1. How to Do Witchcraft Tragedy with Speech Acts
  2. Eric Byville
  3. pp. 1-33
  4. DOI: 10.1353/cdr.2011.0013
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  1. A "Birthright into a New World": Representing the Town on Brome's Stage
  2. Denys Van Renen
  3. pp. 35-63
  4. DOI: 10.1353/cdr.2011.0000
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  1. Remaking the Chorus: Charles Mee Jr.'s Orestes 2.0
  2. Peter A. Campbell
  3. pp. 65-79
  4. DOI: 10.1353/cdr.2011.0003
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  1. Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579
  2. Karlyn Griffith
  3. pp. 99-126
  4. DOI: 10.1353/cdr.2011.0008
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  1. The Ethos of Drama: Rhetorical Theory and Dramatic Worth (review)
  2. Martin J. Plax
  3. pp. 127-130
  4. DOI: 10.1353/cdr.2011.0010
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  1. Philosophers and Thespians: Thinking Performance (review)
  2. Lydia Goehr
  3. pp. 131-133
  4. DOI: 10.1353/cdr.2011.0012
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  1. Shakespeare, Sex, and Love (review)
  2. Elizabeth Klett
  3. pp. 134-136
  4. DOI: 10.1353/cdr.2011.0015
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  1. Shakespeare and Biography (review)
  2. R. A. Foakes
  3. pp. 137-139
  4. DOI: 10.1353/cdr.2011.0002
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  1. Don Pedro Calderón (review)
  2. Hilaire Kallendorf
  3. pp. 140-142
  4. DOI: 10.1353/cdr.2011.0005
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  1. Staging Spectatorship in the Plays of Philip Massinger (review)
  2. Julie Sanders
  3. pp. 142-145
  4. DOI: 10.1353/cdr.2011.0007
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  1. Shakespeare's Opposites: The Admiral's Company, 1594–1625 (review)
  2. Melissa D. Aaron
  3. pp. 145-147
  4. DOI: 10.1353/cdr.2011.0009
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  1. Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage (review)
  2. Jason Lawrence
  3. pp. 148-151
  4. DOI: 10.1353/cdr.2011.0011
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  1. Euripides: Suppliant Women (review)
  2. Eric Dugdale
  3. pp. 151-154
  4. DOI: 10.1353/cdr.2011.0014
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  1. Brief Notices
  2. pp. 155-160
  3. DOI: 10.1353/cdr.2011.0001
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  1. Contributors
  2. pp. 161-163
  3. DOI: 10.1353/cdr.2011.0004
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