In this Issue

Table of Contents

Visions of Science and Technology, Part 2

Cynthia J. Miller, A. Bowdoin Van Riper, Loren P.Q. Baybrook
pp. 4-5
DOI: https://doi.org/10.1353/flm.2010.0008
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Lost in Space: Technology and Turbulence in Futuristic Cinema of the 1950s

Andrew J. Huebner
pp. 6-26
DOI: https://doi.org/10.1353/flm.2010.0013
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I, Clone: How Cloning Is (Mis)Portrayed in Contemporary Cinema

Jason T. Eberl
pp. 27-44
DOI: https://doi.org/10.1353/flm.2010.0018
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Surréalisme Sous-l'Eau: Science and Surrealism in the Early Films and Writings of Jean Painlevé

Lauren E. Fretz
pp. 45-65
DOI: https://doi.org/10.1353/flm.2010.0022
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Science Fiction as "True-Life Adventure": Disney and the Case of 20,000 Leagues Under the Sea

J. P. Telotte
pp. 66-79
DOI: https://doi.org/10.1353/flm.2010.0026
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A Natural and Artificial Homeland: East German Science-Fiction Film Responds to Kubrick and Tarkovsky

Sonja Fritzsche
pp. 80-101
DOI: https://doi.org/10.1353/flm.2010.0002
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Film Nation: Hollywood Looks at U.S. History (review)

Paul M. Cohen
pp. 102-104
DOI: https://doi.org/10.1353/flm.2010.0006
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The Great War on the Small Screen (review)

Robert Fyne
pp. 104-106
DOI: https://doi.org/10.1353/flm.2010.0011
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Ireland's Theatre on Film: Style, Stories and the National Stage on Screen (review)

Timothy X. Troy
pp. 106-109
DOI: https://doi.org/10.1353/flm.2010.0016
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Hollywood's War with Poland, 1939-1945 (review)

John M. Grondelski
pp. 109-111
DOI: https://doi.org/10.1353/flm.2010.0020
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The Religious Film: Christianity and the Hagiopic, and: Christians in the Movies (review)

Robert W. Matson
pp. 111-114
DOI: https://doi.org/10.1353/flm.2010.0024
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Dreams of Difference, Songs of the Same: The Musical Moment in Film (review)

Julie McQuinn
pp. 114-117
DOI: https://doi.org/10.1353/flm.2010.0000
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Soviet Cinema: Politics and Persuasion under Stalin (review)

James H. Krukones
pp. 117-119
DOI: https://doi.org/10.1353/flm.2010.0004
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Films that Work: Industrial Film and Productivity of Media (review)

Tony Osborne
pp. 119-121
DOI: https://doi.org/10.1353/flm.2010.0009
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The New Yorker Theater and Other Scenes from a Life at the Movies (review)

Jerald Podair
pp. 122-123
DOI: https://doi.org/10.1353/flm.2010.0014
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Frost / Nixon (review)

James M. Welsh
pp. 124-125
DOI: https://doi.org/10.1353/flm.2010.0019
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They Killed Sister Dorothy (review)

Lawrence Mastroni
pp. 126-127
DOI: https://doi.org/10.1353/flm.2010.0023
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Twisted: A Balloonamentary (review)

A. Bowdoin Van Riper
pp. 127-129
DOI: https://doi.org/10.1353/flm.2010.0027
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The Unseen Alistair Cooke (review)

Tony Osborne
pp. 129-131
DOI: https://doi.org/10.1353/flm.2010.0003
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A Class Apart (review)

Rob Prince
pp. 131-134
DOI: https://doi.org/10.1353/flm.2010.0007
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The Greatest Silence: Rape in the Congo (review)

Karen A. Ritzenhoff
pp. 134-136
DOI: https://doi.org/10.1353/flm.2010.0012
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The World of Peter Sellers (review)

John C. Tibbetts
pp. 136-138
DOI: https://doi.org/10.1353/flm.2010.0017
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The Axe of Wandsbek (Das Beil von Wandsbek) (review)

Scott Weiss
pp. 138-140
DOI: https://doi.org/10.1353/flm.2010.0021
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Malls R Us (review)

William A. Pelz
pp. 141-143
DOI: https://doi.org/10.1353/flm.2010.0025
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Taken for a Ride (review)

Sara Sullivan
pp. 142-144
DOI: https://doi.org/10.1353/flm.2010.0001
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A Massacre Foretold (review)

Helen Webb
pp. 144-146
DOI: https://doi.org/10.1353/flm.2010.0005
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Oswald's Ghost (review)

Mathew J. Bartkowiak
pp. 146-147
DOI: https://doi.org/10.1353/flm.2010.0010
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Agent Orange: A Personal Requiem (review)

Jeremy Kuzmarov
pp. 147-149
DOI: https://doi.org/10.1353/flm.2010.0015
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