1. belladonna
  2. Kamau Brathwaite
  3. pp. 1-6
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  1. Out and Bad: Toward a Queer Performance Hermeneutic in Jamaican Dancehall
  2. Nadia Ellis
  3. pp. 7-23
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  1. “A Thorn in the Side of Great Britain”: C. L. R. James and the Caribbean Labour Rebellions of the 1930s
  2. Christian Høgsbjerg
  3. pp. 24-42
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  1. Heading South: Love/Sex, Necropolitics, and Decolonial Romance
  2. Shirley Tate
  3. pp. 43-58
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  1. Bustling across the Canada-US Border: Gender and the Remapping of the Caribbean across Place
  2. D. Alissa Trotz
  3. pp. 59-77
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  1. Growing Up Black
  2. Dennis Morris
  3. pp. 78-88
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  1. christianity’s catastrophic gift
  2. Marvin Bartley
  3. pp. 89-95
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  1. Schematics of Memory
  2. Cheryl Finley
  3. pp. 96-116
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  1. Small Graces
  2. Lauren K. Alleyne
  3. pp. 117-123
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  1. Thalatta! Tierra!
  2. Ishion Hutchinson
  3. pp. 124-134
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  1. Battie Boy
  2. Stephen Narain
  3. pp. 135-153
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  1. Dieu est mon pilote à Tanqueray
  2. Andrea E. Shaw
  3. pp. 154-163
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  1. The Audacity of Faith: Creole Recitations Explained
  2. Leah Rosenberg
  3. pp. 164-173
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  1. “Only His Hat Is Left”: John Jacob Thomas, Eric Roach, and the Nationalist’s Dilemma
  2. Rhonda Cobham
  3. pp. 174-185
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  1. The Nineteenth-Century Roots of Postcolonial Caribbean Discourse: Transnationalism and Anticolonialism in Creole Recitations
  2. Ifeoma Kiddoe Nwankwo
  3. pp. 186-196
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  1. Only His Hat Is Left”?: Resituating Not-Yet Narratives
  2. Faith Smith
  3. pp. 197-208
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  1. Preface: Autobiographies of Ourselves
  2. David Scott
  3. pp. vii-x
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  1. Contributors
  2. pp. 209-212
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