1. "Capable, but Uninspired": Evaluating Frank Benson's Hesitant/Heroic History Cycles
  2. Pete Orford
  3. pp. 133-163
  4. DOI: 10.1353/shb.2011.0015
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  1. The Thrust Stage Is Not Some Direct Link to Shakespeare
  2. Kevin Ewert
  3. pp. 165-176
  4. DOI: 10.1353/shb.2011.0020
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  1. The Tempest (review)
  2. Samuel Crowl
  3. pp. 177-181
  4. DOI: 10.1353/shb.2011.0022
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  1. All's Well That Ends Well, and: Cymbeline (review)
  2. Deborah Montuori
  3. pp. 183-191
  4. DOI: 10.1353/shb.2011.0028
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  1. Antony and Cleopatra (review)
  2. Katharine Goodland
  3. pp. 191-196
  4. DOI: 10.1353/shb.2011.0030
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  1. Antony and Cleopatra, and: Romeo and Juliet (review)
  2. Darlene Farabee
  3. pp. 196-204
  4. DOI: 10.1353/shb.2011.0016
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  1. Romeo and Juliet, and: Love's Labour's Lost (review)
  2. Scott R. Irelan
  3. pp. 204-211
  4. DOI: 10.1353/shb.2011.0018
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  1. Othello, and: Love's Labour's Lost (review)
  2. Valerie A. Ross
  3. pp. 211-223
  4. DOI: 10.1353/shb.2011.0021
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  1. Hamlet (review)
  2. Elizabeth Zeman Kolkovich
  3. pp. 223-228
  4. DOI: 10.1353/shb.2011.0024
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  1. King Lear (review)
  2. Melissa Croteau
  3. pp. 228-234
  4. DOI: 10.1353/shb.2011.0027
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  1. The Taming of the Shrew (review)
  2. Sally Romotsky
  3. pp. 234-238
  4. DOI: 10.1353/shb.2011.0023
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  1. The Life and Death of King John (review)
  2. Jason E. Cohen
  3. pp. 239-242
  4. DOI: 10.1353/shb.2011.0026
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  1. Henry VIII (review)
  2. Helen L. Hull
  3. pp. 242-248
  4. DOI: 10.1353/shb.2011.0029
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  1. The Winter's Tale (review)
  2. Katherine Scheil
  3. pp. 248-251
  4. DOI: 10.1353/shb.2011.0031
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  1. The Tempest (review)
  2. Nicole Stodard
  3. pp. 251-256
  4. DOI: 10.1353/shb.2011.0017
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  1. A Tale Told by an Idiot, and: Hamlet Shut Up, and: Katie the Curst, and: A Wither's Tale (review)
  2. Kevin J. Wetmore Jr.
  3. pp. 256-265
  4. DOI: 10.1353/shb.2011.0019
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  1. Thomas Heywood's Theatre, 1599–1639: Locations, Translations, and Conflict (review)
  2. Marissa Greenberg
  3. pp. 267-274
  4. DOI: 10.1353/shb.2011.0025
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