Volume 28, Number 1, Spring 2011

From the Editor

p. iii

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DOI: 10.1353/atj.2011.0020

Kathy Foley

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Articles

Asian Shakespeare 2.0

pp. 1-6

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DOI: 10.1353/atj.2011.0002

Alexander C.Y. Huang

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Shakespeare-Asian Theatre Fusions: Globe-"alization" of Naked Masks (Bangkok), Shadowlight (San Francisco), and Setagaya Public Theatre (Tokyo)

pp. 7-43

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DOI: 10.1353/atj.2011.0006

Kathy Foley

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Toward a Poetic Minimalism of Violence: On Tang Shu-wing's Titus Andronicus 2.0

pp. 44-66

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DOI: 10.1353/atj.2011.0009

Howard Y. F. Choy

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"Ancestral Shades": The Arti Foundation and the Practice of Pelestarian in Contemporary Bali

pp. 67-103

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DOI: 10.1353/atj.2011.0012

Brett Hough

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Shamanism in Korean Hamlets since 1990: Exorcising Han

pp. 104-128

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DOI: 10.1353/atj.2011.0015

Lee Hyon-u

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Otelo, Intercultural Spectatorship, and Ocular Proof

pp. 129-148

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DOI: 10.1353/atj.2011.0018

Judy Celine Ick

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Cultural Imperialism and Intercultural Encounter in Merchant Ivory's Shakespeare Wallah

pp. 149-167

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DOI: 10.1353/atj.2011.0000

Dan Venning

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Debut Panel Paper

Political Theatre: The Rise and Fall of Rome and The Sword of Freedom, Two Translations of Julius Caesar in Meiji Japan by Kawashima Keizō and Tsubouchi Shōyō

pp. 168-183

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DOI: 10.1353/atj.2011.0004

Aragorn Quinn

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Artists' Reflections

King Lear in Beijing and Hong Kong

pp. 184-198

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DOI: 10.1353/atj.2011.0008

Daniel S. P. Yang

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Another Midsummer Night's Dream in Ho Chi Minh City

pp. 199-221

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DOI: 10.1353/atj.2011.0011

Khai Thu Nguyen

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A Bangzi Merchant of Venice in Taipei: Yue/Shu (Bond)

pp. 222-233

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DOI: 10.1353/atj.2011.0014

Ching-Hsi Perng

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Ku Na'uka's Hamlet in Tokyo: An Interview with Miyagi Satoshi

pp. 234-243

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DOI: 10.1353/atj.2011.0017

Mika Eglinton

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Online Media Report

Global Shakespeares and Shakespeare Performance in Asia: Open-Access Digital Video Archives

pp. 244-250

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DOI: 10.1353/atj.2011.0021

Alexander C. Y. Huang

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Exhibit Review

Imagining China: The View from Europe, 1550-1700 (review)

pp. 251-256

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DOI: 10.1353/atj.2011.0003

Kathy Foley

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Performance Reviews

Tempesutu arashi nochi hare (The Tempest: Sunshine after the Storm) (review)

pp. 257-261

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DOI: 10.1353/atj.2011.0007

Bradford Clark

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Yi Sang Counts to Thirteen (review)

pp. 261-266

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DOI: 10.1353/atj.2011.0010

Kim Yoon Young

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Book Reviews

Shakespeare in Hollywood, Asia, and Cyberspace (review)

pp. 267-269

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DOI: 10.1353/atj.2011.0013

Rose Elfman

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Shakespeare in Asia: Contemporary Performance (review)

pp. 269-272

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DOI: 10.1353/atj.2011.0016

Kathy Foley

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Cambodian Dance: Celebration of the Gods (review)

pp. 272-275

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DOI: 10.1353/atj.2011.0019

Kathy Foley

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Danjūrō's Girls: Women on the Kabuki Stage (review)

pp. 275-277

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DOI: 10.1353/atj.2011.0001

Julie A. Iezzi

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Color Insert

Color Insert

pp. Color Insert 1-5

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DOI: 10.1353/atj.2011.0005

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