1. Front Porch
  2. Harry L. Watson
  3. pp. 1-4
  4. DOI: 10.1353/scu.1999.0065
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  1. Killers Real and Imagined
  2. Doris Betts
  3. pp. 5-13
  4. DOI: 10.1353/scu.1999.0078
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  1. Every Man Has Got the Right to Get Killed?: The Civil War Narratives of Mary Johnston and Caroline Gordon
  2. Sarah E. Gardner
  3. pp. 14-40
  4. DOI: 10.1353/scu.1999.0007
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  1. Rednecks, White Socks, and Piña Coladas?: Country Music Ain't What It Used to Be . . . And It Really Never Was
  2. James C. Cobb
  3. pp. 41-51
  4. DOI: 10.1353/scu.1999.0022
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  1. The Plantation Tradition in an Urban Setting: The Case of the Aiken-Rhett House in Charleston, South Carolina
  2. John Michael Vlach
  3. pp. 52-69
  4. DOI: 10.1353/scu.1999.0036
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  1. Good Ol' Girls (review)
  2. Shannon Ravenel
  3. pp. 70-71
  4. DOI: 10.1353/scu.1999.0050
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  1. Lee Smith, Annie Dillard, and the Hollins Group: A Genesis of Writers (review)
  2. Amy Thompson McCandless
  3. pp. 76-78
  4. DOI: 10.1353/scu.1999.0074
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  1. Selling Tradition Appalachia and the Construction of an American Folk, 1930-1940 (review)
  2. Maria R. Miller
  3. pp. 79-82
  4. DOI: 10.1353/scu.1999.0004
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  1. A Fabric of Defeat The Politics of South Carolina Millhands, 1910-1948 (review)
  2. Alex Lichtenstein
  3. pp. 82-85
  4. DOI: 10.1353/scu.1999.0016
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  1. Pastoral and Politics in the Old South (review)
  2. Mark G. Malvasi
  3. pp. 86-88
  4. DOI: 10.1353/scu.1999.0031
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  1. Brushing Back Jim Crow The Integration of Minor-League Baseball in the American South (review)
  2. Steven F. Lawson
  3. pp. 89-91
  4. DOI: 10.1353/scu.1999.0044
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  1. Taquachito Nights Conjunto Music From South Texas (review)
  2. Gavin James Campbell
  3. p. 95
  4. DOI: 10.1353/scu.1999.0010
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  1. The Central Theme
  2. John Shelton Reed
  3. pp. 96-99
  4. DOI: 10.1353/scu.1999.0025
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  1. About the Contributors
  2. p. 100
  3. DOI: 10.1353/scu.1999.0039
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