+ MUSE Alert

In this Issue

Table of Contents

  1. A New Mimesis: Unbinding Textual Possibilities in William Carlos Williams’s “Composition”
  2. Jon Chatlos
  3. pp. 1-15
  4. DOI: https://doi.org/10.1353/wcw.2011.0002
  5. restricted access
  1. “Allow Intelligence to Survive”: Life’s Language in Williams and Tzara
  2. Paul Jaussen
  3. pp. 17-33
  4. DOI: https://doi.org/10.1353/wcw.2011.0005
  5. restricted access
  1. “This Rhetoric Is Real”: William Carlos Williams’s Recalibration of Language and Things
  2. Emily Lambeth-Climaco
  3. pp. 35-53
  4. DOI: https://doi.org/10.1353/wcw.2011.0007
  5. restricted access
  1. The Poet’s Place: William Carlos Williams and the Production of an American Avant-Garde
  2. William Q. Malcuit
  3. pp. 55-77
  4. DOI: https://doi.org/10.1353/wcw.2011.0009
  5. restricted access
  1. “Betwixt and Between”: Duchamp and Williams on Words and Things
  2. Jessica Prinz
  3. pp. 79-100
  4. DOI: https://doi.org/10.1353/wcw.2011.0011
  5. restricted access
  1. The Dadaist Prose of Williams and Cummings: A Novelette and [No Title]
  2. Antonio Ruiz
  3. pp. 101-115
  4. DOI: https://doi.org/10.1353/wcw.2011.0013
  5. restricted access
  1. Modern Glass: How Williams Reframed Duchamp’s Window
  2. Lisa Siraganian
  3. pp. 117-139
  4. DOI: https://doi.org/10.1353/wcw.2011.0001
  5. restricted access
  1. The “Elsie” Drawings
  2. Joshua Pelletier
  3. pp. 141-155
  4. DOI: https://doi.org/10.1353/wcw.2011.0004
  5. restricted access
  1. From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century (review)
  2. Michael Golston
  3. pp. 157-162
  4. DOI: https://doi.org/10.1353/wcw.2011.0006
  5. restricted access
  1. Stevens, Williams, Crane and the Motive for Metaphor (review)
  2. Meryl Altman
  3. pp. 162-168
  4. DOI: https://doi.org/10.1353/wcw.2011.0008
  5. restricted access
  1. Hart Crane: After His Lights (review)
  2. Stephen Burt
  3. pp. 168-171
  4. DOI: https://doi.org/10.1353/wcw.2011.0010
  5. restricted access
  1. Mama Dada: Gertrude Stein’s Avant-Garde Theatre (review)
  2. Jim Fitzmorris
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/wcw.2011.0012
  5. restricted access
  1. Marcel Duchamp (review)
  2. Jake Kennedy
  3. pp. 174-177
  4. DOI: https://doi.org/10.1353/wcw.2011.0000
  5. restricted access
  1. The Art of Twentieth-Century American Poetry: Modernism and After (review)
  2. Ian D. Copestake
  3. pp. 177-179
  4. DOI: https://doi.org/10.1353/wcw.2011.0003
  5. restricted access