1. Farewell and Welcome, 1975–2011
  2. Daniel Walden
  3. pp. 1-2
  4. DOI: 10.1353/ajl.2011.0003
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  1. Dot’ sh a’ Kin’ a man I am!”: Abraham Cahan, Masculinity, and Jewish Assimilation in Nineteenth-Century America
  2. Clay Motley
  3. pp. 3-15
  4. DOI: 10.1353/ajl.2011.0006
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  1. The Logic of Biblical Subversion in Chaim Potok’s “The Trope Teacher”
  2. Nathan P. Devir
  3. pp. 16-28
  4. DOI: 10.1353/ajl.2011.0009
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  1. Philip Roth’s The Humbling: Loneliness and Mortality in the Later Work
  2. Elaine B. Safer
  3. pp. 40-46
  4. DOI: 10.1353/ajl.2011.0013
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  1. Dazed and Confused: Lamed Shapiro’s American Stories
  2. Leah Garrett
  3. pp. 47-59
  4. DOI: 10.1353/ajl.2011.0000
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  1. Walter Abish’s Deconstruction of the Holocaust in How German Is It
  2. Reiko Nitta
  3. pp. 60-67
  4. DOI: 10.1353/ajl.2011.0002
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  1. Is That All There Is?: Martin Buber, Sufficiency, and Paul Auster’s “The Book of Memory”
  2. Lily Corwin
  3. pp. 68-79
  4. DOI: 10.1353/ajl.2011.0005
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  1. Judaism, Jewishness, and the Universal Symbols of Identity: Re-Sacralizing the Star of David and the Color Yellow
  2. Dana M. Greene, James R. Peacock
  3. pp. 80-98
  4. DOI: 10.1353/ajl.2011.0008
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  1. Him with His Heart and Temper in His Pen
  2. Ann Weinstein
  3. pp. 99-106
  4. DOI: 10.1353/ajl.2011.0010
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  1. Klezmer America: Jewishness, Ethnicity, Modernity (review)
  2. Benjamin Schreier
  3. pp. 107-111
  4. DOI: 10.1353/ajl.2011.0012
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  1. Encyclopedia of Jewish-American Literature (review)
  2. Carole S. Kessner
  3. pp. 111-114
  4. DOI: 10.1353/ajl.2011.0014
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  1. Jewish-Christian Dialogue: Drawing Honey from the Rock (review)
  2. John Fitzgerald
  3. pp. 114-118
  4. DOI: 10.1353/ajl.2011.0001
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  1. My Los Angeles in Black and (Almost) White (review)
  2. Janet Handler Burstein
  3. pp. 118-119
  4. DOI: 10.1353/ajl.2011.0004
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  1. The Paul Goodman Reader (review)
  2. Lewis Fried
  3. pp. 120-122
  4. DOI: 10.1353/ajl.2011.0007
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