In this Issue

Table of Contents

"Rude Mechanicals and the Specters of Marx"

Alice Rayner
pp. 535-554
DOI: https://doi.org/10.1353/tj.2002.0133
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Narratives of Armed Conflict and Terrorism in the Theatre: Tragedy and History in Hanoch Levin's Murder

Freddie Rokem
pp. 555-573
DOI: https://doi.org/10.1353/tj.2002.0134
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Re-Presenting Oscar Wilde: Wilde's Trials, Gross Indecency, and Documentary Spectacle

S. I. Salamensky
pp. 575-588
DOI: https://doi.org/10.1353/tj.2002.0137
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Representing History: Performing the Columbian Exposition

Rosemarie K. Bank
pp. 589-606
DOI: https://doi.org/10.1353/tj.2002.0112
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Kean, Byron, and Fantasies of Miscegenation

Edward Ziter
pp. 607-626
DOI: https://doi.org/10.1353/tj.2002.0149
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Maria del Bosco, A Sound Opera: Sex and Racing Cars, and: Hamletango, Prince of Butches (review)

E. J. Westlake
pp. 627-630
DOI: https://doi.org/10.1353/tj.2002.0146
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Pera Palas (review)

Margaret Russett
pp. 630-632
DOI: https://doi.org/10.1353/tj.2002.0136
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'Ulalena (review)

Tom Smith
pp. 632-634
DOI: https://doi.org/10.1353/tj.2002.0140
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Metamorphoses (review)

Julia E. Whitworth
pp. 634-635
DOI: https://doi.org/10.1353/tj.2002.0147
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26th Annual Humana Festival of New American Plays (review)

Scott T. Cummings
pp. 635-638
DOI: https://doi.org/10.1353/tj.2002.0118
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Hay Fever (review)

Jeff Turner
pp. 638-640
DOI: https://doi.org/10.1353/tj.2002.0142
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Flower Drum Song (review)

Sun Hee Teresa Lee
pp. 640-642
DOI: https://doi.org/10.1353/tj.2002.0111
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Necessary Targets (review)

Karen Bovard
pp. 642-643
DOI: https://doi.org/10.1353/tj.2002.0117
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Defixiones, Will and Testament: Orders from the Dead (review)

Kerry Moore
pp. 643-645
DOI: https://doi.org/10.1353/tj.2002.0129
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Rhinoceros (review)

Telory W. Davies
pp. 645-646
DOI: https://doi.org/10.1353/tj.2002.0119
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The Royal Family, and: Lady Windemere's Fan (review)

Robert Barton
pp. 646-648
DOI: https://doi.org/10.1353/tj.2002.0114
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She Stoops to Conquer (review)

Yvonne Shafer
pp. 648-650
DOI: https://doi.org/10.1353/tj.2002.0139
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Twelfth Night (review)

Kenneth Gross
pp. 650-651
DOI: https://doi.org/10.1353/tj.2002.0126
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Salome (review)

Harry Lane
pp. 651-653
DOI: https://doi.org/10.1353/tj.2002.0128
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Masurca Fogo (review)

Babak A. Ebrahimian
pp. 653-654
DOI: https://doi.org/10.1353/tj.2002.0120
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No Mother to Guide Her (review)

Barbara Meredith Waldinger
pp. 654-656
DOI: https://doi.org/10.1353/tj.2002.0144
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Female Spectacle: The Theatrical Roots of Modern Feminism (review)

Deanna M. Toten Beard
pp. 657-658
DOI: https://doi.org/10.1353/tj.2002.0116
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The Medieval European Stage, 500-1550 (review)

Jody Enders
pp. 658-659
DOI: https://doi.org/10.1353/tj.2002.0123
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British Theatre and the Red Peril: The Portrayal of Communism 1917-1945, and: British Theatre Between the Wars 1918-1939 (review)

Melissa Gibson
pp. 659-661
DOI: https://doi.org/10.1353/tj.2002.0125
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Shakespeare, Brecht, and the Intercultural Sign (review)

John Osburn
pp. 661-662
DOI: https://doi.org/10.1353/tj.2002.0131
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Theater of the Avant-Garde 1890-1950: A Critical Anthology (review)

Gwendolyn Waltz
pp. 662-664
DOI: https://doi.org/10.1353/tj.2002.0145
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Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater (review)

Susan Tenneriello
pp. 664-665
DOI: https://doi.org/10.1353/tj.2002.0141
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Body and Soul: The Making of American Modernism (review)

Sarah Bay-Cheng
pp. 665-666
DOI: https://doi.org/10.1353/tj.2002.0115
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Daughters of Eve: A Cultural History of French Theater Women from the Old Regime to the Fin-De-Siecle (review)

Ronald Schechter
pp. 666-668
DOI: https://doi.org/10.1353/tj.2002.0138
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Chicano Drama: Performance, Society and Myth (review)

Tamara L. Underiner, Christopher Danowski
pp. 668-669
DOI: https://doi.org/10.1353/tj.2002.0143
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Performing Democracy: International Perspectives on Urban Community-Based Performance (review)

Ann Elizabeth Armstrong
pp. 669-670
DOI: https://doi.org/10.1353/tj.2002.0113
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Drama for a New South Africa: Seven Plays, and: African Theatre: Playwrights & Politics (review)

Femi Euba
pp. 671-672
DOI: https://doi.org/10.1353/tj.2002.0124
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Re:Direction: A Theoretical and Practical Guide (review)

Kerry Moore
pp. 672-674
DOI: https://doi.org/10.1353/tj.2002.0130
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Twentieth Century Actor Training, and: Acting Emotions (review)

Cindy Rosenthal
pp. 674-676
DOI: https://doi.org/10.1353/tj.2002.0135
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A Sourcebook of African-American Performance: Plays, People, Movements (review)

Marta J. Effinger
pp. 676-677
DOI: https://doi.org/10.1353/tj.2002.0122
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The Cambridge King Lear CD-ROM (review)

Mary Polito
pp. 677-678
DOI: https://doi.org/10.1353/tj.2002.0132
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What is Scenography? (review)

Christin Yannacci
pp. 678-679
DOI: https://doi.org/10.1353/tj.2002.0148
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Index to Volume 54

pp. 683-690
DOI: https://doi.org/10.1353/tj.2002.0127
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Special Issue: Re-Thinking the Real: Editorial Comment

Harry Justin Elam
pp. vii-ix
DOI: https://doi.org/10.1353/tj.2002.0121
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