In this Issue

Table of Contents

Preface

Philip Sicker, Moshe Gold
pp. xi-xiv
DOI: https://doi.org/10.1353/joy.2011.0012
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Articles

Joyce’s Ellmann: The Beginnings of James Joyce

Amanda Sigler
pp. 3-70
DOI: https://doi.org/10.1353/joy.2011.0001
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A Table for One: Hunger and Unhomeliness in Joyce’s Public Eateries

Lauren Rich
pp. 71-98
DOI: https://doi.org/10.1353/joy.2011.0003
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“Building Up a Nation Once Again”: Irish Masculinity, Violence, and the Cultural Politics of Sports in A Portrait of the Artist as a Young Man and Ulysses

Peter C.L. Nohrnberg
pp. 99-152
DOI: https://doi.org/10.1353/joy.2011.0005
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Scratching at Scabs: The Garryowens of Ireland

Denise A. Ayo
pp. 153-172
DOI: https://doi.org/10.1353/joy.2011.0007
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Reading the Disabled Woman: Gerty MacDowell and the Stigmaphilic Space of “Nausicaa”

Angela Lea Nemecek
pp. 173-202
DOI: https://doi.org/10.1353/joy.2011.0009
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“Szombathely, Vienna, Budapest”: Epic Geography and the Austro-Hungarian Dimension of James Joyce’s Ulysses

Dieter Fuchs
pp. 203-220
DOI: https://doi.org/10.1353/joy.2011.0011
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Intermisunderstanding Minds: The First Gospel in Finnegans Wake

Roy Benjamin
pp. 221-237
DOI: https://doi.org/10.1353/joy.2011.0000
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Notes

James Joyce’s “Araby” on Film

Joseph Kestner
pp. 241-247
DOI: https://doi.org/10.1353/joy.2011.0002
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Joyce Illustrates Finnegans Wake and HCE Goes Tomb-Hopping

Faith Steinberg
pp. 248-253
DOI: https://doi.org/10.1353/joy.2011.0004
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Orpheus Descending: Images of Psychic Descent in “Hades” and “Circe”

Brandon Lamson
pp. 254-261
DOI: https://doi.org/10.1353/joy.2011.0006
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Joyce’s “The Dead” and the Midlife Crisis

Thomas Rendall
pp. 262-271
DOI: https://doi.org/10.1353/joy.2011.0008
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Contributors

pp. 273-274
DOI: https://doi.org/10.1353/joy.2011.0010
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