1. White Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller's Serpentine Dance
  2. Anthea Kraut
  3. pp. 2-26
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  1. Staging the Ethnographic of Dance History: Contemporary Dance and Its Play with Tradition
  2. Yvonne Hardt
  3. pp. 27-42
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  1. Choreomusical Conversations: Facing a Double Challenge
  2. Stephanie Jordan
  3. pp. 43-64
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  1. Conducting Movement: Xavier Le Roy and the Amplification of Le Sacre du Printemps
  2. Noémie Solomon
  3. pp. 65-80
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  1. Research into Corporeality
  2. Fabian Barba
  3. pp. 82-89
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  1. Reenacting Modernity: Fabian Barba's A Mary Wigman Dance Evening (2009)
  2. Christel Stalpaert
  3. pp. 90-95
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  1. Dance, Human Rights and Social Justice: Dignity in Motion (review)
  2. Yutian Wong
  3. pp. 99-101
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  1. Rhythmic Subjects: Uses of Energy in the Dances of Mary Wigman, Martha Graham and Merce Cunningham (review)
  2. Gabriele Brandstetter
  3. pp. 101-103
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  1. Choreographing the Folk: The Dance Stagings of Zora Neale Hurston (review)
  2. Rebekah J. Kowal
  3. pp. 103-105
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  1. Bells of Change: Kathak Dance, Women and Modernity in India, and: Kathaka: The Tradition: Fusion and Diffusion (review)
  2. Margaret E. Walker
  3. pp. 105-107
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  1. Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader (review)
  2. Leon J. Hilton
  3. pp. 107-109
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  1. Dances with Spiders: Crisis, Celebrity and Celebration in Southern Italy (review)
  2. Susanne Franco
  3. pp. 110-112
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  1. The Triumph of Pleasure: Louis XIV and the Politics of Spectacle (review)
  2. Jennifer Nevile
  3. pp. 112-114
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  1. Being Watched: Yvonne Rainer and the 1960s (review)
  2. Erin Brannigan
  3. pp. 114-117
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  1. The Transformative Power of Performance: A New Aesthetics (review)
  2. Yvonne Hardt
  3. pp. 117-119
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  1. Editor's Note: The Choreographic Identity in Question
  2. Mark Franko
  3. pp. v-vi
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  1. Books Received
  2. p. 126
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