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Table of Contents

  1. "La carrera de la muerte": Death, Driving, and Rituals of Modernization in 1950s Mexico
  2. J. Brian Freeman
  3. pp. 2-23
  4. DOI: https://doi.org/10.1353/sla.2011.0008
  5. restricted access
  1. Memories of Che: Forging a Postmodern Radicalism in Cultural Studies?
  2. John A. Gronbeck-Tedesco
  3. pp. 24-39
  4. DOI: https://doi.org/10.1353/sla.2011.0011
  5. restricted access
  1. Mulas y arrieros: Narcotráfico y los correos de la cocaína en la literatura colombiana contemporánea
  2. Jorge González del Pozo
  3. pp. 40-57
  4. DOI: https://doi.org/10.1353/sla.2011.0014
  5. restricted access
  1. What Is a Corrido? Musical Analysis and Narrative Function
  2. Ric Alviso
  3. pp. 58-79
  4. DOI: https://doi.org/10.1353/sla.2011.0017
  5. restricted access
  1. Telling Identities: Crime Narratives for Local and International Markets in María, Full of Grace (Marston, 2004) and Rosario Tijeras (Maillé, 2005)
  2. Florencia Cortés-Conde
  3. pp. 80-101
  4. DOI: https://doi.org/10.1353/sla.2011.0001
  5. restricted access
  1. From Girly Men to Manly Men: The Evolving Representation of Male Homosexuality in Twenty-First Century Telenovelas
  2. Julee Tate
  3. pp. 102-114
  4. DOI: https://doi.org/10.1353/sla.2011.0004
  5. restricted access
  1. "Amarrado al recuerdo"—The Memory Dimension in Classical Tango Lyrics
  2. J.N.F.M. à Campo
  3. pp. 115-141
  4. DOI: https://doi.org/10.1353/sla.2011.0007
  5. restricted access
  1. How to Read Chico Bento: Brazilian Comics and National Identity
  2. Jennifer Manthei
  3. pp. 142-163
  4. DOI: https://doi.org/10.1353/sla.2011.0010
  5. restricted access
  1. Actuar para (sobre)vivir: Rock nacional y cumbia villera en Argentina
  2. Timothy Wilson, Mara Favoretto
  3. pp. 164-183
  4. DOI: https://doi.org/10.1353/sla.2011.0013
  5. restricted access
  1. El narcocorrido religioso: usos y abusos de un género
  2. Juan Carlos Ramírez-Pimienta
  3. pp. 184-201
  4. DOI: https://doi.org/10.1353/sla.2011.0016
  5. restricted access
  1. On Pirate Cinema and Crying in Airports: A Conversation with Alberto Fuguet
  2. Brantley Nicholson, Lucia Reinaga
  3. pp. 202-217
  4. DOI: https://doi.org/10.1353/sla.2011.0000
  5. restricted access
  1. La ficción paranoica y el nacimiento de la novela policial: una entrevista con Ricardo Piglia
  2. Camilo Hernández-Castellanos, Jeff Lawrence
  3. pp. 218-229
  4. DOI: https://doi.org/10.1353/sla.2011.0003
  5. restricted access
  1. Latin American Melodrama: Passion, Pathos, and Entertainment (review)
  2. Cacilda Rêgo
  3. pp. 230-232
  4. DOI: https://doi.org/10.1353/sla.2011.0006
  5. restricted access
  1. Sujetos transnacionales: la negociación en cine y literatura (review)
  2. Cecilia Saenz-Roby
  3. pp. 232-235
  4. DOI: https://doi.org/10.1353/sla.2011.0009
  5. restricted access
  1. La novela sicaresca. Testimonio, sensacionalismo y ficción (review)
  2. Aldona Bialowas Pobutsky
  3. pp. 235-238
  4. DOI: https://doi.org/10.1353/sla.2011.0012
  5. restricted access
  1. The Berimbau: Soul of Brazilian Music (review)
  2. Marcus Brasileiro
  3. pp. 238-240
  4. DOI: https://doi.org/10.1353/sla.2011.0015
  5. restricted access
  1. Editor's Preface
  2. Melissa A. Fitch
  3. p. 1
  4. DOI: https://doi.org/10.1353/sla.2011.0005
  5. restricted access

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