1. The Masks of Twelfth Night
  2. pp. 1-11
  3. DOI: 10.1353/ghj.1992.0015
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  1. Naturals and Jugglers
  2. pp. 12-20
  3. DOI: 10.1353/ghj.1992.0018
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  1. George Herbert and Anglican Traditions
  2. pp. 21-39
  3. DOI: 10.1353/ghj.1992.0001
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  1. Sir Calidore and the Country Parson
  2. pp. 40-50
  3. DOI: 10.1353/ghj.1992.0004
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  1. From "Josephs coat" to "A true Hymne"
  2. pp. 51-61
  3. DOI: 10.1353/ghj.1992.0007
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  1. George Herbert: His Religion and Art: Its Making and Early Reception
  2. pp. 62-78
  3. DOI: 10.1353/ghj.1992.0011
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  1. The Muse's Method: Its Making and Early Reception
  2. pp. 79-97
  3. DOI: 10.1353/ghj.1992.0014
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  1. Milton and the Cult of Conformity
  2. pp. 98-113
  3. DOI: 10.1353/ghj.1992.0017
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  1. The Crucifixion in Milton's English Poems
  2. pp. 114-125
  3. DOI: 10.1353/ghj.1992.0000
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  1. Milton and Celebration
  2. pp. 126-139
  3. DOI: 10.1353/ghj.1992.0003
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  1. The Embarrassments of Paradise Lost
  2. pp. 140-155
  3. DOI: 10.1353/ghj.1992.0006
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  1. Marvell's "Nature"
  2. pp. 173-187
  3. DOI: 10.1353/ghj.1992.0013
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  1. Some Apocalyptic Strains in Marvell's Poetry
  2. pp. 188-212
  3. DOI: 10.1353/ghj.1992.0016
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  1. Notes on Recent Studies in English Literature of the Earlier Seventeenth Century
  2. pp. 213-228
  3. DOI: 10.1353/ghj.1992.0019
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  1. Stanley Fish's Reading of Seventeenth-Century Literature
  2. pp. 229-245
  3. DOI: 10.1353/ghj.1992.0002
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  1. Reading
  2. p. 246
  3. DOI: 10.1353/ghj.1992.0005
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  1. Index
  2. pp. 263-269
  3. DOI: 10.1353/ghj.1992.0008
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  1. Preface
  2. J.H.S.
  3. pp. v-vi
  4. DOI: 10.1353/ghj.1992.0009
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  1. Acknowledgments
  2. p. vii
  3. DOI: 10.1353/ghj.1992.0012
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  1. Introduction to Andrew Marvell
  2. pp. 156-172
  3. DOI: 10.1353/ghj.1992.0010
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