Theatre Journal

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What Did It Mean to Act in the Middle Ages?: Elisabeth of Spalbeek and Imitatio Christi

Jesse Njus

pp. 1-21

DOI: https://doi.org/10.1353/tj.2011.0026

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Editorial Comment: Celebrating New Authors

Catherine A. Schuler

pp. 9-12

DOI: https://doi.org/10.1353/tj.2011.0033

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Ludus Populi: The Practice of Nonsense

Natasha Lushetich

pp. 23-41

DOI: https://doi.org/10.1353/tj.2011.0032

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The Closet Is a Deathtrap: Bisexuality, Duplicity, and the Dangers of the Closet in the Postmodern Thriller

Jordan Schildcrout

pp. 43-59

DOI: https://doi.org/10.1353/tj.2011.0004

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Slavery and the Theatre of History: Ritual Performance on the Auction Block

Jason Stupp

pp. 61-84

DOI: https://doi.org/10.1353/tj.2011.0009

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"The Sounds of Deeds": Karl Kraus and Acoustic Quotation

Timothy Youker

pp. 85-100

DOI: https://doi.org/10.1353/tj.2011.0014

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Oregon Shakespeare Festival (review)

Sonja Arsham Kuftinec

pp. 101-106

DOI: https://doi.org/10.1353/tj.2011.0019

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The Madness of George III, and: King Lear (review)

Marion E. Wilson

pp. 106-109

DOI: https://doi.org/10.1353/tj.2011.0024

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Kamp (review)

James M. Cherry

pp. 109-111

DOI: https://doi.org/10.1353/tj.2011.0030

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Beyond the Horizon, and: Spring Storm (review)

Henry I. Schvey

pp. 111-115

DOI: https://doi.org/10.1353/tj.2011.0002

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Herr Paul (review)

Jeffrey Stephens

pp. 115-116

DOI: https://doi.org/10.1353/tj.2011.0007

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I am Jerusalem (review)

Maurya Wickstrom

pp. 116-118

DOI: https://doi.org/10.1353/tj.2011.0012

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Mama Hated Diesels (review)

Pamyla A. Stiehl

pp. 118-120

DOI: https://doi.org/10.1353/tj.2011.0017

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Standing on Ceremony: The Gay Marriage Plays (review)

Jason Fitzgerald

pp. 120-121

DOI: https://doi.org/10.1353/tj.2011.0022

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Promises, Promises (review)

Maya Cantu

pp. 121-123

DOI: https://doi.org/10.1353/tj.2011.0028

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Fences (review)

Isaiah Matthew Wooden

pp. 123-125

DOI: https://doi.org/10.1353/tj.2011.0000

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Cédric Andrieux (review)

Christina Tsoules Soriano

pp. 125-127

DOI: https://doi.org/10.1353/tj.2011.0005

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Buckworld One (review)

Megan Anne Todd

pp. 127-129

DOI: https://doi.org/10.1353/tj.2011.0010

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Enchanted Evenings: The Broadway Musical from Show Boat to Sondheim and Lloyd Webber, and: Off-Broadway Musicals, 1910–2007: Casts, Credits, Songs, Critical Reception and Performance Data of More than 1,800 Shows, and: "No Legs, No Jokes, No Chance": A History of the American Musical Theater, and: Show Tunes: The Songs, Shows, and Careers of Broadway's Major Composers (review)

John M. Clum

pp. 131-135

DOI: https://doi.org/10.1353/tj.2011.0025

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Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader (review)

J. Ellen Gainor

pp. 135-136

DOI: https://doi.org/10.1353/tj.2011.0031

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The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (review)

Douglas A. Jones Jr.

pp. 136-138

DOI: https://doi.org/10.1353/tj.2011.0003

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Embodying Black Experience: Stillness, Critical Memory, and the Black Body (review)

Ric Knowles

pp. 138-139

DOI: https://doi.org/10.1353/tj.2011.0008

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Black Feminism in Contemporary Drama (review)

Phyllisa Smith Deroze

pp. 139-140

DOI: https://doi.org/10.1353/tj.2011.0013

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Street Scenes: Staging the Self in Immigrant New York, 1880–1924, and: The Immigrant Scene: Ethnic Amusements in New York, 1880–1920 (review)

Jennifer Schlueter

pp. 140-142

DOI: https://doi.org/10.1353/tj.2011.0018

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Dramaturgy of the Real on the World Stage (review)

Ryan Claycomb

pp. 142-143

DOI: https://doi.org/10.1353/tj.2011.0034

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The Theatricality of Robert Lepage (review)

Courtney Ryan

pp. 143-144

DOI: https://doi.org/10.1353/tj.2011.0023

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Visuality in the Theatre: The Locus of Looking (review)

Roger Bechtel

pp. 145-146

DOI: https://doi.org/10.1353/tj.2011.0029

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The Rose and the Globe—Play-Houses of Shakespeare's Bank-Side, Southwark: Excavations 1988–90 (review)

R. B. Graves

pp. 146-147

DOI: https://doi.org/10.1353/tj.2011.0001

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Comedy Matters: From Shakespeare to Stoppard (review)

Miriam Chirico

pp. 147-148

DOI: https://doi.org/10.1353/tj.2011.0006

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Handspring Puppet Company (review)

Loren Kruger

pp. 148-149

DOI: https://doi.org/10.1353/tj.2011.0011

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The Kenning Anthology of Poets Theater: 1945–1985, and: Poets at Play: An Anthology of Modernist Drama (review)

Heidi R. Bean

pp. 150-151

DOI: https://doi.org/10.1353/tj.2011.0016

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Books Received

pp. 152-158

DOI: https://doi.org/10.1353/tj.2011.0021

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Previous Issue

Volume 62, Number 4, December 2010

Next Issue

Volume 63, Number 2, May 2011

Additional Information
ISSN	1086-332X
Print ISSN	0192-2882
Launched on MUSE	2011-04-09
Open Access	No

Copyright

Copyright © The Johns Hopkins University Press.