1. "Rude Mechanicals and the Specters of Marx"
  2. Alice Rayner
  3. pp. 535-554
  4. DOI: 10.1353/tj.2002.0133
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  1. Narratives of Armed Conflict and Terrorism in the Theatre: Tragedy and History in Hanoch Levin's Murder
  2. Freddie Rokem
  3. pp. 555-573
  4. DOI: 10.1353/tj.2002.0134
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  1. Re-Presenting Oscar Wilde: Wilde's Trials, Gross Indecency, and Documentary Spectacle
  2. S. I. Salamensky
  3. pp. 575-588
  4. DOI: 10.1353/tj.2002.0137
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  1. Representing History: Performing the Columbian Exposition
  2. Rosemarie K. Bank
  3. pp. 589-606
  4. DOI: 10.1353/tj.2002.0112
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  1. Kean, Byron, and Fantasies of Miscegenation
  2. Edward Ziter
  3. pp. 607-626
  4. DOI: 10.1353/tj.2002.0149
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  1. Maria del Bosco, A Sound Opera: Sex and Racing Cars, and: Hamletango, Prince of Butches (review)
  2. E. J. Westlake
  3. pp. 627-630
  4. DOI: 10.1353/tj.2002.0146
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  1. Pera Palas (review)
  2. Margaret Russett
  3. pp. 630-632
  4. DOI: 10.1353/tj.2002.0136
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  1. 'Ulalena (review)
  2. Tom Smith
  3. pp. 632-634
  4. DOI: 10.1353/tj.2002.0140
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  1. Metamorphoses (review)
  2. Julia E. Whitworth
  3. pp. 634-635
  4. DOI: 10.1353/tj.2002.0147
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  1. 26th Annual Humana Festival of New American Plays (review)
  2. Scott T. Cummings
  3. pp. 635-638
  4. DOI: 10.1353/tj.2002.0118
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  1. Hay Fever (review)
  2. Jeff Turner
  3. pp. 638-640
  4. DOI: 10.1353/tj.2002.0142
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  1. Flower Drum Song (review)
  2. Sun Hee Teresa Lee
  3. pp. 640-642
  4. DOI: 10.1353/tj.2002.0111
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  1. Necessary Targets (review)
  2. Karen Bovard
  3. pp. 642-643
  4. DOI: 10.1353/tj.2002.0117
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  1. Defixiones, Will and Testament: Orders from the Dead (review)
  2. Kerry Moore
  3. pp. 643-645
  4. DOI: 10.1353/tj.2002.0129
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  1. Rhinoceros (review)
  2. Telory W. Davies
  3. pp. 645-646
  4. DOI: 10.1353/tj.2002.0119
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  1. The Royal Family, and: Lady Windemere's Fan (review)
  2. Robert Barton
  3. pp. 646-648
  4. DOI: 10.1353/tj.2002.0114
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  1. She Stoops to Conquer (review)
  2. Yvonne Shafer
  3. pp. 648-650
  4. DOI: 10.1353/tj.2002.0139
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  1. Twelfth Night (review)
  2. Kenneth Gross
  3. pp. 650-651
  4. DOI: 10.1353/tj.2002.0126
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  1. Salome (review)
  2. Harry Lane
  3. pp. 651-653
  4. DOI: 10.1353/tj.2002.0128
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  1. Masurca Fogo (review)
  2. Babak A. Ebrahimian
  3. pp. 653-654
  4. DOI: 10.1353/tj.2002.0120
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  1. No Mother to Guide Her (review)
  2. Barbara Meredith Waldinger
  3. pp. 654-656
  4. DOI: 10.1353/tj.2002.0144
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  1. Female Spectacle: The Theatrical Roots of Modern Feminism (review)
  2. Deanna M. Toten Beard
  3. pp. 657-658
  4. DOI: 10.1353/tj.2002.0116
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  1. The Medieval European Stage, 500-1550 (review)
  2. Jody Enders
  3. pp. 658-659
  4. DOI: 10.1353/tj.2002.0123
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  1. British Theatre and the Red Peril: The Portrayal of Communism 1917-1945, and: British Theatre Between the Wars 1918-1939 (review)
  2. Melissa Gibson
  3. pp. 659-661
  4. DOI: 10.1353/tj.2002.0125
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  1. Shakespeare, Brecht, and the Intercultural Sign (review)
  2. John Osburn
  3. pp. 661-662
  4. DOI: 10.1353/tj.2002.0131
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  1. Theater of the Avant-Garde 1890-1950: A Critical Anthology (review)
  2. Gwendolyn Waltz
  3. pp. 662-664
  4. DOI: 10.1353/tj.2002.0145
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  1. Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater (review)
  2. Susan Tenneriello
  3. pp. 664-665
  4. DOI: 10.1353/tj.2002.0141
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  1. Body and Soul: The Making of American Modernism (review)
  2. Sarah Bay-Cheng
  3. pp. 665-666
  4. DOI: 10.1353/tj.2002.0115
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  1. Daughters of Eve: A Cultural History of French Theater Women from the Old Regime to the Fin-De-Siecle (review)
  2. Ronald Schechter
  3. pp. 666-668
  4. DOI: 10.1353/tj.2002.0138
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  1. Chicano Drama: Performance, Society and Myth (review)
  2. Tamara L. Underiner, Christopher Danowski
  3. pp. 668-669
  4. DOI: 10.1353/tj.2002.0143
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  1. Performing Democracy: International Perspectives on Urban Community-Based Performance (review)
  2. Ann Elizabeth Armstrong
  3. pp. 669-670
  4. DOI: 10.1353/tj.2002.0113
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  1. Drama for a New South Africa: Seven Plays, and: African Theatre: Playwrights & Politics (review)
  2. Femi Euba
  3. pp. 671-672
  4. DOI: 10.1353/tj.2002.0124
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  1. Re:Direction: A Theoretical and Practical Guide (review)
  2. Kerry Moore
  3. pp. 672-674
  4. DOI: 10.1353/tj.2002.0130
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  1. Twentieth Century Actor Training, and: Acting Emotions (review)
  2. Cindy Rosenthal
  3. pp. 674-676
  4. DOI: 10.1353/tj.2002.0135
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  1. A Sourcebook of African-American Performance: Plays, People, Movements (review)
  2. Marta J. Effinger
  3. pp. 676-677
  4. DOI: 10.1353/tj.2002.0122
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  1. The Cambridge King Lear CD-ROM (review)
  2. Mary Polito
  3. pp. 677-678
  4. DOI: 10.1353/tj.2002.0132
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  1. What is Scenography? (review)
  2. Christin Yannacci
  3. pp. 678-679
  4. DOI: 10.1353/tj.2002.0148
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  1. Index to Volume 54
  3. pp. 683-690
  4. DOI: 10.1353/tj.2002.0127
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  1. Special Issue: Re-Thinking the Real: Editorial Comment
  2. Harry Justin Elam
  3. pp. vii-ix
  4. DOI: 10.1353/tj.2002.0121
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