1. US Latina/o Theatre From the 60s to the 21st Century: We've Come a Long Way, Baby!
  2. Jorge Huerta
  3. pp. 3-5
  4. DOI: 10.1353/ltr.2009.0041
  5. restricted access contents
  1. Whose Country to Defend?: The Chicano Soldier on Stage
  2. Zack Whitman Gill
  3. pp. 11-26
  4. DOI: 10.1353/ltr.2009.0004
  5. restricted access contents
  1. Una cubana in the Borderlands: Teresa Dovalpage's La hija de la Llorona
  2. I. Carolina Caballero
  3. pp. 27-39
  4. DOI: 10.1353/ltr.2009.0011
  5. restricted access contents
  1. José Rivera, Neoliberalism, and the Outside of Politics
  2. Jon D. Rossini
  3. pp. 41-56
  4. DOI: 10.1353/ltr.2009.0018
  5. restricted access contents
  1. Performing el cuerpo femenino como menú gastronómico: Stuff de Fusco y Bustamente
  2. Patricia Tomé
  3. pp. 57-70
  4. DOI: 10.1353/ltr.2009.0025
  5. restricted access contents
  1. Phoenix in Guillermo Reyes's Places to Touch Him
  2. David William Foster
  3. pp. 71-86
  4. DOI: 10.1353/ltr.2009.0031
  5. restricted access contents
  1. Una máquina teatral: Forma e identidad en el teatro de Migdalia Cruz
  2. Analola Santana
  3. pp. 103-120
  4. DOI: 10.1353/ltr.2009.0001
  5. restricted access contents
  1. Prisoners on the Great White Way: Short Eyes and Zoot Suit as the First US Latina/o Plays on Broadway
  2. Ashley Lucas
  3. pp. 121-135
  4. DOI: 10.1353/ltr.2009.0008
  5. restricted access contents
  1. Healing the Body Politic: 1968-2008. A Theatrical Reflection Across Time
  2. Caridad Svich
  3. pp. 137-142
  4. DOI: 10.1353/ltr.2009.0015
  5. restricted access contents
  1. Living the Politics of teatro in Los Angeles: An Interview with Diane Rodriguez
  2. Chantal Rodríguez
  3. pp. 143-149
  4. DOI: 10.1353/ltr.2009.0022
  5. restricted access contents
  1. A Pan-American Perspective: An Interview with Carlos Morton
  2. Andrew Gibb
  3. pp. 151-158
  4. DOI: 10.1353/ltr.2009.0029
  5. restricted access contents
  1. On Collaborating: An Interview with José Cruz González
  2. Susan Vaneta Mason
  3. pp. 159-165
  4. DOI: 10.1353/ltr.2009.0036
  5. restricted access contents
  1. Olga Sanchez Finds Humanity in Latinidad
  2. Timothy Krause
  3. pp. 167-173
  4. DOI: 10.1353/ltr.2009.0043
  5. restricted access contents
  1. Antonio Ocampo-Guzmán: Actor, Director, Professor and Linklater Voice Teacher
  2. Carlos Manuel
  3. pp. 175-180
  4. DOI: 10.1353/ltr.2009.0006
  5. restricted access contents
  1. On Cuban Stages: A Report from the Field
  2. Yael Prizant
  3. pp. 181-187
  4. DOI: 10.1353/ltr.2009.0013
  5. restricted access contents
  1. Two Stages/Spaces in Puerto Rican Theater: A Report From the Field
  2. Jade Power
  3. pp. 189-194
  4. DOI: 10.1353/ltr.2009.0020
  5. restricted access contents
  1. XXV Aniversario del Festival de Almada: La Fiesta del Teatro
  2. Osvaldo Obregón
  3. pp. 195-210
  4. DOI: 10.1353/ltr.2009.0027
  5. restricted access contents
  1. Filosofía del Teatro I. Convivio, experiencia, subjetividad (review)
  2. Eduardo Graham
  3. pp. 211-213
  4. DOI: 10.1353/ltr.2009.0033
  5. restricted access contents
  1. The Conquest on Trial: Carvajal's Complaint of the Indians in the Court of Death (review)
  2. Carmen Febles
  3. pp. 213-214
  4. DOI: 10.1353/ltr.2009.0040
  5. restricted access contents
  1. Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship (review)
  2. Jean Graham-Jones
  3. pp. 214-216
  4. DOI: 10.1353/ltr.2009.0003
  5. restricted access contents
  1. Home is Where the (He)art is: The Family Romance in Late Twentieth-Century Mexican and Argentine Theater (review)
  2. Amalia Gladhart
  3. pp. 216-217
  4. DOI: 10.1353/ltr.2009.0010
  5. restricted access contents
  1. Hotel Juárez: Dramaturgia de feminicidios (review)
  2. Sarah M. Misemer
  3. pp. 218-219
  4. DOI: 10.1353/ltr.2009.0017
  5. restricted access contents
  1. Saulo Benavente, ensayo biográfico (review)
  2. Lydia Di Lello
  3. pp. 219-220
  4. DOI: 10.1353/ltr.2009.0024
  5. restricted access contents