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Table of Contents

  1. Sounding the Nation: Martin Rennalls and the Jamaica Film Unit, 1951-1961
  2. Terri Francis
  3. pp. 110-128
  4. DOI: https://doi.org/10.2979/filmhistory.23.2.110
  5. restricted access
  1. A Break with the Past: The Nigerian Video-film Industry in the Context of Colonial Filmmaking
  2. Ikechukwu Obiaya
  3. pp. 129-146
  4. DOI: https://doi.org/10.2979/filmhistory.23.2.129
  5. restricted access
  1. Discovering Black Film History: Tracing the Tyler, Texas Black Film Collection
  2. Jacqueline Stewart
  3. pp. 147-173
  4. DOI: https://doi.org/10.2979/filmhistory.23.2.147
  5. restricted access
  1. Mixed Messages: D.W. Griffith and the Black Press, 1916-1931
  2. Josh Glick
  3. pp. 174-195
  4. DOI: https://doi.org/10.2979/filmhistory.23.2.174
  5. restricted access
  1. Why Did Negroes Love Al Jolson and The Jazz Singer?: Melodrama, Blackface and Cosmopolitan Theatrical Culture
  2. Charles Musser
  3. pp. 196-222
  4. DOI: https://doi.org/10.2979/filmhistory.23.2.196
  5. restricted access
  1. Interpretation and Restoration: Abel Gance's La Roue (1922)
  2. Paul Cuff
  3. pp. 223-241
  4. DOI: https://doi.org/10.2979/filmhistory.23.2.223
  5. restricted access
  1. African American Actresses: The Struggle for Visibility, 1900-1960 (review)
  2. Lorna A. Johnson
  3. pp. 242-243
  4. DOI: https://doi.org/10.2979/filmhistory.23.2.242
  5. restricted access
  1. Introduction: Black Representations
  2. Charles Musser
  3. pp. 107-109
  4. DOI: https://doi.org/10.2979/filmhistory.23.2.107
  5. restricted access