirchenmusik und ihre Aufführungsbedingungen (1721–1767). Organisationsstrukturen, Musiker, Besetzungspraktiken (review)
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Georg Philipp Telemanns Hamburger Kirchenmusik und ihre Aufführungsbedingungen (1721–1767). Organisationsstrukturen, Musiker, Besetzungspraktiken (review)
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pp. 484-486
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View The Authentic Magic Flute Libretto: Mozart’s Autograph or the First Full-Score Edition? (review)
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The Authentic Magic Flute Libretto: Mozart’s Autograph or the First Full-Score Edition? (review)
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pp. 489-492
pp. 497-500
pp. 500-501
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View Genetic Criticism and the Creative Process: Essays from Music, Literature, and Theatre (review)
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Genetic Criticism and the Creative Process: Essays from Music, Literature, and Theatre (review)
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pp. 501-504
pp. 466-470
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| ISSN | 1477-4631 |
|---|---|
| Print ISSN | 0027-4224 |
| Launched on MUSE | 2011-09-30 |
| Open Access | No |
