In this Issue

Table of Contents

Auto-Specularity: Driving through the American Night

Sandy Isenstadt
pp. 213-231
DOI: https://doi.org/10.1353/mod.2011.0023
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Interiority Conceits: Domestic Architecture, Graphophone Recordings, and Colonial Imaginations in August Strindberg's The Roofing Ceremony (1907).

Anna Westerståhl Stenport
pp. 233-253
DOI: https://doi.org/10.1353/mod.2011.0028
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"Harpsichords Metallic Howl—": The Baroness Elsa von Freytag-Loringhoven's Sound Poetry

Irene Gammel, Suzanne Zelazo
pp. 255-271
DOI: https://doi.org/10.1353/mod.2011.0033
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Kneaded Language: Concrete Poetry and New Media in the Swedish 1960s

Jesper Olsson
pp. 273-288
DOI: https://doi.org/10.1353/mod.2011.0038
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Modernist Networks: Taxco, 1931

A. Joan Saab
pp. 289-307
DOI: https://doi.org/10.1353/mod.2011.0043
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Cinematic Space in Rome's Disabitato: Between Metropolis and Terrain Vague in the Films of Fellini, Antonioni, and Pasolini

Manuela Mariani, Patrick Barron
pp. 309-333
DOI: https://doi.org/10.1353/mod.2011.0048
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Men in Love? Male Friendship in Gertrude Stein's Early Portrait

Rolf Lundén
pp. 335-354
DOI: https://doi.org/10.1353/mod.2011.0053
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'John Cournos and the Politics of Russian Literature in The Criterion'

David Ayers
pp. 355-369
DOI: https://doi.org/10.1353/mod.2011.0026
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Messianic Pains. The Apocalyptic Temporality in Avant-Garde Art, Politics, and War

Maria Stavrinaki
pp. 371-393
DOI: https://doi.org/10.1353/mod.2011.0031
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Al Qaeda and the Avant-Garde: Towards a Genealogy of the Taliah

Mike Sell
pp. 395-404
DOI: https://doi.org/10.1353/mod.2011.0036
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Between Revolution and Reform: Anzia Yezierska's Labor Politics

Susan Edmunds
pp. 405-423
DOI: https://doi.org/10.1353/mod.2011.0041
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Late Modernism, Pulp History: Jorge Luis Borges' A Universal History of Infamy (1935)

Sarah Ann Wells
pp. 425-441
DOI: https://doi.org/10.1353/mod.2011.0046
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Cinema's First Flight

Kevin Riordan
pp. 443-446
DOI: https://doi.org/10.1353/mod.2011.0051
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A Translation from Felix Mésguich's Tours de manivelle

Kevin Riordan, Corbin Treacy
pp. 447-448
DOI: https://doi.org/10.1353/mod.2011.0054
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Genesis and Crisis: Foundations of a Modern Black Literary Intelligentsia

James Smethurst
pp. 449-454
DOI: https://doi.org/10.1353/mod.2011.0024
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Eugène Jolas: Critical Writings, 1924–1951 (review)

Jean-Michel Rabaté
pp. 455-458
DOI: https://doi.org/10.1353/mod.2011.0029
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Magazines, Modernity and War (review)

Joan Roman Resina
pp. 458-462
DOI: https://doi.org/10.1353/mod.2011.0034
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Thomas Eakins and the Cultures of Modernity (review)

Elizabeth Milroy
pp. 462-465
DOI: https://doi.org/10.1353/mod.2011.0039
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Consider David Foster Wallace (review)

Stephen J. Burn
pp. 465-468
DOI: https://doi.org/10.1353/mod.2011.0044
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Adverse Genres in Fernando Pessoa (review)

João Cezar de Castro Rocha
pp. 468-470
DOI: https://doi.org/10.1353/mod.2011.0049
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Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms (review)

David Rando
pp. 470-472
DOI: https://doi.org/10.1353/mod.2011.0022
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Ballets Russes, The Art of Costume (review)

Eileen Chanin
pp. 473-475
DOI: https://doi.org/10.1353/mod.2011.0027
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Modernism in Kyiv: Jubilant Experimentation (review)

Roman Koropeckyj
pp. 475-476
DOI: https://doi.org/10.1353/mod.2011.0032
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Rumer Godden: International and Intermodern Storyteller (review)

Eibhear Walshe
pp. 476-478
DOI: https://doi.org/10.1353/mod.2011.0037
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Improper Modernism: Djuna Barnes's Bewildering Corpus (review)

Alex Goody
pp. 478-480
DOI: https://doi.org/10.1353/mod.2011.0042
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The Edinburgh Companion to Virginia Woolf and the Arts (review)

Christine Froula
pp. 480-482
DOI: https://doi.org/10.1353/mod.2011.0047
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Who's Afraid of James Joyce? (review)

Derek Attridge
pp. 482-484
DOI: https://doi.org/10.1353/mod.2011.0052
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Shakespeare and the Modern Poet (review)

Robin G. Schulze
pp. 484-485
DOI: https://doi.org/10.1353/mod.2011.0025
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Fashion at the Time of Fascism: Italian Modernist Lifestyle 1922–1943 (review)

Vike Martina Plock
pp. 485-487
DOI: https://doi.org/10.1353/mod.2011.0030
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Piero Gobetti's New World: Antifascism, Liberalism, Writing (review)

Tom Langley
pp. 487-488
DOI: https://doi.org/10.1353/mod.2011.0035
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Form, Power, and Person in Robert Creeley's Life and Work (review)

Norman Finkelstein
pp. 489-490
DOI: https://doi.org/10.1353/mod.2011.0040
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Recent Books of Interest

pp. 491-494
DOI: https://doi.org/10.1353/mod.2011.0045
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Errata

pp. 495-497
DOI: https://doi.org/10.1353/mod.2011.0050
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