In this Issue

Table of Contents

Revisiting ‘Le bon goût’: Observations on the Irregularities and Inconsistencies in French Harpsichord Music 1650–1730

David Chung
pp. 183-201
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‘The Joyous Light of Day’: New Year’s Day Music in Leipzig, 1781–1847

Jeffrey S. Sposato
pp. 202-229
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A Cohesive Shambles: The Clash’s ‘London Calling’ and the Normalization of Punk

Matthew Gelbart
pp. 230-272
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Re-Reading Saint-Saëns

Jann Pasler
pp. 273-279
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Three Occasional Odes (review)

Martin Adams
pp. 280-282
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Motets for One, Two or Three Voices and Basso Continuo (review)

Peter Leech
pp. 282-285
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Music and Wonder at the Medici Court: The 1589 Interludes for La pellegrina (review)

Tim Shephard
pp. 285-287
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Ars Musica et naissance d’une chrétienté moderne: Histoire musicale des réformes religieuses (XVIe–XVIIe siècles) (review)

David Burn
pp. 287-289
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Music and Musicians on the London Stage, 1695–1705 (review)

Robert D. Hume
pp. 289-292
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Mendelssohn and Victorian England (review)

Sinéad Dempsey-Garratt
pp. 292-294
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Romanticism and Music Culture in Britain, 1770–1840: Virtue and Virtuosity (review)

Nicholas Temperley
pp. 295-297
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Schumann-Studien 9 (review)

James Garratt
pp. 297-300
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Richard Wagner and his World (review)

Mark Berry
pp. 300-302
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Music, Culture and Social Reform in the Age of Wagner (review)

Mark Berry
pp. 302-305
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Wagner: Beyond Good and Evil (review)

Nicholas Baragwanath
pp. 305-307
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Gilbert and Sullivan: Class and the Savoy Tradition, 1875–1896 (review)

Derek B. Scott
pp. 307-310
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Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England (review)

Pauline Fairclough
pp. 310-311
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Alban Berg: Zeitumstände, Lebenslinien, and: Altenberg bis Zuckerkandl: Briefe an Alban Berg, Liebesbriefe von Alban Berg aus den Beständen der Österreichischen Nationalbibliothek (review)

Nick Chadwick
pp. 311-317
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Shelley’s Music: Fantasy, Authority, and the Object Voice (review)

Ross Wilson
pp. 317-318
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Intimate Voices: The Twentieth-Century String Quartet. Volume 1: Debussy to Villa-Lobos, and: Intimate Voices: The Twentieth-Century String Quartet. Volume 2: Shostakovich to the Avant-Garde (review)

Robert P. Morgan
pp. 319-324
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Einführung in die Klaviermusik von Sergej Prokof jew (review)

David Fanning
pp. 324-325
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John Zorn: Tradition and Transgression (review)

Kenneth Gloag
pp. 325-327
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Peter Maxwell Davies Studies (review)

Michael Hooper
pp. 327-330
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György Kurtág: Three Interviews and Ligeti Homages (review)

Nicholas Jones
pp. 330-332
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Harrison Birtwistle: The Mask of Orpheus (review)

Edward Venn
pp. 332-334
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Music in the Andes: Experiencing Music, Expressing Culture (review)

Henry Stobart
pp. 334-336
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Recipients of ‘Music & Letters’ Awards

p. 337
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‘Music & Letters’ Awards

p. 339
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Authors of Articles in This Issue

p. 339
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Books Received

pp. 340-341
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