1. "Bartleby" and the Dead Letter
  2. Lewis H. Miller Jr.
  3. pp. 1-12
  4. DOI: 10.1353/saf.1980.0009
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  1. Dialogue and Characterization in The Portrait of a Lady
  2. Carla L. Peterson
  3. pp. 13-22
  4. DOI: 10.1353/saf.1980.0012
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  1. The Confidence-Man: A Knavishly-Packed Deck
  2. Steven E. Kemper
  3. pp. 23-35
  4. DOI: 10.1353/saf.1980.0015
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  1. The Journey from the "I" to the "Eye": Joyce Carol Oates' Wonderland
  2. Ellen G. Friedman
  3. pp. 37-50
  4. DOI: 10.1353/saf.1980.0000
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  1. Dr. Heidenhoff's Process and Miss Ludington's Sister: Edward Bellamy's Romances of Immortality
  2. Robert E. Hogan
  3. pp. 51-68
  4. DOI: 10.1353/saf.1980.0003
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  1. Antipode to Cooper: Rhetoric and Reality in William Joseph Snelling's "The Bois Brulé"
  2. Todd Gray Willy
  3. pp. 69-79
  4. DOI: 10.1353/saf.1980.0006
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  1. A Hannibal Summer: The Framework of The Adventures of Tom Sawyer
  2. John R. Byers Jr.
  3. pp. 81-88
  4. DOI: 10.1353/saf.1980.0008
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  1. The Centaur: What Cures George Caldwell?
  2. Ronald Wesley Hoag
  3. pp. 88-98
  4. DOI: 10.1353/saf.1980.0011
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  1. The Tragedy of Isolation: Fictional Technique and Environmentalism in Wieland
  2. Stephen R. Yarbrough
  3. pp. 98-105
  4. DOI: 10.1353/saf.1980.0014
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  1. Mark Twain's Last Years as a Writer (review)
  2. Louis J. Budd
  3. pp. 107-108
  4. DOI: 10.1353/saf.1980.0017
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  1. The Crystal Cage: Adventures of the Imagination in the Fiction of Henry James (review)
  2. William T. Stafford
  3. pp. 108-109
  4. DOI: 10.1353/saf.1980.0002
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  1. Dos Passos: Artist as American (review)
  2. David Sanders
  3. pp. 110-111
  4. DOI: 10.1353/saf.1980.0005
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  1. Jesse Stuart: A Reference Guide (review)
  2. Ruel E. Foster
  3. pp. 111-112
  4. DOI: 10.1353/saf.1980.0007
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  1. The Law of the Heart: Individualism and the Modern Self in American Literature (review)
  2. Sanford Pinsker
  3. pp. 112-113
  4. DOI: 10.1353/saf.1980.0010
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  1. Fabulation and Metafiction (review)
  2. Richard Pearce
  3. pp. 114-116
  4. DOI: 10.1353/saf.1980.0013
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  1. The Last Laugh: Form and Affirmation in the Contemporary American Comic Novel (review)
  2. Stanley Trachtenberg
  3. pp. 116-118
  4. DOI: 10.1353/saf.1980.0016
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  1. Hemingway: Expressionist Artist, and: Hemingway's Hidden Craft: The Writing of A Farewell to Arms (review)
  2. James Nagel
  3. pp. 119-121
  4. DOI: 10.1353/saf.1980.0001
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  1. Editor's Comment
  2. James Nagel
  3. p. I
  4. DOI: 10.1353/saf.1980.0004
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