In this Issue

Table of Contents

An Aesthetic of Disgust: Expanded Performance as a Model of Cultural Understanding

Grethell Rasúa Fariñas, Coco Fusco
pp. 2-3
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Juliano Mer Khamis: Murder, Theatre, Freedom, Going Forward

Erin B. Mee
pp. 9-17
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Alive in 100 Years

Josh Perlstein
p. 10
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[Juliano Mer Khamis]

Linda Chapman
p. 12
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The Unimaginable Impact

Shayoni Mitra
pp. 14-15
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A Radical's Radical

Naomi Wallace
p. 15
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With Juliano

Abdelfattah Abusrour
p. 16
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Balancing Act: Fiddler’s Bottle Dance and the Transformation of “Tradition”

Alisa Solomon
pp. 21-30
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“This Lovely Land Is Mine”: Milk and Honey’s Restorative Nostalgia for Israel

Jessica Hillman
pp. 31-39
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Uneasy Duets: Contemporary American Dances about Israel and the Mideast Crisis

Rebecca Rossen
pp. 40-49
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Reading “Queer” Ashkenaz: This Time from East to West

Naomi Seidman
pp. 50-56
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Performing Jewish Nationhood: The Romance of a People at the 1933 Chicago World’s Fair

Lauren Love
pp. 57-67
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Self Portraits (As a Jew)

Douglas Rosenberg
pp. 68-71
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Kate Bateman: Sanitizing the Beautiful Jewess

Stefanie Halpern
pp. 72-79
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Irwin Keller: A Performer of Parts

Esther Schor
pp. 80-89
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Juggling Tradition

Sara Felder
pp. 90-99
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Still Looking: Self-Love, Ethics, and Seeing Jewish

Laura Levitt
pp. 100-109
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Enough Already! It’s Deborah Kass’s Turn to Take the Stage

Constance Zaytoun
pp. 110-123
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Graves and Images: Once Upon a Time in America and the Unmaking of Jewish Memory

Jonathan Freedman
pp. 124-133
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Jew Media: Performance and Technology for the 58th Century

Henry Bial
pp. 134-143
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What the Jews Do

Laurie Beth Clark
pp. 144-152
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I Love My Country: Freedom of Speech, Aaron Sorkin, Elie Wiesel

Deb Margolin
pp. 153-155
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Clamorous Voices: Seven Jewish Children and Its Proliferating Publics

Miriam Felton-Dansky
pp. 156-164
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The Armchair Traveler: Küba on the Move

Fiona Wilkie
pp. 164-173
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Idealizing and Unraveling the Possibilities of Virtual Realities in Kevin Kerr’s SPINE

Jane Wong Yeang Chui
pp. 173-177
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The Empire of Love, and: Desiring China, and: Romance on a Global Stage: Pen Pals, Virtual Ethnography, and “Mail-Order” Marriages

Eng-Beng Lim, Gavin Craig, Faith Kirk, Jennifer Lee Sano-Franchini, Eunah Lee, Perry Miller, Connor Ryan
pp. 178-182
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The President Electric: Ronald Reagan and the Politics of Performance (review)

Joshua Abrams
pp. 182-183
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Crossroads: Performance Studies and Irish Culture (review)

Aoife Monks
pp. 184-185
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Further On, Nothing: Tadeusz Kantor’s Theatre (review)

Krystyna Lipinska Illakowicz
pp. 185-187
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Theatre, Facilitation and Nation Formation in the Balkans and Middle East (review)

Leigh Clemons
pp. 187-189
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The Infinity Machine: Mike Parr’s Performance Art, 1971–2005 (review)

Christine Stoddard
pp. 189-191
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Performance and Cognition: Theatre Studies and the Cognitive Turn, and: Engaging Audiences: A Cognitive Approach to Spectating in the Theatre (review)

Erin B. Mee
pp. 191-195
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More Books

Sebastián Calderón Bentin
pp. 195-196
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Jewish American Performance: An Introduction

Jill Dolan, Stacy Wolf
pp. 18-20
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