In this Issue

Table of Contents

Realism and Utopia in The Wire

Fredric Jameson
pp. 359-372
DOI: https://doi.org/10.1353/crt.2010.0053
free access

"The Game Is the Game": Tautology and Allegory in The Wire

Paul Allen Anderson
pp. 373-398
DOI: https://doi.org/10.1353/crt.2010.0043
free access

"A Man without a Country": The Boundaries of Legibility, Social Capital, and Cosmopolitan Masculinity

Mark Anthony Neal
pp. 399-411
DOI: https://doi.org/10.1353/crt.2010.0045
free access

The Last Rites of D'Angelo Barksdale: The Life and Afterlife of Photography in The Wire

Paul M. Farber
pp. 413-439
DOI: https://doi.org/10.1353/crt.2010.0047
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Constrained Frequencies: The Wire and the Limits of Listening

Adrienne Brown
pp. 441-459
DOI: https://doi.org/10.1353/crt.2010.0049
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The Depth of the Hole: Intertextuality and Tom Waits's "Way Down in the Hole"

James Braxton Peterson
pp. 461-485
DOI: https://doi.org/10.1353/crt.2010.0050
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Greek Gods in Baltimore: Greek Tragedy and The Wire

Chris Love
pp. 487-507
DOI: https://doi.org/10.1353/crt.2010.0052
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Walking in Someone Else's City: The Wire and the Limits of Empathy

Hua Hsu
pp. 509-528
DOI: https://doi.org/10.1353/crt.2010.0042
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"Precarious Lunch": Conviviality and Postlapsarian Nostalgia in The Wire's Fourth Season

Robert LeVertis Bell
pp. 529-546
DOI: https://doi.org/10.1353/crt.2010.0044
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Capitalist Realism and Serial Form: The Fifth Season of The Wire

Leigh Claire La Berge
pp. 547-567
DOI: https://doi.org/10.1353/crt.2010.0046
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Index to Volume 52 of Criticism (2010)

pp. 569-571
DOI: https://doi.org/10.1353/crt.2010.0048
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Preface

Robert LeVertis Bell, Paul M. Farber
pp. 355-357
DOI: https://doi.org/10.1353/crt.2010.0051
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