1. Visions of Science and Technology, Part 2
  2. Cynthia J. Miller, A. Bowdoin Van Riper, Loren P.Q. Baybrook
  3. pp. 4-5
  4. DOI: 10.1353/flm.2010.0008
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  1. Lost in Space: Technology and Turbulence in Futuristic Cinema of the 1950s
  2. Andrew J. Huebner
  3. pp. 6-26
  4. DOI: 10.1353/flm.2010.0013
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  1. I, Clone: How Cloning Is (Mis)Portrayed in Contemporary Cinema
  2. Jason T. Eberl
  3. pp. 27-44
  4. DOI: 10.1353/flm.2010.0018
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  1. Surréalisme Sous-l'Eau: Science and Surrealism in the Early Films and Writings of Jean Painlevé
  2. Lauren E. Fretz
  3. pp. 45-65
  4. DOI: 10.1353/flm.2010.0022
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  1. Science Fiction as "True-Life Adventure": Disney and the Case of 20,000 Leagues Under the Sea
  2. J. P. Telotte
  3. pp. 66-79
  4. DOI: 10.1353/flm.2010.0026
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  1. A Natural and Artificial Homeland: East German Science-Fiction Film Responds to Kubrick and Tarkovsky
  2. Sonja Fritzsche
  3. pp. 80-101
  4. DOI: 10.1353/flm.2010.0002
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  1. Film Nation: Hollywood Looks at U.S. History (review)
  2. Paul M. Cohen
  3. pp. 102-104
  4. DOI: 10.1353/flm.2010.0006
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  1. The Great War on the Small Screen (review)
  2. Robert Fyne
  3. pp. 104-106
  4. DOI: 10.1353/flm.2010.0011
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  1. Ireland's Theatre on Film: Style, Stories and the National Stage on Screen (review)
  2. Timothy X. Troy
  3. pp. 106-109
  4. DOI: 10.1353/flm.2010.0016
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  1. Hollywood's War with Poland, 1939-1945 (review)
  2. John M. Grondelski
  3. pp. 109-111
  4. DOI: 10.1353/flm.2010.0020
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  1. The Religious Film: Christianity and the Hagiopic, and: Christians in the Movies (review)
  2. Robert W. Matson
  3. pp. 111-114
  4. DOI: 10.1353/flm.2010.0024
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  1. Dreams of Difference, Songs of the Same: The Musical Moment in Film (review)
  2. Julie McQuinn
  3. pp. 114-117
  4. DOI: 10.1353/flm.2010.0000
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  1. Soviet Cinema: Politics and Persuasion under Stalin (review)
  2. James H. Krukones
  3. pp. 117-119
  4. DOI: 10.1353/flm.2010.0004
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  1. Films that Work: Industrial Film and Productivity of Media (review)
  2. Tony Osborne
  3. pp. 119-121
  4. DOI: 10.1353/flm.2010.0009
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  1. The New Yorker Theater and Other Scenes from a Life at the Movies (review)
  2. Jerald Podair
  3. pp. 122-123
  4. DOI: 10.1353/flm.2010.0014
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  1. Frost / Nixon (review)
  2. James M. Welsh
  3. pp. 124-125
  4. DOI: 10.1353/flm.2010.0019
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  1. They Killed Sister Dorothy (review)
  2. Lawrence Mastroni
  3. pp. 126-127
  4. DOI: 10.1353/flm.2010.0023
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  1. Twisted: A Balloonamentary (review)
  2. A. Bowdoin Van Riper
  3. pp. 127-129
  4. DOI: 10.1353/flm.2010.0027
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  1. The Unseen Alistair Cooke (review)
  2. Tony Osborne
  3. pp. 129-131
  4. DOI: 10.1353/flm.2010.0003
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  1. A Class Apart (review)
  2. Rob Prince
  3. pp. 131-134
  4. DOI: 10.1353/flm.2010.0007
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  1. The Greatest Silence: Rape in the Congo (review)
  2. Karen A. Ritzenhoff
  3. pp. 134-136
  4. DOI: 10.1353/flm.2010.0012
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  1. The World of Peter Sellers (review)
  2. John C. Tibbetts
  3. pp. 136-138
  4. DOI: 10.1353/flm.2010.0017
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  1. The Axe of Wandsbek (Das Beil von Wandsbek) (review)
  2. Scott Weiss
  3. pp. 138-140
  4. DOI: 10.1353/flm.2010.0021
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  1. Malls R Us (review)
  2. William A. Pelz
  3. pp. 141-143
  4. DOI: 10.1353/flm.2010.0025
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  1. Taken for a Ride (review)
  2. Sara Sullivan
  3. pp. 142-144
  4. DOI: 10.1353/flm.2010.0001
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  1. A Massacre Foretold (review)
  2. Helen Webb
  3. pp. 144-146
  4. DOI: 10.1353/flm.2010.0005
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  1. Oswald's Ghost (review)
  2. Mathew J. Bartkowiak
  3. pp. 146-147
  4. DOI: 10.1353/flm.2010.0010
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  1. Agent Orange: A Personal Requiem (review)
  2. Jeremy Kuzmarov
  3. pp. 147-149
  4. DOI: 10.1353/flm.2010.0015
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