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In this Issue

Table of Contents

  1. Burbank with a Baedeker, Eliot with a Cigar: American Intellectuals, Anti-Semitism, and the Idea of Culture
  2. Ronald Schuchard
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/mod.2003.0021
  5. restricted access
  1. A Response to Ronald Schuchard
  2. David Bromwich
  3. pp. 27-31
  4. DOI: https://doi.org/10.1353/mod.2003.0002
  5. restricted access
  1. A Response to Ronald Schuchard
  2. Ronald Bush
  3. pp. 33-36
  4. DOI: https://doi.org/10.1353/mod.2003.0003
  5. restricted access
  1. A Response to Ronald Schuchard
  2. Denis Donoghue
  3. pp. 37-39
  4. DOI: https://doi.org/10.1353/mod.2003.0008
  5. restricted access
  1. A Response to Ronald Schuchard
  2. Anthony Julius
  3. pp. 41-47
  4. DOI: https://doi.org/10.1353/mod.2003.0015
  5. restricted access
  1. A Response to Ronald Schuchard
  2. James Longenbach
  3. pp. 49-50
  4. DOI: https://doi.org/10.1353/mod.2003.0017
  5. restricted access
  1. A Response to Ronald Schuchard
  2. Marjorie Perloff
  3. pp. 51-56
  4. DOI: https://doi.org/10.1353/mod.2003.0023
  5. restricted access
  1. My Reply: Eliot and the Foregone Conclusions
  2. Ronald Schuchard
  3. pp. 57-70
  4. DOI: https://doi.org/10.1353/mod.2003.0028
  5. restricted access
  1. Adorno: Modern Art, Metaphysics and Radical Evil
  2. Gordon Finlayson
  3. pp. 71-95
  4. DOI: https://doi.org/10.1353/mod.2003.0010
  5. restricted access
  1. The Footprint of the Twentieth Century: The American Skyscraper and the Modernist Poem
  2. John Timberman Newcomb
  3. pp. 97-125
  4. DOI: https://doi.org/10.1353/mod.2003.0020
  5. restricted access
  1. Modernist Primitivism in 1933: Brassai's "Involuntary Sculptures" in Minotaure
  2. Katharine Conley
  3. pp. 127-140
  4. DOI: https://doi.org/10.1353/mod.2003.0005
  5. restricted access
  1. Architecture, Photography and (Gendered) Modernities in 1930s Barcelona
  2. Jordana Mendelson
  3. pp. 141-164
  4. DOI: https://doi.org/10.1353/mod.2003.0018
  5. restricted access
  1. Mastering the Memoir: Woolf and the Family Legacy
  2. Alex Zwerdling
  3. pp. 165-188
  4. DOI: https://doi.org/10.1353/mod.2003.0029
  5. restricted access
  1. Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde (review)
  2. David Chinitz
  3. pp. 189-191
  4. DOI: https://doi.org/10.1353/mod.2003.0004
  5. restricted access
  1. In Transit: Travel, Text, Empire (review)
  2. Tanya Dalziell
  3. pp. 191-192
  4. DOI: https://doi.org/10.1353/mod.2003.0006
  5. restricted access
  1. Sideshow USA: Freaks and the American Cultural Imagination (review)
  2. Barry J. Faulk
  3. pp. 193-194
  4. DOI: https://doi.org/10.1353/mod.2003.0009
  5. restricted access
  1. Critics of Modernity: The Literature of the Conservative Revolution in Germany, 1890-1933 (review)
  2. Peter Fritzsche
  3. pp. 194-195
  4. DOI: https://doi.org/10.1353/mod.2003.0011
  5. restricted access
  1. The Work of Memory: New Directions in the Study of German Society and Culture (review)
  2. Esther Leslie
  3. pp. 196-197
  4. DOI: https://doi.org/10.1353/mod.2003.0016
  5. restricted access
  1. Big Plans: The Allure and Folly of Urban Design (review)
  2. Michael Hebbert
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/mod.2003.0012
  5. restricted access
  1. Networking: Communicating with Bodies and Machines in the Nineteenth Century (review)
  2. Shawn Rosenheim
  3. pp. 199-200
  4. DOI: https://doi.org/10.1353/mod.2003.0025
  5. restricted access
  1. Perform or Else: From Discipline to Performance (review)
  2. Henry M. Sayre
  3. pp. 200-202
  4. DOI: https://doi.org/10.1353/mod.2003.0026
  5. restricted access
  1. Career Moves: Olson, Creeley, Zukofsky, Berrigan, and the American Avant-Garde (review)
  2. Oren Izenberg
  3. pp. 203-205
  4. DOI: https://doi.org/10.1353/mod.2003.0014
  5. restricted access
  1. The Intellectual Life of the British Working Classes (review)
  2. Tom Holland
  3. pp. 205-207
  4. DOI: https://doi.org/10.1353/mod.2003.0013
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  1. Henry James and Modern Moral Life (review)
  2. Susan Mendus
  3. pp. 207-209
  4. DOI: https://doi.org/10.1353/mod.2003.0007
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  1. The Unmaking of Fascist Aesthetics (review)
  2. Savannah Schroll
  3. pp. 209-210
  4. DOI: https://doi.org/10.1353/mod.2003.0027
  5. restricted access
  1. The Woman in the Red Dress: Gender, Space, and Reading (review)
  2. Angelica Michelis
  3. pp. 210-212
  4. DOI: https://doi.org/10.1353/mod.2003.0019
  5. restricted access
  1. Ezra Pound's (Post)Modern Poetics and Politics: Logocentrism, Language, and Truth (review)
  2. Peter Nicholls
  3. pp. 212-214
  4. DOI: https://doi.org/10.1353/mod.2003.0022
  5. restricted access
  1. Ghostwriting Modernism (review)
  2. Jean-Michel Rabaté
  3. pp. 214-216
  4. DOI: https://doi.org/10.1353/mod.2003.0024
  5. restricted access
  1. Recent Books of Interest
  3. pp. 217-220
  4. DOI: https://doi.org/10.1353/mod.2003.0001
  5. restricted access