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Table of Contents

  1. Theological Inconsistency and Its Uses in George Herbert's Poetry
  2. Bruce A. Johnson
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/ghj.1992.0024
  5. restricted access
  1. Sin and the Sonnet: Sidney, St. Augustine, and Herbert's "The Sinner"
  2. Chauncey Wood
  3. pp. 19-32
  4. DOI: https://doi.org/10.1353/ghj.1992.0026
  5. restricted access
  1. Words Within the Word: The Melodic Mediation of "To all Angels and Saints"
  2. Esther Gilman Richey
  3. pp. 33-41
  4. DOI: https://doi.org/10.1353/ghj.1992.0028
  5. restricted access
  1. The Contexts of George Herbert's Musae Responsoriae
  2. James Doelman
  3. pp. 42-54
  4. DOI: https://doi.org/10.1353/ghj.1992.0020
  5. restricted access
  1. Herbert's "Coloss. 3.3" as Microcosm
  2. Robert McMahon
  3. pp. 55-69
  4. DOI: https://doi.org/10.1353/ghj.1992.0021
  5. restricted access
  1. Dead Men and Living Words: Herbert and the Revenant in Vaughan's "The Garland"
  2. Frances M. Malpezzi
  3. pp. 70-78
  4. DOI: https://doi.org/10.1353/ghj.1992.0022
  5. restricted access
  1. Transfigured Rites in Seventeenth-Century English Poetry (review)
  2. Terry G. Sherwood
  3. pp. 79-83
  4. DOI: https://doi.org/10.1353/ghj.1992.0023
  5. restricted access
  1. Language Recreated: Seventeenth-Century Metaphorists and the Act of Metaphor (review)
  2. William Shullenberger
  3. pp. 84-90
  4. DOI: https://doi.org/10.1353/ghj.1992.0025
  5. restricted access
  1. Announcements
  3. p. I
  4. DOI: https://doi.org/10.1353/ghj.1992.0027
  5. restricted access