1. Editorial Comment
  2. Penny Farfan
  3. pp. 1-2
  4. DOI: 10.1353/tj.2011.0036
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  1. Acting Black, 1824: Charles Mathews's Trip to America
  2. Tracy C. Davis
  3. pp. 163-189
  4. DOI: 10.1353/tj.2011.0053
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  1. Furry Cartography: Performing Species
  2. Marla Carlson
  3. pp. 191-208
  4. DOI: 10.1353/tj.2011.0038
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  1. Performance as Pathology: The Case of Munchausen's Syndrome and Performative Illness
  2. Natalie Alvarez
  3. pp. 209-224
  4. DOI: 10.1353/tj.2011.0065
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  1. Site-Specific Theatre and Political Engagement across Space and Time: The Psychogeographic Mapping of British Petroleum in Platform's And While London Burns
  2. Joanne Tompkins
  3. pp. 225-243
  4. DOI: 10.1353/tj.2011.0048
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  1. Berlin Alexanderplatz (review)
  2. Loren Kruger
  3. pp. 245-248
  4. DOI: 10.1353/tj.2011.0067
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  1. A Streetcar Named Desire (review)
  2. David Román
  3. pp. 248-250
  4. DOI: 10.1353/tj.2011.0064
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  1. Krapp's Last Tape (review)
  2. Jae Kyoung Kim
  3. pp. 250-253
  4. DOI: 10.1353/tj.2011.0037
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  1. Mr Vertigo (review)
  2. Hana Worthen
  3. pp. 253-255
  4. DOI: 10.1353/tj.2011.0042
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  1. How Can You Stay in the House All Day and not Go Anywhere? (review)
  2. Beth Cleary
  3. pp. 255-257
  4. DOI: 10.1353/tj.2011.0052
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  1. Waiting for Godot (review)
  2. Cóilín Parsons
  3. pp. 257-260
  4. DOI: 10.1353/tj.2011.0047
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  1. Oberammergau Passion Play 2010 (review)
  2. Elizabeth Joann Montgomery
  3. pp. 260-262
  4. DOI: 10.1353/tj.2011.0057
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  1. Passion Play (review)
  2. James Al-Shamma
  3. pp. 262-264
  4. DOI: 10.1353/tj.2011.0062
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  1. The Tempest (review)
  2. Catherine Young
  3. pp. 264-267
  4. DOI: 10.1353/tj.2011.0035
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  1. Antony and Cleopatra (review)
  2. Horacio Sierra
  3. pp. 267-269
  4. DOI: 10.1353/tj.2011.0040
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  1. Spring Awakening: A Sin of Omission (review)
  2. Michael Y. Bennett
  3. pp. 269-270
  4. DOI: 10.1353/tj.2011.0045
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  1. The Master Butchers Singing Club (review)
  2. Robert Hubbard
  3. pp. 270-272
  4. DOI: 10.1353/tj.2011.0050
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  1. Major Barbara, and: The Circle (review)
  2. Joel G. Fink
  3. pp. 272-276
  4. DOI: 10.1353/tj.2011.0055
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  1. The Howling Miller (review)
  2. Joseph Talarico
  3. pp. 276-279
  4. DOI: 10.1353/tj.2011.0060
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  1. By Hands Unknown (review)
  2. Koritha Mitchell
  3. pp. 279-281
  4. DOI: 10.1353/tj.2011.0066
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  1. America's Longest Run: A History of the Walnut Street Theatre, and: Encore! The Renaissance of Wisconsin Opera Houses, and: The Golden Age of Indianapolis Theaters, and: A Theater of Our Own: A History and a Memoir of 1,001 Nights in Chicago (review)
  2. Felicia Hardison Londré
  3. pp. 283-285
  4. DOI: 10.1353/tj.2011.0063
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  1. Performance and the City (review)
  2. Deirdre O'Leary
  3. pp. 285-286
  4. DOI: 10.1353/tj.2011.0058
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  1. Intra-Cultural Theater: Performing the Life of Black Migrants to Italy: Teatro dele Albe and the Performance of Ethnic Diversity acros Politics, News, Public Discourse, and Art (review)
  2. Emine Fisek
  3. pp. 286-288
  4. DOI: 10.1353/tj.2011.0061
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  1. Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (review)
  2. Lara D. Nielsen
  3. pp. 288-289
  4. DOI: 10.1353/tj.2011.0046
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  1. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity (review)
  2. Shari Perkins
  3. pp. 289-290
  4. DOI: 10.1353/tj.2011.0041
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  1. Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working it Out (review)
  2. La Donna L. Forsgren
  3. pp. 290-291
  4. DOI: 10.1353/tj.2011.0056
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  1. Worlding Dance (review)
  2. Victoria Fortuna
  3. pp. 292-293
  4. DOI: 10.1353/tj.2011.0051
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  1. How to Do Things with Dance: Performing Change in Postwar America (review)
  2. Clare Croft
  3. pp. 293-294
  4. DOI: 10.1353/tj.2011.0059
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  1. Victorian Women and the Theatre of Trance: Mediums, Spiritualists, and Mesmerists in Performance (review)
  2. Beth A. Kattelman
  3. pp. 294-296
  4. DOI: 10.1353/tj.2011.0054
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  1. Memory in Play: From Aeschylus to Sam Shepard, and: Technologies of Memory in the Arts (review)
  2. Marvin Carlson
  3. pp. 296-297
  4. DOI: 10.1353/tj.2011.0068
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  1. Homo Americanus: Ernest Hemingway, Tennessee Williams, and Queer Masculinities (review)
  2. David Roark
  3. pp. 297-299
  4. DOI: 10.1353/tj.2011.0039
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  1. Performing Race and Torture on the Early Modern Stage (review)
  2. Caroline Lamb
  3. pp. 299-300
  4. DOI: 10.1353/tj.2011.0044
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  1. The Tainted Muse: Prejudice and Presumption in Shakespeare and His Time (review)
  2. Colleen E. Kennedy
  3. pp. 300-302
  4. DOI: 10.1353/tj.2011.0049
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  1. Doctoral Projects in Progress in Theatre Arts, 2011
  2. Troy Matthew Lescher, Kyle Reynolds Conway
  3. pp. 305-309
  4. DOI: 10.1353/tj.2011.0043
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