1. Herbert's Divine Music in Vaughan Williams' Five Mystical Songs
  2. O. Alan Weltzien
  3. pp. 1-21
  4. DOI: 10.1353/ghj.1991.0001
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  1. Announcements
  2. p. 21
  3. DOI: 10.1353/ghj.1991.0003
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  1. Sacred Measures: Herbert's Divine Wordplay
  2. Kathleen J. Weatherford
  3. pp. 22-32
  4. DOI: 10.1353/ghj.1991.0005
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  1. Anamnesis: The Power of Memory in Herbert's Sacramental Vision
  2. William Bonnell
  3. pp. 33-48
  4. DOI: 10.1353/ghj.1991.0007
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  1. Annotating Baroque Poetry: George Herbert's "A Dialogue-Antheme"
  2. Inge Leimberg
  3. pp. 49-67
  4. DOI: 10.1353/ghj.1991.0008
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  1. Additional Seventeenth- and Eighteenth-Century Allusions to George Herbert
  2. John T. Shawcross
  3. pp. 68-72
  4. DOI: 10.1353/ghj.1991.0009
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  1. Soliciting Interpretation: Literary Theory and Seventeenth-Century English Poetry (review)
  2. Stanley Stewart
  3. pp. 73-80
  4. DOI: 10.1353/ghj.1991.0000
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  1. The Ludic Self in Seventeenth-Century English Literature (review)
  2. Sharon Cadman Seelig
  3. pp. 80-84
  4. DOI: 10.1353/ghj.1991.0002
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  1. Approaches to Teaching the Metaphysical Poets (review)
  2. Arthur F. Kinney
  3. pp. 84-88
  4. DOI: 10.1353/ghj.1991.0004
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  1. The Poem in Time: Reading George Herbert's Revisions of The Church (review)
  2. Harold Toliver
  3. pp. 88-92
  4. DOI: 10.1353/ghj.1991.0006
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