1. The Genesis of A Farewell to Arms
  2. Bernard Oldsey
  3. pp. 175-185
  4. DOI: 10.1353/saf.1977.0001
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  1. Melville's Memento Mori
  2. Robert Waite
  3. pp. 187-197
  4. DOI: 10.1353/saf.1977.0004
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  1. "The Temptation to be a Beautiful Object": Double Standard and Double Bind in The House of Mirth
  2. Judith Fetterley
  3. pp. 199-211
  4. DOI: 10.1353/saf.1977.0007
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  1. Repetition as Technique in the Short Stories of Erskine Caldwell
  2. Scott MacDonald
  3. pp. 213-225
  4. DOI: 10.1353/saf.1977.0009
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  1. The Problem of Time in Welty's Delta Wedding
  2. Douglas Messerli
  3. pp. 227-240
  4. DOI: 10.1353/saf.1977.0011
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  1. Nabokov's Bend Sinister: The Narrator as God
  2. Richard F. Patteson
  3. pp. 241-253
  4. DOI: 10.1353/saf.1977.0013
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  1. A New Stephen Crane Item
  2. Lillian Barnard Gilkes
  3. pp. 255-257
  4. DOI: 10.1353/saf.1977.0000
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  1. Imagined Redemption in "Roger Malvin's Burial"
  2. Burton J. Fishman
  3. pp. 257-262
  4. DOI: 10.1353/saf.1977.0003
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  1. The Hand of the Artist in Shadows on the Rock
  2. John Hinz
  3. pp. 263-268
  4. DOI: 10.1353/saf.1977.0006
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  1. I. B. Singer's "The Captive": A False Messiah in the Promised Land
  2. Julian C. Rice
  3. pp. 269-275
  4. DOI: 10.1353/saf.1977.0008
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  1. Henry James Letters ed. by Leon Edel (review)
  2. Chadwick Hansen
  3. pp. 277-278
  4. DOI: 10.1353/saf.1977.0010
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  1. O'Hara: A Biography by Finis Farr (review)
  2. T. K. Meier
  3. pp. 278-279
  4. DOI: 10.1353/saf.1977.0012
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  1. Edith Wharton and Kate Chopin: A Reference Guide by Marlene Springer (review)
  2. Elizabeth Ammons
  3. pp. 280-281
  4. DOI: 10.1353/saf.1977.0014
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  1. Select Societies: A Review Essay
  2. Stanley Trachtenberg
  3. pp. 281-284
  4. DOI: 10.1353/saf.1977.0002
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  1. Editor's Comment
  2. James Nagel
  3. p. i
  4. DOI: 10.1353/saf.1977.0005
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