1. Realism and Utopia in The Wire
  2. Fredric Jameson
  3. pp. 359-372
  4. DOI: 10.1353/crt.2010.0053
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  1. "The Game Is the Game": Tautology and Allegory in The Wire
  2. Paul Allen Anderson
  3. pp. 373-398
  4. DOI: 10.1353/crt.2010.0043
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  1. "A Man without a Country": The Boundaries of Legibility, Social Capital, and Cosmopolitan Masculinity
  2. Mark Anthony Neal
  3. pp. 399-411
  4. DOI: 10.1353/crt.2010.0045
  5. free access View | Download |
  1. The Last Rites of D'Angelo Barksdale: The Life and Afterlife of Photography in The Wire
  2. Paul M. Farber
  3. pp. 413-439
  4. DOI: 10.1353/crt.2010.0047
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  1. Constrained Frequencies: The Wire and the Limits of Listening
  2. Adrienne Brown
  3. pp. 441-459
  4. DOI: 10.1353/crt.2010.0049
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  1. The Depth of the Hole: Intertextuality and Tom Waits's "Way Down in the Hole"
  2. James Braxton Peterson
  3. pp. 461-485
  4. DOI: 10.1353/crt.2010.0050
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  1. Greek Gods in Baltimore: Greek Tragedy and The Wire
  2. Chris Love
  3. pp. 487-507
  4. DOI: 10.1353/crt.2010.0052
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  1. Walking in Someone Else's City: The Wire and the Limits of Empathy
  2. Hua Hsu
  3. pp. 509-528
  4. DOI: 10.1353/crt.2010.0042
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  1. "Precarious Lunch": Conviviality and Postlapsarian Nostalgia in The Wire's Fourth Season
  2. Robert LeVertis Bell
  3. pp. 529-546
  4. DOI: 10.1353/crt.2010.0044
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  1. Capitalist Realism and Serial Form: The Fifth Season of The Wire
  2. Leigh Claire La Berge
  3. pp. 547-567
  4. DOI: 10.1353/crt.2010.0046
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  1. Index to Volume 52 of Criticism (2010)
  2. pp. 569-571
  3. DOI: 10.1353/crt.2010.0048
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  1. Preface
  2. Robert LeVertis Bell, Paul M. Farber
  3. pp. 355-357
  4. DOI: 10.1353/crt.2010.0051
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