1. Games People Play: Metafiction, Defense Strategy, and the Cultures of Simulation
  2. Daniel Grausam
  3. pp. 507-532
  4. DOI: 10.1353/elh.2011.0027
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  1. Dickens and Shakespeare's Household Words
  2. Daniel Pollack-Pelzner
  3. pp. 533-556
  4. DOI: 10.1353/elh.2011.0026
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  1. The Winter's Tale and the Oracle of the Law
  2. Virginia Lee Strain
  3. pp. 557-584
  4. DOI: 10.1353/elh.2011.0025
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  1. "The Interval of Expectation:" Delay, Delusion, and the Psychology of Suspense in Armadale
  2. Michael Tondre
  3. pp. 585-608
  4. DOI: 10.1353/elh.2011.0023
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  1. Feeling For Philosophy: Shaftesbury and the Limits of Sentimental Certainty
  2. Nancy Yousef
  3. pp. 609-632
  4. DOI: 10.1353/elh.2011.0021
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  1. Critics and Criticism in the Poetry of Anne Finch
  2. Michael Gavin
  3. pp. 633-655
  4. DOI: 10.1353/elh.2011.0024
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  1. New Model Armies: Re-contextualizing The Camp in Margaret Cavendish's Bell in Campo
  2. Vimala C. Pasupathi
  3. pp. 657-685
  4. DOI: 10.1353/elh.2011.0022
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  1. Utopian Socialism, Women's Emancipation, and the Origins of Middlemarch
  2. Mark Allison
  3. pp. 715-739
  4. DOI: 10.1353/elh.2011.0020
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  1. Wallace Stevens, Analogy, and Tautology: The Problem of a Secular Poetics
  2. Matthew Mutter
  3. pp. 741-768
  4. DOI: 10.1353/elh.2011.0028
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