In this Issue

Table of Contents

War, Terrorism, and Spectacle : On Towers and Caves

Samuel Weber
pp. 449-458
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Abstraction and Aura

Keith Broadfoot
pp. 459-478
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Apprehension? Performativity and Medium-Specificity in Modern Art

Andrew McNamara
pp. 479-499
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"Bright Shadows": Art, Aboriginality, and Aura

Rex Butler
pp. 501-518
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Getting to the Photo Finish: Photography, Autobiography, Modernity

Catherine Liu
pp. 519-539
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The Idiom in Photography As the Truth in Painting

Rosemary Hawker
pp. 541-554
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Art in the "Post-Medium" Era: Aesthetics and Conceptualism in the Art of Jeff Wall

Toni Ross
pp. 555-572
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The Ghost in the Machine: The Comedy of Technology in the Cinema of Buster Keaton

Lisa Trahair
pp. 573-588
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Unforgiven: Fausse Reconnaissance

Peter Krapp
pp. 589-607
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Fama/Chain of Muses: Two Classical Problems of Literary Studies with "the Media"

Georg Stanitzek, Peter Krapp
pp. 609-623
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Between Real Time and Memory on Demand: Reflections on/of Television

Wolfgang Ernst
pp. 625-637
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Blade Runners : Speculations on Narrative and Interactivity

Patrick Crogan
pp. 639-657
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Media Metaphorology: Irritations in the Epistemic Field of Media Studies

Georg Christoph Tholen, Peter Krapp
pp. 659-672
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The Image As an Architectural Material

John Macarthur
pp. 673-693
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Responding: A Discussion with Samuel Weber

Samuel Weber, Simon Wortham, Gary Hall
pp. 695-724
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Introduction

Andrew McNamara, Peter Krapp
pp. 441-448
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Notes on Contributors

pp. 725-727
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