In this Issue

Table of Contents

How to Do Witchcraft Tragedy with Speech Acts

Eric Byville
pp. 1-33
DOI: https://doi.org/10.1353/cdr.2011.0013
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A "Birthright into a New World": Representing the Town on Brome's Stage

Denys Van Renen
pp. 35-63
DOI: https://doi.org/10.1353/cdr.2011.0000
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Remaking the Chorus: Charles Mee Jr.'s Orestes 2.0

Peter A. Campbell
pp. 65-79
DOI: https://doi.org/10.1353/cdr.2011.0003
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Fear Mongering, Media Intimidation, and Political Machinations: Tracing the Agendas Behind the All God's Chillun Got Wings Controversy

Jeffrey Ullom
pp. 81-97
DOI: https://doi.org/10.1353/cdr.2011.0006
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Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579

Karlyn Griffith
pp. 99-126
DOI: https://doi.org/10.1353/cdr.2011.0008
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The Ethos of Drama: Rhetorical Theory and Dramatic Worth (review)

Martin J. Plax
pp. 127-130
DOI: https://doi.org/10.1353/cdr.2011.0010
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Philosophers and Thespians: Thinking Performance (review)

Lydia Goehr
pp. 131-133
DOI: https://doi.org/10.1353/cdr.2011.0012
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Shakespeare, Sex, and Love (review)

Elizabeth Klett
pp. 134-136
DOI: https://doi.org/10.1353/cdr.2011.0015
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Shakespeare and Biography (review)

R. A. Foakes
pp. 137-139
DOI: https://doi.org/10.1353/cdr.2011.0002
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Don Pedro Calderón (review)

Hilaire Kallendorf
pp. 140-142
DOI: https://doi.org/10.1353/cdr.2011.0005
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Staging Spectatorship in the Plays of Philip Massinger (review)

Julie Sanders
pp. 142-145
DOI: https://doi.org/10.1353/cdr.2011.0007
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Shakespeare's Opposites: The Admiral's Company, 1594–1625 (review)

Melissa D. Aaron
pp. 145-147
DOI: https://doi.org/10.1353/cdr.2011.0009
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Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage (review)

Jason Lawrence
pp. 148-151
DOI: https://doi.org/10.1353/cdr.2011.0011
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Euripides: Suppliant Women (review)

Eric Dugdale
pp. 151-154
DOI: https://doi.org/10.1353/cdr.2011.0014
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Brief Notices

pp. 155-160
DOI: https://doi.org/10.1353/cdr.2011.0001
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Contributors

pp. 161-163
DOI: https://doi.org/10.1353/cdr.2011.0004
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