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In this Issue

Table of Contents

  1. The Rise of Corporate Literature: Crisis in the Humanities I
  2. Jeffrey R. Di Leo
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2011.0086
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  1. Picketing the Zeitgeist: Bad Writing
  2. Clay Reynolds
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2011.0091
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  1. Looking at Blindness: The Double Ascendancy of Conceptual Art and Writing
  2. Jen Graves
  3. pp. 4-5
  4. DOI: https://doi.org/10.1353/abr.2011.0101
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  1. Textbook Uncreative Writing
  2. Brian M. Reed
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2011.0076
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  1. Context Is the New Content
  2. Andrea Quaid
  3. p. 7
  4. DOI: https://doi.org/10.1353/abr.2011.0080
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  1. From Écriture to Récriture
  2. Jeffrey R. Di Leo
  3. p. 8
  4. DOI: https://doi.org/10.1353/abr.2011.0084
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  1. The New Flarf
  2. Laura Mathias
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/abr.2011.0089
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  1. Poetics of Guilt
  2. Anna Moschovakis
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/abr.2011.0094
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  1. On the Road Again
  2. Doug Nufer
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.2011.0099
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  1. Friends without Benefits
  2. Daniel Levin Becker
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2011.0074
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  1. Different Guises
  2. Jennie Berner
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2011.0078
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  1. Necklace of Steam
  2. Andrew Bleeker
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2011.0082
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  1. All Dreamed Out
  2. George Held
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/abr.2011.0087
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  1. Grim Innovation
  2. Deb Olin Unferth
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2011.0092
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  1. Design Intelligent
  2. Christopher Leise
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2011.0097
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  1. Winter Amusements
  2. Dave Housley
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2011.0102
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  1. Performance Piece
  2. Paula Koneazny
  3. p. 19
  4. DOI: https://doi.org/10.1353/abr.2011.0077
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  1. Black Space
  2. Gabriel Blackwell
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2011.0081
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  1. Super Genre
  2. Anne Derrig
  3. pp. 20-21
  4. DOI: https://doi.org/10.1353/abr.2011.0085
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  1. Truth or
  2. Anna Leahy
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.2011.0090
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  1. Cautionary Tales
  2. Tessa Mellas
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2011.0095
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  1. New Frontier of Minimalism
  2. John Domini
  3. p. 23
  4. DOI: https://doi.org/10.1353/abr.2011.0100
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  1. The Will to Read
  2. Stormy Stipe
  3. p. 24
  4. DOI: https://doi.org/10.1353/abr.2011.0075
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  1. Therapy of Flesh
  2. John Madera
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2011.0079
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  1. Poetic Guard
  2. Daniel Leary
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2011.0083
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  1. Serpent Curve
  2. Stephanie Rauschenbusch
  3. pp. 27-28
  4. DOI: https://doi.org/10.1353/abr.2011.0088
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  1. Rutkowski Recapitulated
  2. Peter Selgin
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/abr.2011.0093
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  1. From Our Own
  2. George Williams
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2011.0098
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  1. Scenes: Tyrant Books
  2. p. 31
  3. DOI: https://doi.org/10.1353/abr.2011.0073
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  1. Introduction to Focus: Uncreative Writing: What Are You Calling Art?
  2. Doug Nufer
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.2011.0096
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