1. ArtScience: Integrative Collaboration to Create a Sustainable Future
  2. Bob Root-Bernstein, Todd Siler, Adam Brown, Kenneth Snelson
  3. p. 192
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  1. The Art of Finance: An Artist Uses Financial Economics as Inspiration
  2. Christophe Schinckus
  3. pp. 195-198
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  1. Transmissions between Memory and Amnesia: The Radio Memorial in a New Media Age
  2. Sarah Kanouse
  3. pp. 200-206
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  1. Live Coding of Consequence
  2. Nick Collins
  3. pp. 207-211
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  1. Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives
  2. Neil C.M. Brown, Timothy S. Barker, Dennis Del Favero
  3. pp. 212-219
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  1. Fertilization Narratives in the Art of Gustav Klimt, Diego Rivera and Frida Kahlo: Repression, Domination and Eros among Cells
  2. Scott F. Gilbert, Sabine Brauckmann
  3. pp. 221-227
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  1. Color Plates
  3. pp. 229-232
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  1. The Implicit Body as Performance: Analyzing Interactive Art
  2. Nathaniel Stern
  3. pp. 233-238
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  1. Arts, Humanities and Complex Networks
  2. Maximilian Schich, Isabel Meirelles, Ernest Edmonds
  3. p. 239
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  1. Networks of Photos, Landmarks, and People
  2. David Crandall, Noah Snavely
  3. pp. 240-243
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  1. Evolution of Romance Language in Written Communication: Network Analysis of Late Latin and Early Romance Corpora
  2. Alexander Mehler, Nils Diewald, Ulli Waltinger, Rüdiger Gleim, Dietmar Esch, Barbara Job, Thomas Küchelmann, Olga Pustylnikov, Philippe Blanchard
  3. pp. 244-245
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  1. The Social Network of Dante's Inferno
  2. Amedeo Cappelli, Michele Coscia, Fosca Giannotti, Dino Pedreschi, Salvo Rinzivillo
  3. pp. 246-247
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  1. Building Network Visualization Tools to Facilitate Metacognition in Complex Analysis
  2. Barbara Mirel
  3. pp. 248-249
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  1. Tell Them Anything but the Truth: They Will Find Their Own. How We Visualized the Map of the Future with Respect to the Audience of Our Story
  2. Michele Graffieti, Gaia Scagnetti, Donato Ricci, Luca Masud, Mario Porpora
  3. pp. 250-251
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  1. Narcotic of the Narrative
  2. Ward Shelley
  3. pp. 252-255
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  1. Net-Working with Maciunas
  2. Astrit Schmidt-Burkhardt
  3. pp. 256-257
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  1. Documenting Artistic Networks: Anna Oppermann's Ensembles Are Complex Networks!
  2. Martin Warnke, Carmen Wedemeyer
  3. pp. 258-259
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  1. When the Rich Don't Get Richer: Equalizing Tendencies of Creative Networks
  2. John Bell, Jon Ippolito
  3. pp. 260-261
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  1. Model Ideas: From Stem Cell Simulation to Floating Art Work
  2. Jane Prophet
  3. pp. 262-263
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  1. Cybernetic Bacteria 2.0
  2. Anna Dumitriu, Blay Whitby
  3. pp. 264-265
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  1. The Mnemosyne Atlas and the Meaning of Panel 79 in Aby Warburg's Oeuvre as a Distributed Object
  2. Sara Angel
  3. pp. 266-267
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  1. Digital Apollo: Human and Machine in Spaceflight (review)
  2. Maureen Nappi
  3. pp. 269-270
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  1. Premediation: Affect and Mediality after 9/11 (review)
  2. Jussi Parikka
  3. pp. 270-271
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  1. Bring on the Books for Everybody: How Literary Culture Became Popular Culture (review)
  2. Jan Baetens
  3. pp. 271-273
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  1. How to Catch a Robot Rat: When Biology Inspires Innovation (review)
  2. Rob Harle
  3. p. 273
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  1. Photo-texts: Contemporary French Writing of the Photographic Image (review)
  2. Jan Baetens
  3. pp. 273-274
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  1. Blog Theory: Feedback and Capture in the Circuits of Drive (review)
  2. Jussi Parikka
  3. pp. 274-275
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  1. Dara Birnbaum: Technology/Transformation: Wonder Woman (review)
  2. Jan Baetens
  3. pp. 275-276
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  1. Mapping Intermediality in Performance (review)
  2. Dene Grigar
  3. pp. 276-277
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  1. The Object Reader (review)
  2. Martha Blassnigg
  3. pp. 279-280
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  1. Transactions
  2. Ernest Edmonds
  3. p. 281
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  1. A Unified View of Models
  2. Luis O. Arata
  3. pp. 282-283
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  1. Spectacle of the Masses: Characteristics of the Masses in MIOON's Works
  2. Moonsun Choi, Joonsung Yoon
  3. pp. 284-285
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  1. Contingent Rule: Information Aesthetic, Performance and Hypermediacy
  2. Eung Suk Kim, Joonsung Yoon
  3. pp. 286-287
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  1. A Grin without a Cat: The Faciality of Electronic Art
  2. Yonggeun Kim, Joonsung Yoon
  3. pp. 288-289
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  1. Social Media as a New Public Sphere
  2. Tatiana Mazali
  3. pp. 290-291
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  1. A Taste for the Beautiful
  2. Hollis Taylor
  3. pp. 292-293
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  1. Leonardo Network News
  3. p. 294
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  1. Designing Things: A Critical Introduction to the Culture of Objects (review)
  2. John Vines
  3. pp. 277-279
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