1. Resurrecting Man: Desire and The Damnation of Theron Ware
  2. Lisa Watt MacFarlane
  3. pp. 127-143
  4. DOI: 10.1353/saf.1992.0028
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  1. Editor's Comment
  2. Earl N. Harbert, Mary Loeffelholz
  3. p. 144
  4. DOI: 10.1353/saf.1992.0002
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  1. Trouble and Joy from "A True Story" to Adventures of Huckleberry Finn: Mark Twain and the Book of Jeremiah
  2. Jon Powell
  3. pp. 145-154
  4. DOI: 10.1353/saf.1992.0007
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  1. Huck Finn as Tourist: Mark Twain's Parody Travelogue
  2. Gretchen M. Beidler
  3. pp. 155-167
  4. DOI: 10.1353/saf.1992.0011
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  1. "I Wouldn't Be As Ignorant As You for Wages": Huck Talks Back to His Conscience
  2. Gregg Camfield
  3. pp. 169-175
  4. DOI: 10.1353/saf.1992.0016
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  1. Monologues of the Mad: Paris Cabaret and Modernist Narrative from Twain to Eliot
  2. William R. Everdell
  3. pp. 177-196
  4. DOI: 10.1353/saf.1992.0021
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  1. Carlyle, Clemens, and Dickens: Mark Twain's Francophobia, the French Revolution, and Determinism
  2. Wesley Britton
  3. pp. 197-204
  4. DOI: 10.1353/saf.1992.0026
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  1. Echoes of Literary Sisterhood: Louisa May Alcott and Kate Chopin
  2. Harbour Winn
  3. pp. 205-208
  4. DOI: 10.1353/saf.1992.0000
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  1. Gothic Conventions in Jean Toomer's "The Eye"
  2. Robert B. Jones
  3. pp. 209-217
  4. DOI: 10.1353/saf.1992.0005
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  1. Rosedale and Anti-Semitism in The House of Mirth
  2. Christian Riegel
  3. pp. 219-224
  4. DOI: 10.1353/saf.1992.0009
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  1. The Man Who Was Mark Twain by Guy Cardwell (review)
  2. Hamlin Hill
  3. pp. 226-227
  4. DOI: 10.1353/saf.1992.0019
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  1. The Disruption of the Feminine in Henry James by Priscilla L. Walton (review)
  2. Celeste Goodridge
  3. pp. 229-230
  4. DOI: 10.1353/saf.1992.0029
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  1. Index
  2. pp. 231-251
  3. DOI: 10.1353/saf.1992.0003
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