In this Issue

Table of Contents

A Cinema of Urgency: Interview with John Gianvito

John Gianvito
pp. 3-17
DOI: https://doi.org/10.1353/esp.2011.0040
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« En fin de compte, un génocide, c'est très humain » : S21: la machine de mort khmère rouge de Rithy Panh

Nathalie Rachlin
pp. 18-33
DOI: https://doi.org/10.1353/esp.2011.0030
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Making Waves: René Vautier's Afrique 50 and the Emergence of Anti-Colonial Cinema

Steven Ungar
pp. 34-46
DOI: https://doi.org/10.1353/esp.2011.0032
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Rififi and the Politics of Silence

Philip Watts
pp. 47-58
DOI: https://doi.org/10.1353/esp.2011.0034
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Filming Work and the Work of Film

Martin O'Shaughnessy
pp. 59-73
DOI: https://doi.org/10.1353/esp.2011.0036
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Chronicle of a Death Unseen: Cinematic Treatments of the Disappearance of Mehdi Ben Barka

Sue Harris
pp. 74-87
DOI: https://doi.org/10.1353/esp.2011.0037
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Rohmer's Triple Agent: Theatricality, Archive and the 1930s

Ivone Margulies
pp. 88-103
DOI: https://doi.org/10.1353/esp.2011.0039
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Can Comedy Change the World?: Jean Yanne and French Comic Cinema of the 1970's

Dalton Krauss
pp. 104-117
DOI: https://doi.org/10.1353/esp.2011.0041
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The Liberating Power of Laughter: Le Placard and Gazon maudit

Lynn A. Higgins
pp. 118-133
DOI: https://doi.org/10.1353/esp.2011.0031
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Dada's Women (review)

John D. Erickson
pp. 134-135
DOI: https://doi.org/10.1353/esp.2011.0033
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Correspondance (review)

Stephen Steele
pp. 135-136
DOI: https://doi.org/10.1353/esp.2011.0035
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Introduction: The Powers of Cinema

Lynn A. Higgins, Steven Ungar, Dalton Krauss
pp. 1-2
DOI: https://doi.org/10.1353/esp.2011.0038
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