In this Issue
For a decade, The Opera Quarterly has earned enthusiastic praise from opera lovers and professionals for its presentation of stimulating, enlightening, and enjoyable reading on all aspects of opera.
published by
Oxford University Pressviewing issue
Volume 26, Number 4, Autumn 2010Table of Contents
pp. 499-525
pp. 526-551
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View The Power of the "Verfluchte Lohe": (Post-)Wagnerian Redheads and the Coherence of the Gesamtkunstwerk in Das Rheingold, Fredigundis, and Irrelohe
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The Power of the "Verfluchte Lohe": (Post-)Wagnerian Redheads and the Coherence of the Gesamtkunstwerk in Das Rheingold, Fredigundis, and Irrelohe
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pp. 552-587
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View "Ich bin eine Engländerin, zur Freyheit geboren": Blonde and the Enlightened Female in Mozart's Die Entführung aus dem Serail
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"Ich bin eine Engländerin, zur Freyheit geboren": Blonde and the Enlightened Female in Mozart's Die Entführung aus dem Serail
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pp. 622-625
pp. 626-634
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| ISSN | 1476-2870 |
|---|---|
| Print ISSN | 0736-0053 |
| Launched on MUSE | 2011-06-17 |
| Open Access | No |
Copyright
Copyright © Oxford University Press.
