1. Why We Can't Talk to You about Voodoo
  2. Brenda Marie Osbey
  3. pp. 1-11
  4. DOI: 10.1353/slj.2011.0001
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  1. "I am now like the gambler": Erotic Triangles and Game Theory in William Faulkner's Pylon and If I Forget Thee, Jerusalem
  2. Jeremey Cagle
  3. pp. 32-54
  4. DOI: 10.1353/slj.2011.0005
  5. restricted access View | Download |
  1. The Harm of "Swedening": Anxieties of Nativism in Katherine Anne Porter's "Noon Wine"
  2. David Yost
  3. pp. 75-86
  4. DOI: 10.1353/slj.2011.0008
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  1. "We weren't laughing at them . . . We're grieving with you": Empathy and Comic Vision in Welty's The Optimist's Daughter
  2. Adrienne V. Akins
  3. pp. 87-104
  4. DOI: 10.1353/slj.2011.0009
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  1. "Such a Poor Word for a Wondrous Thing": Thingness and the Recovery of the Human in The Known World
  2. Sarah Mahurin Mutter
  3. pp. 125-146
  4. DOI: 10.1353/slj.2011.0002
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  1. O'Connor and Spencer in the Shadow of 9/11
  2. Andrew Silver
  3. pp. 147-151
  4. DOI: 10.1353/slj.2011.0004
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  1. Contributors
  2. pp. 152-153
  3. DOI: 10.1353/slj.2011.0006
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