1. War, Terrorism, and Spectacle : On Towers and Caves
  2. Samuel Weber
  3. pp. 449-458
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  1. Abstraction and Aura
  2. Keith Broadfoot
  3. pp. 459-478
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  1. Apprehension? Performativity and Medium-Specificity in Modern Art
  2. Andrew McNamara
  3. pp. 479-499
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  1. "Bright Shadows": Art, Aboriginality, and Aura
  2. Rex Butler
  3. pp. 501-518
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  1. Getting to the Photo Finish: Photography, Autobiography, Modernity
  2. Catherine Liu
  3. pp. 519-539
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  1. The Idiom in Photography As the Truth in Painting
  2. Rosemary Hawker
  3. pp. 541-554
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  1. Art in the "Post-Medium" Era: Aesthetics and Conceptualism in the Art of Jeff Wall
  2. Toni Ross
  3. pp. 555-572
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  1. The Ghost in the Machine: The Comedy of Technology in the Cinema of Buster Keaton
  2. Lisa Trahair
  3. pp. 573-588
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  1. Unforgiven: Fausse Reconnaissance
  2. Peter Krapp
  3. pp. 589-607
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  1. Fama/Chain of Muses: Two Classical Problems of Literary Studies with "the Media"
  2. Georg Stanitzek, Peter Krapp
  3. pp. 609-623
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  1. Between Real Time and Memory on Demand: Reflections on/of Television
  2. Wolfgang Ernst
  3. pp. 625-637
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  1. Blade Runners : Speculations on Narrative and Interactivity
  2. Patrick Crogan
  3. pp. 639-657
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  1. Media Metaphorology: Irritations in the Epistemic Field of Media Studies
  2. Georg Christoph Tholen, Peter Krapp
  3. pp. 659-672
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  1. The Image As an Architectural Material
  2. John Macarthur
  3. pp. 673-693
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  1. Responding: A Discussion with Samuel Weber
  2. Samuel Weber, Simon Wortham, Gary Hall
  3. pp. 695-724
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  1. Introduction
  2. Andrew McNamara, Peter Krapp
  3. pp. 441-448
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  1. Notes on Contributors
  3. pp. 725-727
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