1. An Open Letter to a German Friend
  2. Marcel Ophuls, Susan White
  3. pp. 15-24
  4. DOI: 10.1353/arq.2004.0031
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  1. The Making of Max Ophuls' Lola Montès/Lola Montez
  2. Martina Müller, Susan White
  3. pp. 25-42
  4. DOI: 10.1353/arq.2004.0033
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  1. Off the Deep End Far from Heaven: Social Topography in The Reckless Moment
  2. William Paul
  3. pp. 43-63
  4. DOI: 10.1353/arq.2004.0035
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  1. Max Op(h)uls Fashions Femininity
  2. Gaylyn Studlar
  3. pp. 65-86
  4. DOI: 10.1353/arq.2004.0037
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  1. Leonora's Place: The Spatial Logic of Caught
  2. Marshall Deutelbaum
  3. pp. 87-95
  4. DOI: 10.1353/arq.2004.0025
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  1. The Lost Ballad: Max Ophuls' Last Hollywood Project
  2. Lutz Bacher
  3. pp. 96-126
  4. DOI: 10.1353/arq.2004.0027
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  1. Ophuls and Renoir
  2. Jean-Loup Bourget
  3. pp. 127-148
  4. DOI: 10.1353/arq.2004.0030
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  1. Nature and Artifice in Max Ophuls' Cinema
  2. Vincent Amiel, Susan White
  3. pp. 149-158
  4. DOI: 10.1353/arq.2004.0032
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  1. Woman/Road/America/Cinema
  2. David M. Lugowski
  3. pp. 159-182
  4. DOI: 10.1353/arq.2004.0034
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  1. From Stage to Screen: The Impact of the German Theater on Max Ophüls
  2. Helmut G. Asper
  3. pp. 183-196
  4. DOI: 10.1353/arq.2004.0036
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  1. Emblems of Modernism in the Early Films of Max Ophüls
  2. Karl Sierek
  3. pp. 211-222
  4. DOI: 10.1353/arq.2004.0026
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  1. Max Ophuls: An Introduction
  2. Susan White
  3. pp. 1-14
  4. DOI: 10.1353/arq.2004.0028
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  1. The Contributors
  2. pp. 223-224
  3. DOI: 10.1353/arq.2004.0029
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