1. Ethel Louise Lyman and the Beginnings of the Indiana University Music Library
  2. John F. Anderies
  3. pp. 264-287
  4. DOI: 10.1353/not.2002.0153
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  1. What Music Scholars Should Know About Publishers
  2. Michael Ochs
  3. pp. 288-300
  4. DOI: 10.1353/not.2002.0186
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  1. The Cambridge Companion to Pop and Rock (review)
  2. Kevin Holm-Hudson
  3. pp. 313-317
  4. DOI: 10.1353/not.2002.0174
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  1. Progressive Rock Reconsidered (review)
  2. Albin Zak
  3. pp. 317-320
  4. DOI: 10.1353/not.2002.0199
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  1. Disruptive Divas: Feminism, Identity and Popular Music (review)
  2. Sheila Whiteley
  3. pp. 320-323
  4. DOI: 10.1353/not.2002.0197
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  1. Brazilian Popular Music and Globalization (review)
  2. Maria Elizabeth Lucas
  3. pp. 323-324
  4. DOI: 10.1353/not.2002.0183
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  1. Soundtrack Available: Essays on Film and Popular Music (review)
  2. Daniel Goldmark
  3. pp. 324-326
  4. DOI: 10.1353/not.2002.0170
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  1. Banda: Mexican Musical Life Across Borders (review)
  2. Candida Jaquez
  3. pp. 326-327
  4. DOI: 10.1353/not.2002.0175
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  1. Kompendium der musikalischen Sujets: Ein Werkkatalog (review)
  2. Eunice Mary Schroeder
  3. pp. 328-329
  4. DOI: 10.1353/not.2002.0190
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  1. Orlando di Lasso: Seine Werke in zeitgenossischen Drucken, 1555-1687 (review)
  2. Richard Freedman
  3. pp. 330-331
  4. DOI: 10.1353/not.2002.0169
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  1. Catalogo sistematico descriptivo de las obras musicales de Isaac Albeniz (review)
  2. Walter Aaron Clark
  3. pp. 332-333
  4. DOI: 10.1353/not.2002.0161
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  1. A Brahms Reader (review)
  2. Styra Avins
  3. pp. 333-337
  4. DOI: 10.1353/not.2002.0152
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  1. Writings Through John Cage's Music, Poetry, and Art (review)
  2. Amy C. Beal
  3. pp. 337-339
  4. DOI: 10.1353/not.2002.0157
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  1. Istvan Anhalt: Pathways and Memory (review)
  2. Peter Laki
  3. pp. 339-340
  4. DOI: 10.1353/not.2002.0180
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  1. Stravinsky Inside Out (review)
  2. Celso Loureiro Chaves
  3. pp. 340-342
  4. DOI: 10.1353/not.2002.0160
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  1. Manuel de Falla: Modernism in Spain, 1898-1936 (review)
  2. Walter Aaron Clark
  3. pp. 342-344
  4. DOI: 10.1353/not.2002.0162
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  1. Beethoven's Piano Sonatas: A Short Companion, and: Playing the Beethoven Piano Sonatas (review)
  2. Charles Fisk
  3. pp. 344-346
  4. DOI: 10.1353/not.2002.0168
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  1. Bach: The Goldberg Variations (review)
  2. Matthew Charles Dirst
  3. pp. 346-348
  4. DOI: 10.1353/not.2002.0167
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  1. Verdi in Performance (review)
  2. Nicole Edwina Ivy Baker
  3. pp. 348-350
  4. DOI: 10.1353/not.2002.0156
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  1. Vaughan Williams's Ninth Symphony, and: Vaughan Williams (review)
  2. Julian Onderdonk
  3. pp. 350-352
  4. DOI: 10.1353/not.2002.0187
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  1. The Contemporary Violin: Extended Performance Techniques (review)
  2. Michael Steinberg
  3. pp. 352-354
  4. DOI: 10.1353/not.2002.0194
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  1. The Simple Flute, from A to Z (review)
  2. Kristen Smith Stoner
  3. pp. 354-356
  4. DOI: 10.1353/not.2002.0195
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  1. The Eloquent Oboe: A History of the Hautboy from 1640 to 1760 (review)
  2. Charles Gower Price
  3. pp. 356-357
  4. DOI: 10.1353/not.2002.0189
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  1. The Lute in Britain: A History of the Instrument and Its Music (review)
  2. Gary R. Boye
  3. pp. 357-359
  4. DOI: 10.1353/not.2002.0158
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  1. Music as Concept and Practice in the Late Middle Ages (review)
  2. Peter Lefferts
  3. pp. 359-363
  4. DOI: 10.1353/not.2002.0182
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  1. Music Theory in Seventeenth-Century England (review)
  2. Candace Lea Bailey
  3. pp. 363-365
  4. DOI: 10.1353/not.2002.0155
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  1. Music in Ibero-America to 1850: A Historical Survey (review)
  2. John Koegel
  3. pp. 365-367
  4. DOI: 10.1353/not.2002.0179
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  1. In Search of Opera (review)
  2. Hilary Poriss
  3. pp. 367-369
  4. DOI: 10.1353/not.2002.0188
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  1. The Music of American Folk Song, and Selected Other Writings on American Folk Music (review)
  2. Sandra J. Graham
  3. pp. 369-370
  4. DOI: 10.1353/not.2002.0171
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 371-402
  4. DOI: 10.1353/not.2002.0198
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  1. Free (Mostly) Scores on the Web
  2. Martin Jenkins
  3. pp. 403-407
  4. DOI: 10.1353/not.2002.0176
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  1. Classifying Emotion for Information Retrieval: Three Web Sites
  2. James Kalbach
  3. pp. 408-411
  4. DOI: 10.1353/not.2002.0177
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  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 412-419
  4. DOI: 10.1353/not.2002.0154
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 420-423
  4. DOI: 10.1353/not.2002.0173
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  1. Complete Songs (with the Music in Macbeth ) (review)
  2. Robert Stuart Shay
  3. pp. 424-425
  4. DOI: 10.1353/not.2002.0191
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  1. Die drei Pintos (review)
  2. Mark DeVoto
  3. pp. 425-428
  4. DOI: 10.1353/not.2002.0164
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  1. The New Complete Works for Guitar: Re-engraved in eleven volumes (review)
  2. Thomas F. Heck
  3. pp. 435-438
  4. DOI: 10.1353/not.2002.0172
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  1. Antiphonen (review)
  2. Lance W. Brunner
  3. pp. 449-453
  4. DOI: 10.1353/not.2002.0159
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  1. L'oeuvre pour harmonium en deux volumes, and: L'organiste: Pieces pour orgue ou harmonium (review)
  2. John Richard Near
  3. pp. 458-464
  4. DOI: 10.1353/not.2002.0184
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  1. Communications
  2. p. 481
  3. DOI: 10.1353/not.2002.0163
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  1. Indiana University's William & Gayle Cook Music Library: An Introduction
  2. Mary Wallace Davidson
  3. pp. 251-263
  4. DOI: 10.1353/not.2002.0165
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 1996-2001
  2. Bradley H. Short
  3. pp. 301-309
  4. DOI: 10.1353/not.2002.0192
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  1. Notes for NOTES
  2. pp. 310-312
  3. DOI: 10.1353/not.2002.0185
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  1. Music Received
  2. David Knapp
  3. pp. 465-480
  4. DOI: 10.1353/not.2002.0178
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