1. What Did It Mean to Act in the Middle Ages?: Elisabeth of Spalbeek and Imitatio Christi
  2. Jesse Njus
  3. pp. 1-21
  4. DOI: 10.1353/tj.2011.0026
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  1. Editorial Comment: Celebrating New Authors
  2. Catherine A. Schuler
  3. pp. 9-12
  4. DOI: 10.1353/tj.2011.0033
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  1. Ludus Populi: The Practice of Nonsense
  2. Natasha Lushetich
  3. pp. 23-41
  4. DOI: 10.1353/tj.2011.0032
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  1. The Closet Is a Deathtrap: Bisexuality, Duplicity, and the Dangers of the Closet in the Postmodern Thriller
  2. Jordan Schildcrout
  3. pp. 43-59
  4. DOI: 10.1353/tj.2011.0004
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  1. Slavery and the Theatre of History: Ritual Performance on the Auction Block
  2. Jason Stupp
  3. pp. 61-84
  4. DOI: 10.1353/tj.2011.0009
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  1. "The Sounds of Deeds": Karl Kraus and Acoustic Quotation
  2. Timothy Youker
  3. pp. 85-100
  4. DOI: 10.1353/tj.2011.0014
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  1. Oregon Shakespeare Festival (review)
  2. Sonja Arsham Kuftinec
  3. pp. 101-106
  4. DOI: 10.1353/tj.2011.0019
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  1. The Madness of George III, and: King Lear (review)
  2. Marion E. Wilson
  3. pp. 106-109
  4. DOI: 10.1353/tj.2011.0024
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  1. Kamp (review)
  2. James M. Cherry
  3. pp. 109-111
  4. DOI: 10.1353/tj.2011.0030
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  1. Beyond the Horizon, and: Spring Storm (review)
  2. Henry I. Schvey
  3. pp. 111-115
  4. DOI: 10.1353/tj.2011.0002
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  1. Herr Paul (review)
  2. Jeffrey Stephens
  3. pp. 115-116
  4. DOI: 10.1353/tj.2011.0007
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  1. I am Jerusalem (review)
  2. Maurya Wickstrom
  3. pp. 116-118
  4. DOI: 10.1353/tj.2011.0012
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  1. Mama Hated Diesels (review)
  2. Pamyla A. Stiehl
  3. pp. 118-120
  4. DOI: 10.1353/tj.2011.0017
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  1. Standing on Ceremony: The Gay Marriage Plays (review)
  2. Jason Fitzgerald
  3. pp. 120-121
  4. DOI: 10.1353/tj.2011.0022
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  1. Promises, Promises (review)
  2. Maya Cantu
  3. pp. 121-123
  4. DOI: 10.1353/tj.2011.0028
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  1. Fences (review)
  2. Isaiah Matthew Wooden
  3. pp. 123-125
  4. DOI: 10.1353/tj.2011.0000
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  1. Cédric Andrieux (review)
  2. Christina Tsoules Soriano
  3. pp. 125-127
  4. DOI: 10.1353/tj.2011.0005
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  1. Buckworld One (review)
  2. Megan Anne Todd
  3. pp. 127-129
  4. DOI: 10.1353/tj.2011.0010
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  1. Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader (review)
  2. J. Ellen Gainor
  3. pp. 135-136
  4. DOI: 10.1353/tj.2011.0031
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  1. The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (review)
  2. Douglas A. Jones Jr.
  3. pp. 136-138
  4. DOI: 10.1353/tj.2011.0003
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  1. Embodying Black Experience: Stillness, Critical Memory, and the Black Body (review)
  2. Ric Knowles
  3. pp. 138-139
  4. DOI: 10.1353/tj.2011.0008
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  1. Black Feminism in Contemporary Drama (review)
  2. Phyllisa Smith Deroze
  3. pp. 139-140
  4. DOI: 10.1353/tj.2011.0013
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  1. Dramaturgy of the Real on the World Stage (review)
  2. Ryan Claycomb
  3. pp. 142-143
  4. DOI: 10.1353/tj.2011.0034
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  1. The Theatricality of Robert Lepage (review)
  2. Courtney Ryan
  3. pp. 143-144
  4. DOI: 10.1353/tj.2011.0023
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  1. Visuality in the Theatre: The Locus of Looking (review)
  2. Roger Bechtel
  3. pp. 145-146
  4. DOI: 10.1353/tj.2011.0029
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  1. The Rose and the Globe—Play-Houses of Shakespeare's Bank-Side, Southwark: Excavations 1988–90 (review)
  2. R. B. Graves
  3. pp. 146-147
  4. DOI: 10.1353/tj.2011.0001
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  1. Comedy Matters: From Shakespeare to Stoppard (review)
  2. Miriam Chirico
  3. pp. 147-148
  4. DOI: 10.1353/tj.2011.0006
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  1. Handspring Puppet Company (review)
  2. Loren Kruger
  3. pp. 148-149
  4. DOI: 10.1353/tj.2011.0011
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  1. The Kenning Anthology of Poets Theater: 1945–1985, and: Poets at Play: An Anthology of Modernist Drama (review)
  2. Heidi R. Bean
  3. pp. 150-151
  4. DOI: 10.1353/tj.2011.0016
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  1. Books Received
  2. pp. 152-158
  3. DOI: 10.1353/tj.2011.0021
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