In this Issue

Table of Contents

The Expeditions: Landscape as Performance

Trevor Paglen
pp. 2-3
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Mullah Mansour's Theatrical Triumph, and Our Loss

Joel Schechter
pp. 7-8
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Ringing the Bell for Ellen Stewart: 1919-2011

Richard Schechner
pp. 9-10
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Playing at Border Crossing in a Mexican Indigenous Community...Seriously

Tamara L. Underiner
pp. 11-32
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Rehearsed and Coerced: Creating Counter Indications

Jeff McMahon
pp. 33-51
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Burn: The Radical Disappearance of Kathy Change

Joseph Shahadi
pp. 52-72
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Before Us a Savage God: Self-Fashioning the Nation in Yorùbá Performance

Glenn Odom
pp. 73-85
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The Concupiscent Performer: Joanna Frueh's "Art of Seduction"

Tanya Augsburg
pp. 86-103
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Mirror, Mirror: Joanna Frueh as Fairy Stepmother

Maria Elena Buszek
pp. 104-113
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Pieces: Goddess of Roses

Joanna Frueh
pp. 114-125
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Ontology and Autobiographical Performance: Joanna Frueh's Aesthetics of Orgasm

Jill O'Bryan
pp. 126-136
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Laotang: Intimate Encounters

Dror Harari
pp. 137-149
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Krapp's First Tape: Okada Toshiki's Enjoy

Cody Poulton
pp. 150-157
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What to Do When Your Role Model Jumps Ship: Lián Amaris's Swimming to Spalding

Theresa Smalec
pp. 157-164
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Mondi, corpi, materie: Teatri del secondo Novecento [Worlds, Bodies, Matters: Theatres in the Second Part of the 20th Century] (review)

Aleksandra Jovićević
pp. 165-167
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The Letters of Samuel Beckett, Volume 1:1929-1940 (review)

Martin Harries
pp. 167-169
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The Applied Theatre Reader (review)

Sonja Arsham Kuftinec
pp. 169-171
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Performing Conquest: Five Centuries of Theater, History, and Identity in Tlaxcala, Mexico (review)

Lara D. Nielsen
pp. 171-174
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More Books

Sebastián Calderón Bentin
pp. 174-175
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