In this Issue

Table of Contents

Ethel Louise Lyman and the Beginnings of the Indiana University Music Library

John F. Anderies
pp. 264-287
DOI: https://doi.org/10.1353/not.2002.0153
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What Music Scholars Should Know About Publishers

Michael Ochs
pp. 288-300
DOI: https://doi.org/10.1353/not.2002.0186
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The Cambridge Companion to Pop and Rock (review)

Kevin Holm-Hudson
pp. 313-317
DOI: https://doi.org/10.1353/not.2002.0174
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Progressive Rock Reconsidered (review)

Albin Zak
pp. 317-320
DOI: https://doi.org/10.1353/not.2002.0199
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Disruptive Divas: Feminism, Identity and Popular Music (review)

Sheila Whiteley
pp. 320-323
DOI: https://doi.org/10.1353/not.2002.0197
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Brazilian Popular Music and Globalization (review)

Maria Elizabeth Lucas
pp. 323-324
DOI: https://doi.org/10.1353/not.2002.0183
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Soundtrack Available: Essays on Film and Popular Music (review)

Daniel Goldmark
pp. 324-326
DOI: https://doi.org/10.1353/not.2002.0170
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Banda: Mexican Musical Life Across Borders (review)

Candida Jaquez
pp. 326-327
DOI: https://doi.org/10.1353/not.2002.0175
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Kompendium der musikalischen Sujets: Ein Werkkatalog (review)

Eunice Mary Schroeder
pp. 328-329
DOI: https://doi.org/10.1353/not.2002.0190
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Orlando di Lasso: Seine Werke in zeitgenossischen Drucken, 1555-1687 (review)

Richard Freedman
pp. 330-331
DOI: https://doi.org/10.1353/not.2002.0169
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Catalogo sistematico descriptivo de las obras musicales de Isaac Albeniz (review)

Walter Aaron Clark
pp. 332-333
DOI: https://doi.org/10.1353/not.2002.0161
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A Brahms Reader (review)

Styra Avins
pp. 333-337
DOI: https://doi.org/10.1353/not.2002.0152
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Writings Through John Cage's Music, Poetry, and Art (review)

Amy C. Beal
pp. 337-339
DOI: https://doi.org/10.1353/not.2002.0157
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Istvan Anhalt: Pathways and Memory (review)

Peter Laki
pp. 339-340
DOI: https://doi.org/10.1353/not.2002.0180
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Stravinsky Inside Out (review)

Celso Loureiro Chaves
pp. 340-342
DOI: https://doi.org/10.1353/not.2002.0160
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Manuel de Falla: Modernism in Spain, 1898-1936 (review)

Walter Aaron Clark
pp. 342-344
DOI: https://doi.org/10.1353/not.2002.0162
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Beethoven's Piano Sonatas: A Short Companion, and: Playing the Beethoven Piano Sonatas (review)

Charles Fisk
pp. 344-346
DOI: https://doi.org/10.1353/not.2002.0168
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Bach: The Goldberg Variations (review)

Matthew Charles Dirst
pp. 346-348
DOI: https://doi.org/10.1353/not.2002.0167
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Verdi in Performance (review)

Nicole Edwina Ivy Baker
pp. 348-350
DOI: https://doi.org/10.1353/not.2002.0156
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Vaughan Williams's Ninth Symphony, and: Vaughan Williams (review)

Julian Onderdonk
pp. 350-352
DOI: https://doi.org/10.1353/not.2002.0187
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The Contemporary Violin: Extended Performance Techniques (review)

Michael Steinberg
pp. 352-354
DOI: https://doi.org/10.1353/not.2002.0194
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The Simple Flute, from A to Z (review)

Kristen Smith Stoner
pp. 354-356
DOI: https://doi.org/10.1353/not.2002.0195
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The Eloquent Oboe: A History of the Hautboy from 1640 to 1760 (review)

Charles Gower Price
pp. 356-357
DOI: https://doi.org/10.1353/not.2002.0189
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The Lute in Britain: A History of the Instrument and Its Music (review)

Gary R. Boye
pp. 357-359
DOI: https://doi.org/10.1353/not.2002.0158
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Music as Concept and Practice in the Late Middle Ages (review)

Peter Lefferts
pp. 359-363
DOI: https://doi.org/10.1353/not.2002.0182
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Music Theory in Seventeenth-Century England (review)

Candace Lea Bailey
pp. 363-365
DOI: https://doi.org/10.1353/not.2002.0155
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Music in Ibero-America to 1850: A Historical Survey (review)

John Koegel
pp. 365-367
DOI: https://doi.org/10.1353/not.2002.0179
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In Search of Opera (review)

Hilary Poriss
pp. 367-369
DOI: https://doi.org/10.1353/not.2002.0188
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The Music of American Folk Song, and Selected Other Writings on American Folk Music (review)

Sandra J. Graham
pp. 369-370
DOI: https://doi.org/10.1353/not.2002.0171
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Books Recently Published

Stephen Yusko, Karen R. Little
pp. 371-402
DOI: https://doi.org/10.1353/not.2002.0198
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Free (Mostly) Scores on the Web

Martin Jenkins
pp. 403-407
DOI: https://doi.org/10.1353/not.2002.0176
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Classifying Emotion for Information Retrieval: Three Web Sites

James Kalbach
pp. 408-411
DOI: https://doi.org/10.1353/not.2002.0177
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Sound Recording Reviews

Rick Anderson
pp. 412-419
DOI: https://doi.org/10.1353/not.2002.0154
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Music Publishers' Catalogs

George Robert Hill
pp. 420-423
DOI: https://doi.org/10.1353/not.2002.0173
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Complete Songs (with the Music in Macbeth ) (review)

Robert Stuart Shay
pp. 424-425
DOI: https://doi.org/10.1353/not.2002.0191
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Die drei Pintos (review)

Mark DeVoto
pp. 425-428
DOI: https://doi.org/10.1353/not.2002.0164
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Samtliche Werke in Wiedergabe der Originaldrucke. I. Tanzmusik. 5. Band: Klavierfassungen der Opera 201-300 (Ausgaben im Querformat), and: An der schonen blauen Donau: Walzer, op. 314 / RV 314, and: Brautschau: Polka, op. 417 / RV 417, and: Caroussel Marsch, op. 133 / RV 133, and: Concordia: Polka Mazur, op. 206 / RV 206, and: Durch's Telefon: Polka, op. 439 / RV 439, and: Es war so wunderschon: Marsch, op. 467 / RV 467, and: Etwas Kleines: Polka francaise, op. 190 / RV 190, and: Fata Morgana: Polka Mazur, op. 330 / RV 330, and: Fest Marsch, op. 452 / RV 452, and: Frauenkaferln: Walzer, op. 99 / RV 99, and: Freudensalven: Walzer, op. 171 / RV 171, and: Kontroversen: Walzer, op. 191 / RV 191, and: Leopoldstadter Polka, op. 168 / RV 168, and: Olga Polka, op. 196 / RV 196, and: Le Papillon: Polka Mazur, op. 174 / RV 174, and: Paroxysmen: Walzer, op. 189 / RV 189, and: Prozess Polka: Polka schnell, op. 294 / RV 294, and: Russische Marsch-Fantasie, op. 353 / RV 353, and: Satanella Polka, op. 124 / RV 124, and: Schnellpost Polka, op. 159 / RV 159, and: Souvenir de Nizza: Walzer, op. 200 / RV 200, and: Spanischer Marsch, op. 433 / RV 433, and: Veilchen Polka, op. 132 / RV 132, and: Wiedersehen: Polka, op. 142 / RV 142 (review)

Andrew Lamb
pp. 428-434
DOI: https://doi.org/10.1353/not.2002.0181
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The New Complete Works for Guitar: Re-engraved in eleven volumes (review)

Thomas F. Heck
pp. 435-438
DOI: https://doi.org/10.1353/not.2002.0172
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Miriways: Singspiel in drei Akten nach einem Libretto von Johann Samuel Muller, TWV 21:24, and: Die Last-tragende Liebe, oder Emma und Eginhard: Singspiel in drei Akten nach einem Libretto von Christoph Gottlieb Wend, TWV 21:25 (review)

Steven David Zohn
pp. 438-442
DOI: https://doi.org/10.1353/not.2002.0200
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Radamisto: Opera seria in tre atti, HWV 12a, and: Radamisto: Opera seria in tre atti, HWV 12b, and: Radamisto: Opera seria in tre atti, HWV 12b [vocal score] (review)

Alison P. Deadman
pp. 442-445
DOI: https://doi.org/10.1353/not.2002.0166
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The Susato Motet Anthologies. Liber quintus ecclesiasticarum cantionum quinque vocum vulgo moteta vocant, tam ex Veteri quam ex Novo Testamento, ab optimis quibusque huius aetatis musicis compositarum omnes primi toni antea nunquam excusus (Antwerp: Susato, 1553); Liber sextus ecclesiasticarum cantionum quinque vocum vulgo moteta vocant. .. (Antwerp: Susato, 1553), and: The Susato Motet Anthologies. Liber septimus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1553); Liber octavus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1553), and: The Susato Motet Anthologies. Liber nonus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1554); Liber decimus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1555), and: The Susato Motet Anthologies. Liber undecimus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1555); Liber duodecimus ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1557); Liber XIII [ recte XIIII] ecclesiasticarum cantionum quinque vocum. .. (Antwerp: Susato, 1557) (review)

Timothy H. Steele
pp. 445-449
DOI: https://doi.org/10.1353/not.2002.0193
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Antiphonen (review)

Lance W. Brunner
pp. 449-453
DOI: https://doi.org/10.1353/not.2002.0159
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Six Bagatelles: for Solo Viola, and: Rhapsodic Variations No. 4: for Solo Viola, and: Sonate: pour alto seul, and: Requiescat: for Viola and Piano, and: Tinuviel's Dance: pour alto & piano, and: Urizen: for Viola and Piano (review)

Joanne Swenson-Eldridge
pp. 453-458
DOI: https://doi.org/10.1353/not.2002.0196
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L'oeuvre pour harmonium en deux volumes, and: L'organiste: Pieces pour orgue ou harmonium (review)

John Richard Near
pp. 458-464
DOI: https://doi.org/10.1353/not.2002.0184
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Communications

James Fuld, Stephen Wasserstein, Robert Adelson, Jacqueline Letzter, Victor Fell Yellin
p. 481
DOI: https://doi.org/10.1353/not.2002.0163
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Indiana University's William & Gayle Cook Music Library: An Introduction

Mary Wallace Davidson
pp. 251-263
DOI: https://doi.org/10.1353/not.2002.0165
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Prices of Music Monographs and Scores as Reflected in Notes, 1996-2001

Bradley H. Short
pp. 301-309
DOI: https://doi.org/10.1353/not.2002.0192
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Notes for NOTES

pp. 310-312
DOI: https://doi.org/10.1353/not.2002.0185
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Music Received

David Knapp
pp. 465-480
DOI: https://doi.org/10.1353/not.2002.0178
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