1. The Novel as "Neutral Ground": Genre and Ideology in Cooper's The Spy
  2. Dave McTiernan
  3. pp. 3-20
  4. DOI: 10.1353/saf.1997.0006
  5. restricted access View Summary | Download |
  1. "We Must Sorrow": Silence, Suffering, and Sentimentality in Susan Warner's The Wide, Wide World
  2. Catharine O'Connell
  3. pp. 21-39
  4. DOI: 10.1353/saf.1997.0009
  5. restricted access View Summary | Download |
  1. Editor's Comment
  2. p. 40
  3. DOI: 10.1353/saf.1997.0012
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  1. Collecting as Ethos and Technique in The Portrait of a Lady
  2. Peter Donahue
  3. pp. 41-56
  4. DOI: 10.1353/saf.1997.0015
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  1. "An Elusive Rhythm": The Great Gatsby Reclaims Troilus and Criseyde
  2. Casie Hermansson
  3. pp. 57-80
  4. DOI: 10.1353/saf.1997.0001
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  1. Imagining Slavery: Toni Morrison and Charles Johnson
  2. Timothy L. Parrish
  3. pp. 81-100
  4. DOI: 10.1353/saf.1997.0003
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  1. Larry Brown's Joe and the Uses and Abuses of the "Region" Concept
  2. Paul Lyons
  3. pp. 101-124
  4. DOI: 10.1353/saf.1997.0005
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  1. Mastering Slavery: Memory, Family and Identity in Women's Slave Narratives (review)
  2. Michele L. Simms-Burton
  3. pp. 125-126
  4. DOI: 10.1353/saf.1997.0008
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  1. Novel Arguments: Reading Innovative American Fiction (review)
  2. Guy Rotella
  3. pp. 126-128
  4. DOI: 10.1353/saf.1997.0011
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