1. Asian Shakespeare 2.0
  2. Alexander C.Y. Huang
  3. pp. 1-6
  4. DOI: 10.1353/atj.2011.0002
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  1. Shakespeare-Asian Theatre Fusions: Globe-"alization" of Naked Masks (Bangkok), Shadowlight (San Francisco), and Setagaya Public Theatre (Tokyo)
  2. Kathy Foley
  3. pp. 7-43
  4. DOI: 10.1353/atj.2011.0006
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  1. Toward a Poetic Minimalism of Violence: On Tang Shu-wing's Titus Andronicus 2.0
  2. Howard Y. F. Choy
  3. pp. 44-66
  4. DOI: 10.1353/atj.2011.0009
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  1. "Ancestral Shades": The Arti Foundation and the Practice of Pelestarian in Contemporary Bali
  2. Brett Hough
  3. pp. 67-103
  4. DOI: 10.1353/atj.2011.0012
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  1. Shamanism in Korean Hamlets since 1990: Exorcising Han
  2. Lee Hyon-u
  3. pp. 104-128
  4. DOI: 10.1353/atj.2011.0015
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  1. Otelo, Intercultural Spectatorship, and Ocular Proof
  2. Judy Celine Ick
  3. pp. 129-148
  4. DOI: 10.1353/atj.2011.0018
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  1. Cultural Imperialism and Intercultural Encounter in Merchant Ivory's Shakespeare Wallah
  2. Dan Venning
  3. pp. 149-167
  4. DOI: 10.1353/atj.2011.0000
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  1. Political Theatre: The Rise and Fall of Rome and The Sword of Freedom, Two Translations of Julius Caesar in Meiji Japan by Kawashima Keizō and Tsubouchi Shōyō
  2. Aragorn Quinn
  3. pp. 168-183
  4. DOI: 10.1353/atj.2011.0004
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  1. King Lear in Beijing and Hong Kong
  2. Daniel S. P. Yang
  3. pp. 184-198
  4. DOI: 10.1353/atj.2011.0008
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  1. Another Midsummer Night's Dream in Ho Chi Minh City
  2. Khai Thu Nguyen
  3. pp. 199-221
  4. DOI: 10.1353/atj.2011.0011
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  1. A Bangzi Merchant of Venice in Taipei: Yue/Shu (Bond)
  2. Ching-Hsi Perng
  3. pp. 222-233
  4. DOI: 10.1353/atj.2011.0014
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  1. Ku Na'uka's Hamlet in Tokyo: An Interview with Miyagi Satoshi
  2. Mika Eglinton
  3. pp. 234-243
  4. DOI: 10.1353/atj.2011.0017
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  1. Global Shakespeares and Shakespeare Performance in Asia: Open-Access Digital Video Archives
  2. Alexander C. Y. Huang
  3. pp. 244-250
  4. DOI: 10.1353/atj.2011.0021
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  1. Imagining China: The View from Europe, 1550-1700 (review)
  2. Kathy Foley
  3. pp. 251-256
  4. DOI: 10.1353/atj.2011.0003
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  1. Tempesutu arashi nochi hare (The Tempest: Sunshine after the Storm) (review)
  2. Bradford Clark
  3. pp. 257-261
  4. DOI: 10.1353/atj.2011.0007
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  1. Yi Sang Counts to Thirteen (review)
  2. Kim Yoon Young
  3. pp. 261-266
  4. DOI: 10.1353/atj.2011.0010
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  1. Shakespeare in Hollywood, Asia, and Cyberspace (review)
  2. Rose Elfman
  3. pp. 267-269
  4. DOI: 10.1353/atj.2011.0013
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  1. Shakespeare in Asia: Contemporary Performance (review)
  2. Kathy Foley
  3. pp. 269-272
  4. DOI: 10.1353/atj.2011.0016
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  1. Cambodian Dance: Celebration of the Gods (review)
  2. Kathy Foley
  3. pp. 272-275
  4. DOI: 10.1353/atj.2011.0019
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  1. Danjūrō's Girls: Women on the Kabuki Stage (review)
  2. Julie A. Iezzi
  3. pp. 275-277
  4. DOI: 10.1353/atj.2011.0001
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  1. From the Editor
  2. Kathy Foley
  3. p. iii
  4. DOI: 10.1353/atj.2011.0020
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  1. Color Insert
  3. pp. Color Insert 1-5
  4. DOI: 10.1353/atj.2011.0005
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