In this Issue
Published twice each year, Film & History: An Interdisciplinary Journal is a non-profit, peer-reviewed journal affiliated with the American Historical Association and hosted by Lawrence University since 2012. It has been published continuously since 1971.
Film & History welcomes article-length manuscripts of 4,000-7,000 words on the following topics:
- The effect of historical events on films, genres, or cultural & aesthetic standards
- The effect of films or film genres on historical or cultural events
- The aesthetic or rhetorical construction of history itself, as rendered in film
- The aesthetic premises or consequences of film-related media in historical context
- Use of motion pictures, television, and related media in the classroom
- The history, holdings, and current status of film and television archives
- New or controversial ways of presenting history in film and television
- Reviews of books and video/films and broadcasts addressing important themes or events
See filmandhistory.org for details.
published by
Center for the Study of Film and Historyviewing issue
Volume 41.1 (Spring 2011)Table of Contents
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View Re-Presentation of Dante Gabriel Rossetti: Portrayals in Fiction, Drama, Music, and Film (review)
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Re-Presentation of Dante Gabriel Rossetti: Portrayals in Fiction, Drama, Music, and Film (review)
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View That Was the GDR - A History of the Other Germany (Das war die DDR - Eine Geschichte des anderen Deutschlands) (review)
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That Was the GDR - A History of the Other Germany (Das war die DDR - Eine Geschichte des anderen Deutschlands) (review)
- Save That Was the GDR - A History of the Other Germany (Das war die DDR - Eine Geschichte des anderen Deutschlands) (review)
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View Television Westerns, Termination, and Public Relations: An Analysis of the ABC Series Broken Arrow, 1956-1958
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Television Westerns, Termination, and Public Relations: An Analysis of the ABC Series Broken Arrow, 1956-1958
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| ISSN | 1548-9922 |
|---|---|
| Print ISSN | 0360-3695 |
| Launched on MUSE | 2011-06-03 |
| Open Access | No |



