Project MUSE - Studies in Latin American Popular Culture-Volume 29, 2011

"La carrera de la muerte": Death, Driving, and Rituals of Modernization in 1950s Mexico

J. Brian Freeman

pp. 2-23

DOI: https://doi.org/10.1353/sla.2011.0008

Memories of Che: Forging a Postmodern Radicalism in Cultural Studies?

John A. Gronbeck-Tedesco

pp. 24-39

DOI: https://doi.org/10.1353/sla.2011.0011

Mulas y arrieros: Narcotráfico y los correos de la cocaína en la literatura colombiana contemporánea

Jorge González del Pozo

pp. 40-57

DOI: https://doi.org/10.1353/sla.2011.0014

What Is a Corrido? Musical Analysis and Narrative Function

Ric Alviso

pp. 58-79

DOI: https://doi.org/10.1353/sla.2011.0017

Telling Identities: Crime Narratives for Local and International Markets in María, Full of Grace (Marston, 2004) and Rosario Tijeras (Maillé, 2005)

Florencia Cortés-Conde

pp. 80-101

DOI: https://doi.org/10.1353/sla.2011.0001

From Girly Men to Manly Men: The Evolving Representation of Male Homosexuality in Twenty-First Century Telenovelas

Julee Tate

pp. 102-114

DOI: https://doi.org/10.1353/sla.2011.0004

"Amarrado al recuerdo"—The Memory Dimension in Classical Tango Lyrics

J.N.F.M. à Campo

pp. 115-141

DOI: https://doi.org/10.1353/sla.2011.0007

How to Read Chico Bento: Brazilian Comics and National Identity

Jennifer Manthei

pp. 142-163

DOI: https://doi.org/10.1353/sla.2011.0010

Actuar para (sobre)vivir: Rock nacional y cumbia villera en Argentina

Timothy Wilson, Mara Favoretto

pp. 164-183

DOI: https://doi.org/10.1353/sla.2011.0013

El narcocorrido religioso: usos y abusos de un género

Juan Carlos Ramírez-Pimienta

pp. 184-201

DOI: https://doi.org/10.1353/sla.2011.0016

On Pirate Cinema and Crying in Airports: A Conversation with Alberto Fuguet

Brantley Nicholson, Lucia Reinaga

pp. 202-217

DOI: https://doi.org/10.1353/sla.2011.0000

La ficción paranoica y el nacimiento de la novela policial: una entrevista con Ricardo Piglia

Camilo Hernández-Castellanos, Jeff Lawrence

pp. 218-229

DOI: https://doi.org/10.1353/sla.2011.0003

Latin American Melodrama: Passion, Pathos, and Entertainment (review)

Cacilda Rêgo

pp. 230-232

DOI: https://doi.org/10.1353/sla.2011.0006

Sujetos transnacionales: la negociación en cine y literatura (review)

Cecilia Saenz-Roby

pp. 232-235

DOI: https://doi.org/10.1353/sla.2011.0009

La novela sicaresca. Testimonio, sensacionalismo y ficción (review)

Aldona Bialowas Pobutsky

pp. 235-238

DOI: https://doi.org/10.1353/sla.2011.0012

The Berimbau: Soul of Brazilian Music (review)

Marcus Brasileiro

pp. 238-240

DOI: https://doi.org/10.1353/sla.2011.0015

Editor's Preface

Melissa A. Fitch

p. 1

DOI: https://doi.org/10.1353/sla.2011.0005

ISSN	2157-2941
Print ISSN	0730-9139
Launched on MUSE	2011-06-08
Open Access	No

Studies in Latin American Popular Culture

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Volume 29, 2011

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