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Table of Contents

  1. Ethel Louise Lyman and the Beginnings of the Indiana University Music Library
  2. John F. Anderies
  3. pp. 264-287
  4. DOI: https://doi.org/10.1353/not.2002.0153
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  1. What Music Scholars Should Know About Publishers
  2. Michael Ochs
  3. pp. 288-300
  4. DOI: https://doi.org/10.1353/not.2002.0186
  5. restricted access
  1. The Cambridge Companion to Pop and Rock (review)
  2. Kevin Holm-Hudson
  3. pp. 313-317
  4. DOI: https://doi.org/10.1353/not.2002.0174
  5. restricted access
  1. Progressive Rock Reconsidered (review)
  2. Albin Zak
  3. pp. 317-320
  4. DOI: https://doi.org/10.1353/not.2002.0199
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  1. Disruptive Divas: Feminism, Identity and Popular Music (review)
  2. Sheila Whiteley
  3. pp. 320-323
  4. DOI: https://doi.org/10.1353/not.2002.0197
  5. restricted access
  1. Brazilian Popular Music and Globalization (review)
  2. Maria Elizabeth Lucas
  3. pp. 323-324
  4. DOI: https://doi.org/10.1353/not.2002.0183
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  1. Soundtrack Available: Essays on Film and Popular Music (review)
  2. Daniel Goldmark
  3. pp. 324-326
  4. DOI: https://doi.org/10.1353/not.2002.0170
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  1. Banda: Mexican Musical Life Across Borders (review)
  2. Candida Jaquez
  3. pp. 326-327
  4. DOI: https://doi.org/10.1353/not.2002.0175
  5. restricted access
  1. Kompendium der musikalischen Sujets: Ein Werkkatalog (review)
  2. Eunice Mary Schroeder
  3. pp. 328-329
  4. DOI: https://doi.org/10.1353/not.2002.0190
  5. restricted access
  1. Orlando di Lasso: Seine Werke in zeitgenossischen Drucken, 1555-1687 (review)
  2. Richard Freedman
  3. pp. 330-331
  4. DOI: https://doi.org/10.1353/not.2002.0169
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  1. Catalogo sistematico descriptivo de las obras musicales de Isaac Albeniz (review)
  2. Walter Aaron Clark
  3. pp. 332-333
  4. DOI: https://doi.org/10.1353/not.2002.0161
  5. restricted access
  1. A Brahms Reader (review)
  2. Styra Avins
  3. pp. 333-337
  4. DOI: https://doi.org/10.1353/not.2002.0152
  5. restricted access
  1. Writings Through John Cage's Music, Poetry, and Art (review)
  2. Amy C. Beal
  3. pp. 337-339
  4. DOI: https://doi.org/10.1353/not.2002.0157
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  1. Istvan Anhalt: Pathways and Memory (review)
  2. Peter Laki
  3. pp. 339-340
  4. DOI: https://doi.org/10.1353/not.2002.0180
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  1. Stravinsky Inside Out (review)
  2. Celso Loureiro Chaves
  3. pp. 340-342
  4. DOI: https://doi.org/10.1353/not.2002.0160
  5. restricted access
  1. Manuel de Falla: Modernism in Spain, 1898-1936 (review)
  2. Walter Aaron Clark
  3. pp. 342-344
  4. DOI: https://doi.org/10.1353/not.2002.0162
  5. restricted access
  1. Beethoven's Piano Sonatas: A Short Companion, and: Playing the Beethoven Piano Sonatas (review)
  2. Charles Fisk
  3. pp. 344-346
  4. DOI: https://doi.org/10.1353/not.2002.0168
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  1. Bach: The Goldberg Variations (review)
  2. Matthew Charles Dirst
  3. pp. 346-348
  4. DOI: https://doi.org/10.1353/not.2002.0167
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  1. Verdi in Performance (review)
  2. Nicole Edwina Ivy Baker
  3. pp. 348-350
  4. DOI: https://doi.org/10.1353/not.2002.0156
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  1. Vaughan Williams's Ninth Symphony, and: Vaughan Williams (review)
  2. Julian Onderdonk
  3. pp. 350-352
  4. DOI: https://doi.org/10.1353/not.2002.0187
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  1. The Contemporary Violin: Extended Performance Techniques (review)
  2. Michael Steinberg
  3. pp. 352-354
  4. DOI: https://doi.org/10.1353/not.2002.0194
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  1. The Simple Flute, from A to Z (review)
  2. Kristen Smith Stoner
  3. pp. 354-356
  4. DOI: https://doi.org/10.1353/not.2002.0195
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  1. The Eloquent Oboe: A History of the Hautboy from 1640 to 1760 (review)
  2. Charles Gower Price
  3. pp. 356-357
  4. DOI: https://doi.org/10.1353/not.2002.0189
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  1. The Lute in Britain: A History of the Instrument and Its Music (review)
  2. Gary R. Boye
  3. pp. 357-359
  4. DOI: https://doi.org/10.1353/not.2002.0158
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  1. Music as Concept and Practice in the Late Middle Ages (review)
  2. Peter Lefferts
  3. pp. 359-363
  4. DOI: https://doi.org/10.1353/not.2002.0182
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  1. Music Theory in Seventeenth-Century England (review)
  2. Candace Lea Bailey
  3. pp. 363-365
  4. DOI: https://doi.org/10.1353/not.2002.0155
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  1. Music in Ibero-America to 1850: A Historical Survey (review)
  2. John Koegel
  3. pp. 365-367
  4. DOI: https://doi.org/10.1353/not.2002.0179
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  1. In Search of Opera (review)
  2. Hilary Poriss
  3. pp. 367-369
  4. DOI: https://doi.org/10.1353/not.2002.0188
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  1. The Music of American Folk Song, and Selected Other Writings on American Folk Music (review)
  2. Sandra J. Graham
  3. pp. 369-370
  4. DOI: https://doi.org/10.1353/not.2002.0171
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 371-402
  4. DOI: https://doi.org/10.1353/not.2002.0198
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  1. Free (Mostly) Scores on the Web
  2. Martin Jenkins
  3. pp. 403-407
  4. DOI: https://doi.org/10.1353/not.2002.0176
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  1. Classifying Emotion for Information Retrieval: Three Web Sites
  2. James Kalbach
  3. pp. 408-411
  4. DOI: https://doi.org/10.1353/not.2002.0177
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  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 412-419
  4. DOI: https://doi.org/10.1353/not.2002.0154
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 420-423
  4. DOI: https://doi.org/10.1353/not.2002.0173
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  1. Complete Songs (with the Music in Macbeth ) (review)
  2. Robert Stuart Shay
  3. pp. 424-425
  4. DOI: https://doi.org/10.1353/not.2002.0191
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  1. Die drei Pintos (review)
  2. Mark DeVoto
  3. pp. 425-428
  4. DOI: https://doi.org/10.1353/not.2002.0164
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  1. Samtliche Werke in Wiedergabe der Originaldrucke. I. Tanzmusik. 5. Band: Klavierfassungen der Opera 201-300 (Ausgaben im Querformat), and: An der schonen blauen Donau: Walzer, op. 314 / RV 314, and: Brautschau: Polka, op. 417 / RV 417, and: Caroussel Marsch, op. 133 / RV 133, and: Concordia: Polka Mazur, op. 206 / RV 206, and: Durch's Telefon: Polka, op. 439 / RV 439, and: Es war so wunderschon: Marsch, op. 467 / RV 467, and: Etwas Kleines: Polka francaise, op. 190 / RV 190, and: Fata Morgana: Polka Mazur, op. 330 / RV 330, and: Fest Marsch, op. 452 / RV 452, and: Frauenkaferln: Walzer, op. 99 / RV 99, and: Freudensalven: Walzer, op. 171 / RV 171, and: Kontroversen: Walzer, op. 191 / RV 191, and: Leopoldstadter Polka, op. 168 / RV 168, and: Olga Polka, op. 196 / RV 196, and: Le Papillon: Polka Mazur, op. 174 / RV 174, and: Paroxysmen: Walzer, op. 189 / RV 189, and: Prozess Polka: Polka schnell, op. 294 / RV 294, and: Russische Marsch-Fantasie, op. 353 / RV 353, and: Satanella Polka, op. 124 / RV 124, and: Schnellpost Polka, op. 159 / RV 159, and: Souvenir de Nizza: Walzer, op. 200 / RV 200, and: Spanischer Marsch, op. 433 / RV 433, and: Veilchen Polka, op. 132 / RV 132, and: Wiedersehen: Polka, op. 142 / RV 142 (review)
  2. Andrew Lamb
  3. pp. 428-434
  4. DOI: https://doi.org/10.1353/not.2002.0181
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  1. The New Complete Works for Guitar: Re-engraved in eleven volumes (review)
  2. Thomas F. Heck
  3. pp. 435-438
  4. DOI: https://doi.org/10.1353/not.2002.0172
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  1. Miriways: Singspiel in drei Akten nach einem Libretto von Johann Samuel Muller, TWV 21:24, and: Die Last-tragende Liebe, oder Emma und Eginhard: Singspiel in drei Akten nach einem Libretto von Christoph Gottlieb Wend, TWV 21:25 (review)
  2. Steven David Zohn
  3. pp. 438-442
  4. DOI: https://doi.org/10.1353/not.2002.0200
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  1. Radamisto: Opera seria in tre atti, HWV 12a, and: Radamisto: Opera seria in tre atti, HWV 12b, and: Radamisto: Opera seria in tre atti, HWV 12b [vocal score] (review)
  2. Alison P. Deadman
  3. pp. 442-445
  4. DOI: https://doi.org/10.1353/not.2002.0166
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  1. The Susato Motet Anthologies. Liber quintus ecclesiasticarum cantionum quinque vocum vulgo moteta vocant, tam ex Veteri quam ex Novo Testamento, ab optimis quibusque huius aetatis musicis compositarum omnes primi toni antea nunquam excusus (Antwerp: Susato, 1553); Liber sextus ecclesiasticarum cantionum quinque vocum vulgo moteta vocant. .. (Antwerp: Susato, 1553), and: The Susato Motet Anthologies. Liber septimus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1553); Liber octavus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1553), and: The Susato Motet Anthologies. Liber nonus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1554); Liber decimus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1555), and: The Susato Motet Anthologies. Liber undecimus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1555); Liber duodecimus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1557); Liber XIII [ recte XIIII] ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1557) (review)
  2. Timothy H. Steele
  3. pp. 445-449
  4. DOI: https://doi.org/10.1353/not.2002.0193
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  1. Antiphonen (review)
  2. Lance W. Brunner
  3. pp. 449-453
  4. DOI: https://doi.org/10.1353/not.2002.0159
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  1. Six Bagatelles: for Solo Viola, and: Rhapsodic Variations No. 4: for Solo Viola, and: Sonate: pour alto seul, and: Requiescat: for Viola and Piano, and: Tinuviel's Dance: pour alto & piano, and: Urizen: for Viola and Piano (review)
  2. Joanne Swenson-Eldridge
  3. pp. 453-458
  4. DOI: https://doi.org/10.1353/not.2002.0196
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  1. L'oeuvre pour harmonium en deux volumes, and: L'organiste: Pieces pour orgue ou harmonium (review)
  2. John Richard Near
  3. pp. 458-464
  4. DOI: https://doi.org/10.1353/not.2002.0184
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  1. Communications
  3. p. 481
  4. DOI: https://doi.org/10.1353/not.2002.0163
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  1. Indiana University's William & Gayle Cook Music Library: An Introduction
  2. Mary Wallace Davidson
  3. pp. 251-263
  4. DOI: https://doi.org/10.1353/not.2002.0165
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 1996-2001
  2. Bradley H. Short
  3. pp. 301-309
  4. DOI: https://doi.org/10.1353/not.2002.0192
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  1. Notes for NOTES
  3. pp. 310-312
  4. DOI: https://doi.org/10.1353/not.2002.0185
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  1. Music Received
  2. David Knapp
  3. pp. 465-480
  4. DOI: https://doi.org/10.1353/not.2002.0178
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