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Table of Contents

  1. From the Editor
  2. Kathy Foley
  3. pp. v-vi
  4. DOI: https://doi.org/10.1353/atj.2011.0025
  5. restricted access
  1. Addendum to Modern Chinese Drama in English: A Selective Bibliography
  2. Siyuan Liu, Kevin J. Wetmore Jr.
  3. pp. 279-280
  4. DOI: https://doi.org/10.1353/atj.2011.0031
  5. restricted access

Symposium: Founders of the Field

  1. The Association for Asian Performance: A Brief History
  2. James R. Brandon
  3. pp. 281-308
  4. DOI: https://doi.org/10.1353/atj.2011.0037
  5. restricted access
  1. Founders of the Field: Japan Introduction
  2. David Jortner
  3. pp. 309-313
  4. DOI: https://doi.org/10.1353/atj.2011.0043
  5. restricted access
  1. Faubion Bowers
  2. Samuel L. Leiter
  3. pp. 314-321
  4. DOI: https://doi.org/10.1353/atj.2011.0049
  5. restricted access
  1. John D. Mitchell
  2. Samuel L. Leiter
  3. pp. 322-331
  4. DOI: https://doi.org/10.1353/atj.2011.0055
  5. restricted access
  1. Earle S. Ernst
  2. James R. Brandon
  3. pp. 332-340
  4. DOI: https://doi.org/10.1353/atj.2011.0023
  5. restricted access
  1. James R. Brandon
  2. David Jortner, Kathy Foley
  3. pp. 341-355
  4. DOI: https://doi.org/10.1353/atj.2011.0029
  5. restricted access
  1. Samuel L. Leiter
  2. David Jortner
  3. pp. 356-367
  4. DOI: https://doi.org/10.1353/atj.2011.0035
  5. restricted access
  1. Andrew T. Tsubaki
  2. John D. Swain
  3. pp. 368-374
  4. DOI: https://doi.org/10.1353/atj.2011.0041
  5. restricted access
  1. Leonard Cabell Pronko
  2. Carol Fisher Sorgenfrei
  3. pp. 375-391
  4. DOI: https://doi.org/10.1353/atj.2011.0047
  5. restricted access
  1. Donald Keene
  2. Kevin J. Wetmore Jr.
  3. pp. 392-399
  4. DOI: https://doi.org/10.1353/atj.2011.0053
  5. restricted access
  1. J. Thomas Rimer
  2. Kevin J. Wetmore Jr.
  3. pp. 400-408
  4. DOI: https://doi.org/10.1353/atj.2011.0058
  5. restricted access
  1. Founders of the Field: China Introduction
  2. Siyuan Liu
  3. pp. 409-413
  4. DOI: https://doi.org/10.1353/atj.2011.0027
  5. restricted access
  1. A. C. Scott
  2. Siyuan Liu
  3. pp. 414-425
  4. DOI: https://doi.org/10.1353/atj.2011.0033
  5. restricted access
  1. Colin Mackerras
  2. Siyuan Liu
  3. pp. 426-436
  4. DOI: https://doi.org/10.1353/atj.2011.0039
  5. restricted access
  1. Founders of the Field: South and Southeast Asia Introduction
  2. Kathy Foley
  3. pp. 437-442
  4. DOI: https://doi.org/10.1353/atj.2011.0045
  5. restricted access
  1. Melvyn Helstien
  2. Kathy Foley
  3. pp. 443-450
  4. DOI: https://doi.org/10.1353/atj.2011.0051
  5. restricted access
  1. John Emigh
  2. Kathy Foley
  3. pp. 451-462
  4. DOI: https://doi.org/10.1353/atj.2011.0056
  5. restricted access
  1. Roger Long
  2. Kathy Foley
  3. pp. 463-474
  4. DOI: https://doi.org/10.1353/atj.2011.0024
  5. restricted access
  1. Fredrik deBoer
  2. Kathy Foley
  3. pp. 475-482
  4. DOI: https://doi.org/10.1353/atj.2011.0030
  5. restricted access

Articles

  1. “Modern Theatre for the Twenty-first Century”?: Shanghai Conservatory of Music’s Staging of The White Goddess (2009).
  2. Ashley Thorpe
  3. pp. 483-504
  4. DOI: https://doi.org/10.1353/atj.2011.0036
  5. restricted access
  1. The Ati-Atihan Festival: Dancing with the Santo Niño at the “Filipino Mardi Gras”
  2. William Peterson
  3. pp. 505-528
  4. DOI: https://doi.org/10.1353/atj.2011.0042
  5. restricted access
  1. “Flower” as Performing Body in Nō Theatre
  2. Yuka Amano
  3. pp. 529-548
  4. DOI: https://doi.org/10.1353/atj.2011.0048
  5. restricted access
  1. Remapping the Korean Theatre Tradition: A Case Study of Gwolhui, a Theatre of the Confucian Students in the Chosun Dynasty
  2. Jungman Park
  3. pp. 549-568
  4. DOI: https://doi.org/10.1353/atj.2011.0054
  5. restricted access

Performance Reviews

  1. Charudattam (Kathakali Julius Caesar) (review)
  2. Graeme Vanderstoel
  3. pp. 569-572
  4. DOI: https://doi.org/10.1353/atj.2011.0022
  5. restricted access
  1. My Daughter’s Wedding (review)
  2. Iris Hsin-chun Tuan
  3. pp. 573-577
  4. DOI: https://doi.org/10.1353/atj.2011.0028
  5. restricted access
  1. Waiting for God’s Words (review)
  2. Zainal Abd Latiff
  3. pp. 577-584
  4. DOI: https://doi.org/10.1353/atj.2011.0034
  5. restricted access

Book Reviews

  1. China’s Greatest Operatic Male Actor of Female Roles: Documenting the Life and Art of Mei Lanfang, 1894–1961 (review)
  2. Megan Evans
  3. pp. 585-588
  4. DOI: https://doi.org/10.1353/atj.2011.0040
  5. restricted access
  1. Theatre in Colonial India: Play-House of Power (review)
  2. Arnab Banerji
  3. pp. 588-592
  4. DOI: https://doi.org/10.1353/atj.2011.0046
  5. restricted access
  1. Modern Indian Theatre: A Reader (review)
  2. Neilesh Bose
  3. pp. 592-595
  4. DOI: https://doi.org/10.1353/atj.2011.0052
  5. restricted access
  1. Engendering Performance: Indian Women Performers in Search of an Identity (review)
  2. Kathy Foley
  3. pp. 595-598
  4. DOI: https://doi.org/10.1353/atj.2011.0057
  5. restricted access
  1. Balasaraswati: Her Art and Life (review)
  2. Kathy Foley
  3. pp. 598-602
  4. DOI: https://doi.org/10.1353/atj.2011.0026
  5. restricted access
  1. NŌ Theatre Transversal (review)
  2. Samuel L. Leiter
  3. pp. 602-605
  4. DOI: https://doi.org/10.1353/atj.2011.0032
  5. restricted access
  1. Illusive Utopia: Theater, Film, and Everyday Performance in North Korea (review)
  2. Perry Miller
  3. pp. 605-609
  4. DOI: https://doi.org/10.1353/atj.2011.0038
  5. restricted access

Film Reviews

  1. Dojoji—A Lovers’ Duet; The Sentimental Plasterer; Nezumi, the Japanese Robin Hood (review)
  2. Samuel L. Leiter
  3. pp. 610-613
  4. DOI: https://doi.org/10.1353/atj.2011.0044
  5. restricted access

Color Insert

  1. Color Insert
  3. pp. Color Insert 1-6
  4. DOI: https://doi.org/10.1353/atj.2011.0050
  5. restricted access