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Table of Contents

  1. An Interview with Dorothy Allison
  2. Michael LeMahieu
  3. pp. 651-676
  4. DOI: https://doi.org/10.1353/cli.2011.0002
  5. restricted access
  1. "Fun Actually Was Becoming Quite Subversive": Herbert Marcuse, the Yippies, and the Value System of Gravity's Rainbow
  2. Molly Hite
  3. pp. 677-702
  4. DOI: https://doi.org/10.1353/cli.2011.0004
  5. restricted access
  1. "That We Can Somehow Add Each to Each Other?": George Oppen between Denise Levertov and Rachel Blau DuPlessis
  2. Libbie Rifkin
  3. pp. 703-735
  4. DOI: https://doi.org/10.1353/cli.2011.0006
  5. restricted access
  1. "There Is No Content Here, Only Dailiness": Poetry as Critique of Everyday Life in Ron Silliman's Ketjak
  2. Andrew Epstein
  3. pp. 736-776
  4. DOI: https://doi.org/10.1353/cli.2011.0008
  5. restricted access
  1. Barry Unsworth and the Arts of Power: Historical Memory, Utopian Fictions
  2. Greg Forter
  3. pp. 777-809
  4. DOI: https://doi.org/10.1353/cli.2011.0010
  5. restricted access
  1. City Memory, City History: Urban Nostalgia, The Colossus of New York, and Late-Twentieth-Century Historical Fiction
  2. Tamar Katz
  3. pp. 810-851
  4. DOI: https://doi.org/10.1353/cli.2011.0000
  5. restricted access
  1. Learning to Love Postwar Fiction
  2. Michael W. Clune
  3. pp. 852-866
  4. DOI: https://doi.org/10.1353/cli.2011.0001
  5. restricted access
  1. "A Wilderness of Mirrors": Writing and Reading the Cold War
  2. Arthur Redding
  3. pp. 867-873
  4. DOI: https://doi.org/10.1353/cli.2011.0003
  5. restricted access
  1. Resting Places
  2. Jeffrey Gray
  3. pp. 874-882
  4. DOI: https://doi.org/10.1353/cli.2011.0005
  5. restricted access
  1. Space and Style in Contemporary British Fiction
  2. Lucienne Loh
  3. pp. 883-891
  4. DOI: https://doi.org/10.1353/cli.2011.0007
  5. restricted access
  1. Contributors
  3. pp. 892-893
  4. DOI: https://doi.org/10.1353/cli.2011.0009
  5. restricted access