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Table of Contents

  1. "The Genuine Indian Who Was Brought Upon the Stage": Edwin Forrest's Metamora and White Audiences
  2. Theresa Strouth Gaul
  3. pp. 1-27
  4. DOI: https://doi.org/10.1353/arq.2000.0005
  5. restricted access
  1. Rhetorical Suspense, Sexuality, and Death in Whitman's "Calamus" Poems
  2. John Vincent
  3. pp. 29-48
  4. DOI: https://doi.org/10.1353/arq.2000.0006
  5. restricted access
  1. Troping in Zitkala-Sa's Autobiographical Writings, 1900-1921
  2. Roumiana Velikova
  3. pp. 49-64
  4. DOI: https://doi.org/10.1353/arq.2000.0000
  5. restricted access
  1. William Carlos Williams and the New World
  2. Jeff Webb
  3. pp. 65-88
  4. DOI: https://doi.org/10.1353/arq.2000.0001
  5. restricted access
  1. Manhattan Transfer and the Metropolitan Subject
  2. A. C. Goodson
  3. pp. 89-103
  4. DOI: https://doi.org/10.1353/arq.2000.0002
  5. restricted access
  1. "Enough to Make a Body Riot": Pansies and Protesters in Himes' Harlem
  2. Justus Nieland
  3. pp. 105-133
  4. DOI: https://doi.org/10.1353/arq.2000.0003
  5. restricted access
  1. The Contributors
  3. p. 135
  4. DOI: https://doi.org/10.1353/arq.2000.0004
  5. restricted access