1. Pilar and Maria: Hemingway's Feminist Homage to the "New Woman of Spain" in For Whom the Bell Tolls
  2. Stacey Guill
  3. pp. 7-20
  4. DOI: 10.1353/hem.2011.0022
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  1. "He Had Never Written a Word of That": Regret and Counterfactuals in Hemingway's "The Snows of Kilimanjaro"
  2. Jennifer Riddle Harding
  3. pp. 21-35
  4. DOI: 10.1353/hem.2011.0024
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  1. The Names of Rivers and the Names of Birds: Ezra Pound, Louis Agassiz, and the "Luminous Detail" in Hemingway's Early Fiction
  2. Alex Shakespeare
  3. pp. 36-53
  4. DOI: 10.1353/hem.2011.0026
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  1. Taboo or Tolerable?: Hemingway's For Whom the Bell Tolls in Postwar Spain
  2. Lisa A. Twomey
  3. pp. 54-72
  4. DOI: 10.1353/hem.2011.0028
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  1. For Ernest, With Love and Squalor: The Influence of Ernest Hemingway on J.D. Salinger
  2. Bradley R. McDuffie
  3. pp. 88-98
  4. DOI: 10.1353/hem.2011.0019
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  1. Note to R (G) B from E (of) H: Hemingway's Inscriptions to Robert Benchley
  2. Nat Benchley
  3. pp. 118-119
  4. DOI: 10.1353/hem.2011.0023
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  1. Hemingway on Politics and Rebellion (review)
  2. Robert E. Fleming
  3. pp. 120-123
  4. DOI: 10.1353/hem.2011.0016
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  1. Hemingway's Guns: The Sporting Arms of Ernest Hemingway (review)
  2. Lawrence H. Martin
  3. pp. 123-126
  4. DOI: 10.1353/hem.2011.0018
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  1. Hunting for Hemingway (review)
  2. Ron McFarland
  3. pp. 127-128
  4. DOI: 10.1353/hem.2011.0020
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  1. Current Bibliography
  2. Amanda Carella, Corey J. Dahl, Adam Lownik, Ted Weiers
  3. pp. 129-141
  4. DOI: 10.1353/hem.2011.0025
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  1. Bulletin Board
  2. pp. 142-144
  3. DOI: 10.1353/hem.2011.0027
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