1. The Triangulation of Desire and the Chain of Reproduction in Friedrich de la Motte Fouqué and Ingeborg Bachmann
  2. Eleanor E. Ter Horst
  3. pp. 301-323
  4. DOI: 10.1353/smr.2011.0028
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  1. Austro-Hungarian Camouflage: Theodor Fontane's Graf Petöfy
  2. Paul Irving Anderson
  3. pp. 324-348
  4. DOI: 10.1353/smr.2011.0021
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  1. "... macht die blaue Blume rot!": Bernward Vesper's Die Reise and the Roots of the "New Subjectivity"
  2. Thomas Krüger
  3. pp. 349-364
  4. DOI: 10.1353/smr.2011.0023
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  1. Rausch und Arbeit, harte Arbeit: John von Düffels Authentifizierungsgeste
  2. David-Christopher Assmann
  3. pp. 365-378
  4. DOI: 10.1353/smr.2011.0024
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  1. Rediscovering the "Other Germany": A New Edition of the Works of Stefan Andres
  2. John Klapper
  3. pp. 379-388
  4. DOI: 10.1353/smr.2011.0025
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  1. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky (review)
  2. Ruth V. Gross
  3. pp. 388-389
  4. DOI: 10.1353/smr.2011.0026
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  1. Shifting Voices: Feminist Thought and Women's Writing in Fin-de-Siècle Austria and Hungary (review)
  2. Laura McClary
  3. pp. 389-391
  4. DOI: 10.1353/smr.2011.0027
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  1. Everybody Talks about the Weather ... We Don't: The Writings of Ulrike Meinhof (review)
  2. Christina Gerhardt
  3. pp. 391-393
  4. DOI: 10.1353/smr.2011.0020
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  1. When Heimat Meets Hollywood: German Filmmakers in America, 1985-2005 (review)
  2. Florentine Strzelczyk
  3. pp. 393-394
  4. DOI: 10.1353/smr.2011.0022
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