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In this Issue

Table of Contents

  1. Performance and Health
  2. Natalie Alvarez, Catherine Graham
  3. pp. 3-5
  4. DOI: https://doi.org/10.1353/ctr.2011.0036
  5. restricted access

Feature Articles

  1. My Leaky Performances
  2. Julie Devaney
  3. pp. 6-11
  4. DOI: https://doi.org/10.1353/ctr.2011.0039
  5. restricted access
  1. Using Performative Art to Communicate Research: Dancing Experiences of Psychosis
  2. Katherine Boydell
  3. pp. 12-17
  4. DOI: https://doi.org/10.1353/ctr.2011.0042
  5. restricted access
  1. You Can't Get There From Here Redux (The Essay)
  2. Liss Platt
  3. pp. 18-21
  4. DOI: https://doi.org/10.1353/ctr.2011.0026
  5. restricted access
  1. Countering Stigma with Understanding: The Role of Theatre in Social Change and Transformation
  2. Gail J. Mitchell, Sherry Dupuis, Christine Jonas-Simpson
  3. pp. 22-27
  4. DOI: https://doi.org/10.1353/ctr.2011.0029
  5. restricted access
  1. Going to the Centre: Performance Works and Other Thoughts
  2. Dana Claxton
  3. pp. 28-31
  4. DOI: https://doi.org/10.1353/ctr.2011.0032
  5. restricted access
  1. Staging Ethics: The Promise and Perils of Research-based Performance
  2. Christina Sinding, Lisa Schwartz, Matthew Hunt
  3. pp. 32-37
  4. DOI: https://doi.org/10.1353/ctr.2011.0035
  5. restricted access
  1. Children and Bad Mothers: Breast Cancer and Constructions of Femininity
  2. Marlene Moser
  3. pp. 38-42
  4. DOI: https://doi.org/10.1353/ctr.2011.0038
  5. restricted access
  1. An Excerpt from a Eulogy Presented at the Occasion of a Memorial Service in Honour of Marlene Moser, Royal Botanical Gardens, Burlington, ON
  2. David Fancy
  3. pp. 43-44
  4. DOI: https://doi.org/10.1353/ctr.2011.0041
  5. restricted access
  1. Revealed by Fire: From the Personal to the Universal
  2. Lata Pada
  3. pp. 45-49
  4. DOI: https://doi.org/10.1353/ctr.2011.0025
  5. restricted access
  1. Creating Without Pain!!!
  2. Paul Vachon, Catherine Graham
  3. pp. 50-54
  4. DOI: https://doi.org/10.1353/ctr.2011.0028
  5. restricted access
  1. My Body, Their Story: Performing Medicine
  2. Laura Jayne Nelles
  3. pp. 55-60
  4. DOI: https://doi.org/10.1353/ctr.2011.0031
  5. restricted access
  1. An Excerpt from "Scoring the Body Through Kuna Aesthetic Principles: Indigenous Dramatic Arts in Theory, Process, and Practice"
  2. Monique Mojica
  3. pp. 61-62
  4. DOI: https://doi.org/10.1353/ctr.2011.0034
  5. restricted access
  1. After the Crash: A Play About Brain Injury
  2. Julia Gray
  3. pp. 66-86
  4. DOI: https://doi.org/10.1353/ctr.2011.0037
  5. restricted access

Views and Reviews

  1. Views and Reviews
  2. Jenn Stephenson
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/ctr.2011.0040
  5. restricted access
  1. Money, Money: Is Theatre a Rich Man's Game?
  2. Robin Breon
  3. pp. 88-91
  4. DOI: https://doi.org/10.1353/ctr.2011.0044
  5. restricted access
  1. How to be Indie: The Fight for Independent Theatre Artists to Get What They Need from the Canadian Actors' Equity Association
  2. Alison Broverman
  3. pp. 92-95
  4. DOI: https://doi.org/10.1353/ctr.2011.0043
  5. restricted access
  1. What Did You Say about My Mama? On Being Productively Uppity
  2. Donna-Michelle St. Bernard
  3. pp. 95-99
  4. DOI: https://doi.org/10.1353/ctr.2011.0027
  5. restricted access
  1. When Broadway Was the Runway: Theatre, Fashion, and American Culture (review)
  2. Sally Charnow
  3. pp. 99-101
  4. DOI: https://doi.org/10.1353/ctr.2011.0030
  5. restricted access
  1. Performance and the City: Performing and Writing Urban Space (review)
  2. Helen Paris
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/ctr.2011.0033
  5. restricted access