1. The Economics of Plot in Burney's Camilla
  2. Katherine Binhammer
  3. pp. 1-20
  4. DOI: 10.1353/sdn.2011.0015
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  1. The Art of Manliness: Ekphrasis and/as Masculinity in George MacDonald's Phantastes
  2. Albert D. Pionke
  3. pp. 21-37
  4. DOI: 10.1353/sdn.2011.0019
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  1. Rena's Two Bodies: Gender and Whiteness in Charles Chesnutt's The House Behind the Cedars
  2. Melissa Ryan
  3. pp. 38-54
  4. DOI: 10.1353/sdn.2011.0023
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  1. Small Language and Big Men in Virginia Woolf
  2. Kim Shirkhani
  3. pp. 55-74
  4. DOI: 10.1353/sdn.2011.0027
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  1. Rewriting Darkness: Imperial Knowledge in Barry Unsworth's Sacred Hunger
  2. Susan Strehle
  3. pp. 75-93
  4. DOI: 10.1353/sdn.2011.0031
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  1. Violence, Postcolonial Fiction, and the Limits of Sympathy
  2. Mike Marais
  3. pp. 94-114
  4. DOI: 10.1353/sdn.2011.0034
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  1. Irish Novels, 1890-1940: New Bearings in Culture and Fiction (review)
  2. Richard Rankin Russell
  3. pp. 116-118
  4. DOI: 10.1353/sdn.2011.0013
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  1. Queering the Gothic (review)
  2. Patrick R. O'Malley
  3. pp. 118-120
  4. DOI: 10.1353/sdn.2011.0017
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  1. Kurt Vonnegut's America (review)
  2. Robert Morace
  3. pp. 120-122
  4. DOI: 10.1353/sdn.2011.0021
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  1. Reading the World: Cormac McCarthy's Tennessee Period (review)
  2. William Brannon
  3. pp. 122-124
  4. DOI: 10.1353/sdn.2011.0025
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  1. Dostoevsky's Unfinished Journey (review)
  2. Susan McReynolds
  3. pp. 124-126
  4. DOI: 10.1353/sdn.2011.0029
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  1. The Quest for Epic in Contemporary American Fiction: John Updike, Philip Roth and Don DeLillo (review)
  2. Jeffrey Severs
  3. pp. 126-128
  4. DOI: 10.1353/sdn.2011.0033
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  1. The Queer Child: Growing Sideways in the Twentieth Century (review)
  2. Elizabeth Freeman
  3. pp. 128-130
  4. DOI: 10.1353/sdn.2011.0036
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