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Table of Contents

  1. Joyce’s Ellmann: The Beginnings of James Joyce
  2. Amanda Sigler
  3. pp. 3-70
  4. DOI: https://doi.org/10.1353/joy.2011.0001
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  1. A Table for One: Hunger and Unhomeliness in Joyce’s Public Eateries
  2. Lauren Rich
  3. pp. 71-98
  4. DOI: https://doi.org/10.1353/joy.2011.0003
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  1. “Building Up a Nation Once Again”: Irish Masculinity, Violence, and the Cultural Politics of Sports in A Portrait of the Artist as a Young Man and Ulysses
  2. Peter C.L. Nohrnberg
  3. pp. 99-152
  4. DOI: https://doi.org/10.1353/joy.2011.0005
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  1. Scratching at Scabs: The Garryowens of Ireland
  2. Denise A. Ayo
  3. pp. 153-172
  4. DOI: https://doi.org/10.1353/joy.2011.0007
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  1. Reading the Disabled Woman: Gerty MacDowell and the Stigmaphilic Space of “Nausicaa”
  2. Angela Lea Nemecek
  3. pp. 173-202
  4. DOI: https://doi.org/10.1353/joy.2011.0009
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  1. “Szombathely, Vienna, Budapest”: Epic Geography and the Austro-Hungarian Dimension of James Joyce’s Ulysses
  2. Dieter Fuchs
  3. pp. 203-220
  4. DOI: https://doi.org/10.1353/joy.2011.0011
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  1. Intermisunderstanding Minds: The First Gospel in Finnegans Wake
  2. Roy Benjamin
  3. pp. 221-237
  4. DOI: https://doi.org/10.1353/joy.2011.0000
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  1. James Joyce’s “Araby” on Film
  2. Joseph Kestner
  3. pp. 241-247
  4. DOI: https://doi.org/10.1353/joy.2011.0002
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  1. Joyce Illustrates Finnegans Wake and HCE Goes Tomb-Hopping
  2. Faith Steinberg
  3. pp. 248-253
  4. DOI: https://doi.org/10.1353/joy.2011.0004
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  1. Orpheus Descending: Images of Psychic Descent in “Hades” and “Circe”
  2. Brandon Lamson
  3. pp. 254-261
  4. DOI: https://doi.org/10.1353/joy.2011.0006
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  1. Joyce’s “The Dead” and the Midlife Crisis
  2. Thomas Rendall
  3. pp. 262-271
  4. DOI: https://doi.org/10.1353/joy.2011.0008
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  1. Preface
  2. Philip Sicker, Moshe Gold
  3. pp. xi-xiv
  4. DOI: https://doi.org/10.1353/joy.2011.0012
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  1. Contributors
  3. pp. 273-274
  4. DOI: https://doi.org/10.1353/joy.2011.0010
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