In this Issue

Table of Contents

US Latina/o Theatre From the 60s to the 21st Century: We've Come a Long Way, Baby!

Jorge Huerta
pp. 3-5
DOI: https://doi.org/10.1353/ltr.2009.0041
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Whose Country to Defend?: The Chicano Soldier on Stage

Zack Whitman Gill
pp. 11-26
DOI: https://doi.org/10.1353/ltr.2009.0004
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Una cubana in the Borderlands: Teresa Dovalpage's La hija de la Llorona

I. Carolina Caballero
pp. 27-39
DOI: https://doi.org/10.1353/ltr.2009.0011
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José Rivera, Neoliberalism, and the Outside of Politics

Jon D. Rossini
pp. 41-56
DOI: https://doi.org/10.1353/ltr.2009.0018
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Performing el cuerpo femenino como menú gastronómico: Stuff de Fusco y Bustamente

Patricia Tomé
pp. 57-70
DOI: https://doi.org/10.1353/ltr.2009.0025
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Phoenix in Guillermo Reyes's Places to Touch Him

David William Foster
pp. 71-86
DOI: https://doi.org/10.1353/ltr.2009.0031
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Fugue, Hip Hop and Soap Opera: Transcultural Connections and Theatrical Experimentation in Twenty-First Century US Latina Playwriting

Anne García-Romero
pp. 87-102
DOI: https://doi.org/10.1353/ltr.2009.0038
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Una máquina teatral: Forma e identidad en el teatro de Migdalia Cruz

Analola Santana
pp. 103-120
DOI: https://doi.org/10.1353/ltr.2009.0001
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Prisoners on the Great White Way: Short Eyes and Zoot Suit as the First US Latina/o Plays on Broadway

Ashley Lucas
pp. 121-135
DOI: https://doi.org/10.1353/ltr.2009.0008
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Healing the Body Politic: 1968-2008. A Theatrical Reflection Across Time

Caridad Svich
pp. 137-142
DOI: https://doi.org/10.1353/ltr.2009.0015
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Living the Politics of teatro in Los Angeles: An Interview with Diane Rodriguez

Chantal Rodríguez
pp. 143-149
DOI: https://doi.org/10.1353/ltr.2009.0022
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A Pan-American Perspective: An Interview with Carlos Morton

Andrew Gibb
pp. 151-158
DOI: https://doi.org/10.1353/ltr.2009.0029
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On Collaborating: An Interview with José Cruz González

Susan Vaneta Mason
pp. 159-165
DOI: https://doi.org/10.1353/ltr.2009.0036
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Olga Sanchez Finds Humanity in Latinidad

Timothy Krause
pp. 167-173
DOI: https://doi.org/10.1353/ltr.2009.0043
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Antonio Ocampo-Guzmán: Actor, Director, Professor and Linklater Voice Teacher

Carlos Manuel
pp. 175-180
DOI: https://doi.org/10.1353/ltr.2009.0006
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On Cuban Stages: A Report from the Field

Yael Prizant
pp. 181-187
DOI: https://doi.org/10.1353/ltr.2009.0013
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Two Stages/Spaces in Puerto Rican Theater: A Report From the Field

Jade Power
pp. 189-194
DOI: https://doi.org/10.1353/ltr.2009.0020
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XXV Aniversario del Festival de Almada: La Fiesta del Teatro

Osvaldo Obregón
pp. 195-210
DOI: https://doi.org/10.1353/ltr.2009.0027
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Book Reviews

Filosofía del Teatro I. Convivio, experiencia, subjetividad (review)

Eduardo Graham
pp. 211-213
DOI: https://doi.org/10.1353/ltr.2009.0033
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The Conquest on Trial: Carvajal's Complaint of the Indians in the Court of Death (review)

Carmen Febles
pp. 213-214
DOI: https://doi.org/10.1353/ltr.2009.0040
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Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship (review)

Jean Graham-Jones
pp. 214-216
DOI: https://doi.org/10.1353/ltr.2009.0003
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Home is Where the (He)art is: The Family Romance in Late Twentieth-Century Mexican and Argentine Theater (review)

Amalia Gladhart
pp. 216-217
DOI: https://doi.org/10.1353/ltr.2009.0010
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Hotel Juárez: Dramaturgia de feminicidios (review)

Sarah M. Misemer
pp. 218-219
DOI: https://doi.org/10.1353/ltr.2009.0017
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Saulo Benavente, ensayo biográfico (review)

Lydia Di Lello
pp. 219-220
DOI: https://doi.org/10.1353/ltr.2009.0024
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